I argue that Kant’s threefold synthesis of the fundamental act-types of the apprehension, reproduction, and recognition of a manifold of sense-impressions, as presented in the A-Deduction (see A97-110), holds the key to understanding the origin of the categories, or concepts of an object in general, as treated in their Metaphysical Deduction. To that end, I reconstruct Kant’s analysis of a synthesis of empirical intuition (I.), in order to then, on that basis, reconstruct Kant’s concept-formation of the categories (...) (II.). As it turns out, the threefold synthesis as exercised regarding a manifold of sense-impressions in an empirical intuition of an object can indeed account for the representational contents of the categories of quality (apprehension), quantity (reproduction), relation (recognition), and modality (relating to the object through a manifold of sense-impressions). It is in this sense that the categories are “concepts of synthesis” (A80/B106) or, more precisely, “concepts of the synthesis of possible sensations” (A723/B751). (shrink)

In this chapter I advance a moderately conceptualist interpretation of Kant’s account of the threefold synthesis in the A-Deduction. Often the first version of TD, the A-Deduction, is thought to be less conceptualist than the later B-version from 1787 (e.g. Heidegger 1991, 1995). Certainly, it seems that in the B-Deduction Kant puts more emphasis on the role of the understanding in determining the manifold of representations in intuition than he does in the A-Deduction. It also appears that in (...) the A-Deduction the seemingly pre-conceptual aspects of a priori synthesis, namely those of the synthesis of apprehension and the imagination, are more prominently featured than in the B-Deduction. And the fact that in the A-Deduction judgement does not appear to play any significant role reinforces the view that the A-Deduction is less strongly conceptualist. I believe that Kant is a conceptualist also in the A-Deduction (as much as in the B-Deduction) in the sense that all syntheses, which are expounded in the second section of the A-Deduction, must be seen as involving the categories or the understanding as the seat of the categories. However, despite some apparent strong modal claims regarding apperception in the A-Deduction, I argue that Kant is a moderate conceptualist in the sense that he allows for the real possibility that some representations are apprehended that are not subsumed or subsumable under the categories, or determined or determinable by the understanding as the seat of the categories. Not all representations must be synthesised and hence be conceptualised (by means of the categories), nor are all representations necessarily conceptualisable (by means of the categories). Often it is argued that the application of the categories must be seen as separate from or prior to conceptualisation (that is, employment of concepts in a judgement), so that the categories must be considered to apply to representations at least to the extent that the productive imagination or recognitive synthesis is involved, even if no empirical concepts are applied in an actual judgement. But it is difficult to see how categories can apply outside the context of an actual judgement in which ipso facto empirical concepts are employed, because, after all, categories are nothing but logical functions of judgement (e.g. B143). More in particular, I shall argue for the claims that (1) appearances to the contrary, all three levels of syntheses in the A-Deduction, including the synthesis of recognition, are interdependent and are not to be seen as operating singly or independently of each other, and hence of the categories; (2) ‘mere’ apprehension, or ‘mere’ intuition, is not dependent on the understanding and the application or possible application of the categories; and that (3) ‘mere’ apprehension does not even invoke a priori synthesis of apprehension and hence is as such fully lawless in terms of Kantian a priori laws. In this context, I also address Kant’s argument in the A-Deduction about the role of the imagination in the production of spatial objects and explain his apt use of the example of cinnabar to show that the kind of association that is at issue here concerns the possibility of knowledge, not the possibility of mere association, as is often assumed. (shrink)

Talk at University of Turin, 'Kant, oltre Kant, May 5th 2023. --- -/- It is useful, while keeping in mind a holistic approach, to concentrate on a common theme in Kant’s text, which it will turn out is the quintessential element of his novel ‘way of thinking’, as he himself put it in preface of the second edition of the Critique of Pure Reason. This common theme is the idea of synthesis, which is what holds together, and is the (...) entryway to, all the other familiar aspects of Kant’s thought: his concept of self-consciousness or how mind is involved in cognition, his ideas about the role of the imagination, his theory of knowledge and his metaphysics of experience, and not unimportantly, its relation to what is probably the most Kantian element here: the categories of the understanding as the first principles of knowledge. But the meaning of synthesis and its role in its various facets, though frequently the subject of discussion in papers and monographs alike, is hardly understood in contemporary Kant scholarship. Most readings of the text of the Deduction, the part in which Kant elucidates his concept of synthesis, exhibit a shallow, mechanical understanding of it. -/- A compounding factor is that synthesis can’t really be understood independently of the other aforementioned elements of Kant’s thought. Grasping the meaning of synthesis implies coming to grips with his concept of self-consciousness and the way both self-consciousness and the categories are intricately and intimately involved. Most interpretations consider these aspects too much as if they were indeed separable faculties or entities that serve separable functions, undercutting an important feature of Kant’s metaphysics: the possibility of a priori unified cognition, for which an indivisible self-legislating subject is responsible. Rather, they are expressions of various aspects of a singular function of the mind as the ground of possible unified knowledge. -/- One striking example of such a superficial reading of the text is the way the relation between figurative synthesis and intellectual synthesis—or in the case of the A-Deduction the threefold synthesis—is standardly interpreted, as if the two are independent or quasi-independent functions of different faculties of the mind, the imagination and the understanding. In this paper, I focus on the relation between figurative and intellectual synthesis, while arguing that failing to understand this properly, indeed the relation between the imagination and the understanding, leads to a vicious regress in the explanation of the ground of knowledge, for which a priori synthesis is specifically designed. In other words, failing to see the intimate relation between the imagination and the understanding, the very identity that lies at their root, risks losing sight of the primary aim of Kant’s thought: the possibility of a priori unified knowledge. (shrink)

h e "Urban Legend" of Punctuated Equilibrium's Threefold History: The opponents of punctuated equilibrium have constructed a fictional history of the theory, primarily (I suppose) as a largely unconscious expression of their hope for its minor importance […] This supposed threefold history of punctuated equilibrium also ranks about as close to pure fiction as any recent commentary by scientists has ever generated. In stage one, the story goes, we were properly modest, obedient to the theoretical hegemony of the (...) Modern Synthesis, and merely trying to bring paleontology into the fold. But the prospect of worldly fame beguiled us, so we broke our ties of fealty and tried, in stage two, to usurp power by painting punctuated equilibrium as a revolutionary doctrine that would dethrone the Synthesis, resurrect the memory of the exiled martyr (Richard Goldschmidt), and reign over a reconstructed realm of theory. But we were too big for our breeches, and the old guard still retained some life. They fought back mightily and effectively, exposing our bombast and emptiness. We began to hedge, retreat, and apologize, and have been doing so ever since in an effort to regain grace and, chastened in stage three, to sit again, in heaven or Valhalla, with the evolutionary elite. (shrink)

In our experience, we see more than what we see in a strict sense. We see things as identical through (and despite) multiple spatio‐temporal appearances; we recognize things as something. In this article, I address this issue by asking how temporality allows us to see more in the present than what the present actually contains. I argue that presence and absence are “available,” not just as they are perceived through our senses, but as they are encountered through time, and notably, (...) according to the relations that unify past, present, and future. To support this view, I refer to Heidegger's interpretation of Kant's notion of synthesis. Specifically, I consider Heidegger's reading of the so‐called A‐Deduction, where Kant describes our relation with objects as enabled by three syntheses (i.e., apprehension, reproduction, and recognition). I reconstruct Heidegger's holistic interpretation of the threefold synthesis as an interplay of past, present, and future. I show how in such interplay, temporal dimensions are unified by relations that do not rely on perception; these “time‐relations,” which Heidegger also calls “rules,” allow us to see what we see not just as it is literally perceived, but as part of an “image” of the manifold. (shrink)

The purpose of this paper is threefold: To show the basic contours of transcendental subjectivity in the later work of Edmund Husserl, especially the Cartesian Meditations and the Crisis, and in the strictly phenomenological work of Michel Henry, especially Material Phenomenology; to highlight Henry’s radical critique of Husserlian intersubjectivity and show that such critique, while valuable in its intention, is ultimately misguided because it neglects the important contribution Husserl’s complicated vocabulary of lifeworld makes to the study of intersubjectivity; and (...) to point toward a phenomenological conception of intersubjective practice we may call the realm of we-synthesis that prioritizes the first-person perspective rooted in empathy, which enables meaningful engagement with the second-person perspective. Working in conjunction with Husserl and Henry on the phenomenological conception of shared life enables the recuperation of the fragile line between subjectivity and intersubjectivity. (shrink)

In the transcendental deduction, the central argument of the Critique of Pure Reason, Kant seeks to secure the objective validity of our basic categories of thought. He distinguishes objective and subjective sides of this argument. The latter side, the subjective deduction, is normally understood as an investigation of our cognitive faculties. It is identified with Kant’s account of a threefold synthesis involved in our cognition of objects of experience, and it is said to precede and ground Kant’s proof (...) of the validity of the categories in the objective deduction. I challenge this standard reading of the subjective deduction, arguing, first, that there is little textual evidence for it, and, second, that it encourages a problematic conception of how the deduction works. In its place, I present a new reading of the subjective deduction. Rather than being a broad investigation of our cognitive faculties, it should be seen as addressing a specific worry that arises in the course of the objective deduction. The latter establishes the need for a necessary connection between our capacities for thinking and being given objects, but Kant acknowledges that his readers might struggle to comprehend how these seemingly independent capacities are coordinated. Even worse, they might well believe that in asserting this necessary connection, Kant’s position amounts to an implausible subjective idealism. The subjective deduction ismeant to allay these concerns by showing that they rest on a misunderstanding of the relation between these faculties. This new reading of the subjective deduction offers a better fit with Kant’s text. It also has broader implications, for it reveals the more philosophically plausible account of our relation to the world as thinkers that Kant is defending – an account that is largely obscured by the standard reading of the subjective deduction. (shrink)

A central issue in debates about Kant and nonconceptualism concerns the nature of intuition. There is sharp disagreement among Kant scholars about both whether, prior to conceptualization, mere intuition can be considered conscious and, if so, how determinate this consciousness is. In this article, I argue that Kant regards pre-synthesized intuition as conscious but indeterminate. To make this case, I contextualize Kant's position through the work of H.S. Reimarus, a predecessor of Kant who influenced his views on animals, infants, and (...) the role of attention. I use Reimarus to clarify Kant's otherwise ambiguous commitments on the determinacy of intuition in animals and newborns, and the role attention, concepts, and judgment play in making intuited contents determinate. This contextualization helps to shed light on Kant's discussion of pre-synthesized intuition in the threefold synthesis of the A-Deduction by demonstrating that Kant's theory of mind in the deduction offers transcendental grounding for empirical accounts of infant development like Kant and Reimarus's. The upshot is a Kant at odds with many recent interpretations of his theory of mind: pre-synthesized intuition is conscious but indeterminate. (shrink)

In this paper, I discuss, in a Heideggerian context, the possibility of de-subjectivizing the notion of the transcendental time-horizon and reinterpreting it as a formally indicated ‘whereto’ of releasement. The structures of the time-horizon depict the way beings unfold in the fullness of time in their alterity, and they orient the subject’s activity of ‘projection.’ What results is a field-oriented (as opposed to self-oriented) transcendental philosophy which would survive Heidegger’s critique of his own transcendental project, and which would avoid mystification. (...) I take three steps. First, I point out that the problematization of ‘transcendental Heidegger’ is based on the subjectivist interpretation of the time-horizon. I problematize a recent account in the subjectivist vein, arguing that it is neither indispensable, nor very plausible, nor the most illuminative of Heidegger’s work. Second, with the help of Dahlstrom, Golob, Engelland, Sheehan, and Vasterling, I gradually dissociate the notion of the horizon from subjectivism, the visual metaphor, and the assumption of an absolute ground. I suggest instead that the horizonality of the horizon be understood temporally, i.e., as an interplay of presencing and absencing where what matter most are the structures, themselves affected by time, which the transcendental field displays when beings unfold themselves within it. Third, I identify three of those structures when performing a de-subjectivizing reading of Heidegger’s interpretation of the threefold synthesis in Kant’s A-Deduction. These structures capture the way every being manifests itself, without themselves being necessarily grounded in the subject’s activity. This gives an example of how transcendental philosophy can clarify what the time-horizon is like while bracketing the question of its provenance. (shrink)

The paper aims to reconstruct Heidegger’s historical-intentional assumptions in his ontological interpretation of Kant’s Critique of Pure Reason. The paper presents young Heidegger’s project of the “metaphysical-teleological interpretation of consciousness.” The project indicates the direction of his further ontological interpretation of transcendentalism: Heidegger stands up to the traditional, well known neo-Kantian interpretation of the Critique, and offers a new conception of ontological knowledge and cognition. According to this conception, cognition is grounded in transcendental imagination where a threefold synthesis (...) takes place. Heidegger’s original temporal interpretation of transcendental schematism is also recalled to stress the significance of his new ontological approach to Kant’s theoretical philosophy. (shrink)

This paper aims to show that Lessing develops in his aesthetics a pre-Kantian philosophy of consciousness. The concept of virtuality that the german writer puts forward in his essay Laocoon implies an interweaving of temporal dimensions similar to the threefold temporal synthesis described by Kant in the transcendental deduction of the Critique of Pure Reason. But whereas Kant thematizes an a priori of consciousness, Lessing is in search of an a priori of plastic art. It will be seen (...) that perfect sculpture presupposes the choice of that moment in time which can open the imagination to the past and the future in a way that enriches the present by transforming it into a "pregnant moment". The final aim of the article is to trace the genesis of the concept of simultaneity of temporal dimensions presupposed by the idea of the pregnant moment, and its implications for the idea of the temporality of consciousness. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Mullā Ṣadrā and Metaphysics: Modulation of BeingLatimah-Parvin Peerwani ArlingtonMullā Ṣadrā and Metaphysics: Modulation of Being. By Sajjad H. Rizvi. Culture and Civilization in the Middle East Series, edited by Ian Richard Netton. London and New York: Routledge, 2009. Pp. xii + 222. Hardcover $135.00.In Mullā Ṣadrā and Metaphysics: Modulation of Being, Sajjad H. Rizvi focuses on tashkīk (modulation), variously translated as the systematic ambiguity, analogical gradation, or just (...) gradation of being from the perspective of Mullā Ṣadrā, comparing it with classical Islamic philosophy and contemporary Western philosophy. He states that he makes two major claims in this study. First, he argues that modulation is a hermeneutic concept that describes the threefold division of being and its gradation. Second, gradation and modulation occur in each mode of being. Each mode of being refers to a branch of Ṣadrā's philosophy: mental being is a discussion of epistemology and psychology; 'being-in-language' is critical to Sadrian semantic theory; being in re focuses on 'traditional metaphysics.' But the philosophy of Ṣadrā is not compartmentalized; being cuts across these fields and unites them. Each mode of being as modulated shares features of intensification. According to Rizvi, Ṣadrā has extended the normal understanding of modulation and of being beyond the simple division of the two realms of mental and concrete existence to bring out the semantics of being. This aspect of Islamic philosophy, according to Rizvi, has often been neglected (p. 3). [End Page 278]This study consists of an Introduction and two parts. In the Introduction, Rizvi states the problem of tashkīk as the central hermeneutic of Ṣadrian ontology. An analysis of this critical concept, according to Rizvi, facilitates our understanding of Ṣadrā's position on a wide variety of important philosophical issues such as predication, the problem of reconciling unity and plurality in being, and God-world relationship. It provides an answer to the age-old problem of the One and the many, and the median way between the ontological monism of Ibn ʿArabi and the metaphysical pluralism of Avicenna. Rizvi says that according to Ṣadrā there are four levels of being: the concept of being, its reality, its uttered manifestation (sound), and its written manifestation.Part 1 consists of two chapters. In the first chapter Rizvi outlines his methodology and some of his assumptions about the cultural history of the period and the context of Ṣadrā. The significant contention, according to Rizvi, is that a proper understanding of Ṣadrā's philosophy requires an appreciation of philosophy in the Neoplatonic traditions "as a way of life" that is often closely related to spiritual practice and religious commitment. The aim of philosophical inquiry for Ṣadrā, according to Rizvi, is therapy for the rational soul and its perfecting and development in its path of return to its origins in the One.Four methodological approaches are utilized in this study. (1) Tashkīk is seen as the central hermeneutic of Ṣadrian metaphilosophy, and not ontology; Rizvi argues that tashkīk is a central guiding principle in Ṣadrā's metaphilosophy and permeates all branches of his philosophical system. (2) The aporetic method is used in analyzing Ṣadrā's philosophy. (3) Rizvi maintains that Ṣadrā's philosophy is processual, for it represents a shift from substance to process metaphysics. (4) Ṣadrian hikmat (philosophy, wisdom) is approached as a metaphilosophical inquiry. Metaphysics is a foundational science for Ṣadrā, instrumental in the possibility of acquiring knowledge and in the construction of definitions and meaningful discourse. Hikmat, according to Rizvi, is doubly transcendent, (1) as a higher synthesis of Avicennan, Illuminationist, Sufi, and esoteric Shiʿite systematic thought, and (2) as a prophetic philosophy that claims to be derived from direct 'revelation.'The second chapter introduces the tashkīk (modulation) of being. Rizvi traces its historical development from the Aristotelian pros hen homonym to Avicenna, Nasir al-Din Tusi, and Ibn ʿArabi, and offers an account of an intensifying scale of being toward a hierarchy of being that is singular but with multiple degrees defined by their intensity, that is, in terms of scales of intensification and deliberation. He makes explicit the Neoplatonic logic of being that this implies and examines how... (shrink)

In this paper, I combine the actor-network economic sociology of disability with recent developments in phenomenological, embodied cognitive science, to discuss how ability, calculative agency, and meaning are distributed throughout materially situated sociocognitive systems. I begin by outlining the actor-network approach to disability, market formation, and economic agency. Next, I turn to the cognitive sciences, and describe the emergence of consciousness and meaning in embodied human being. With an operative synthesis of the two projects in place, I turn to (...) government-organized disability savings plans in Canada. I suggest that the low uptake of these plans can be explained using the theoretical synthesis provided in the first two sections of this paper, giving a robust account of the threefold distribution of ability, calculative agency, and meaning. (shrink)

Among the studies on the history of philosophy recently published in Italy, one that may be of some interest to the English reader is by D R . Abbagnano , a young pupil of Aliotta , and is devoted to the new English idealism. 1 Truthfully speaking, the term ‘ new ’ is inappropriate, or partly so, because Abbagnano dedicates the greater part of his study to what we might call the ‘ old ’ idealism in England, represented by Stirling, (...) the two Cairds, Wallace, Green, and Bradley. However, he does also pass in review the more recent doctrines, particularly those of J. H. Muirhead, G. H. Howison, D. G. Richtie, J. E. Creighton, J. B. Baillie, J. S. Mackenzie, H. Jones, W. E. Hocking, A. S. Pringle Pattison, and G. P. Adams. Abbagnano regards as a distinctive trait of English idealism inspired by Hegel as opposed to Hegel himself, this, that “for Hegel the absolute is essentially process, change and becoming; it is thought which differentiates itself and becomes articulate in a life of its own, in the threefold rhythm of thesis, antithesis, and synthesis, in which each moment passes into the next. For Green, Bradley, and Royce, the absolute is on the other hand immutability, completeness, static perfection, in which each process and becoming is overcome and resolved.” At any rate, Abbagnano is equally unsympathetic towards Hegel and towards his followers, against whom he opposes, not without scholastic ingenuity, his own irrationalistic views, set out in another book whose contents are sufficiently expressed in the title. 1. (shrink)

Why Deleuze and Ricoeur? -- Fields for potential and possible connectors -- Investigative strategies -- Towards the cohesion of a life : chapter outline -- Problematizing the field of the self -- Between rigidification and dehiscence : context and counter-context -- Ancestry for the self in a problematic field -- Conceptual personae and the self -- Aporia of the inscrutability of the self -- Sweeney : philosophical bathyscope -- Critique on the kantian self -- Pretensions of the kantian self -- (...) Divided self still surrounded by the mad and the replicant -- The narrative self -- Oneself as another or onselves as myself -- The narrative self : origins in Kant -- Appearance and exposition of the narrative self -- Working through narrative -- Towards an interrogation of the narrative self -- Questioning the narrative self through its progenitors -- Methodology : questioning back -- The narrative self in retrospect -- The poetic composition of the self : threefold mimesis -- Summary : problems for narrative identity -- Transversals between Ricoeur and Deleuze -- In the land of the larval selves -- Origins in Schelling -- Ontology of productivity -- The dogmatic image of thought -- The narrative self as twin multiplicities -- Dissolving the narrative self -- From multiplicity to the narrative self -- Obscure stammering for a new narrative self -- Between time and the self : a fractured I -- Laws in the germplasm of narrative : the dark precursor -- Narrative persona -- From debt to excess -- Ricoeur's dilemma of the self : substance or illusion? -- Deleuze and Aristotle : a disavowed affinity -- Interzone -- Between dark precursor and narrative self : gelassenheit -- Inhering problems for the becoming-narrative self -- An unguessed axis for narrative selves -- From excess to debt : evolving constraints to narrative identity -- Where to start, three stations : natality, personhood, narrative selfhood -- First constraint : proustian love and lack -- Narrative constraints : implications for the synthesis of the heterogeneous -- The poetic imagination within the evolving constraints of narrative productivity -- Where Deleuze was, there Ricoeur shall be? -- The narrative self : a badly posed question -- Second constraint : imagination within structure and obligation -- A self entombed in a debt to the past. (shrink)

The thesis of the dissertation is that Husserl's phenomenological analyses of the human body are important in assessing the claim that phenomenology provides the basis for a "transcendental idealism". The central role of these analyses is to reconcile the sense of consciousness as a world-creating transcendental synthesis and as an empirical self: if successful, Husserl's idealism could boast a sensitivity to the empirical that would significantly augment its plausibility. ;The argument begins by setting up the problem vis-a-vis the experience (...) of the other person. The issue at hand is how the body of the other person expresses the presence of a consciousness. Yet the question that guides the analysis is: if "consciousness" means a world-creating, transcendental synthesis , then in what sense can we speak of an empirical consciousness that belongs to the world, thus of a person standing before us ? Part of the answer, it is asserted, lies in the expressive nature of a person's body: that is, the human body is a concrete thing in the world that yet expresses the sense of consciousness as world-creating, thereby providing for it a "worldly", empirical manifestation. ;The main part of the dissertation is a presentation of Husserl's analyses of the human body, which is described as a threefold unity of extension, materiality, and time. An understanding of each of these dimensions provides a piece of the puzzle as to how the body of the other is expressive of consciousness. ;The study ends with the problem of phenomenology as a transcendental idealism. The conclusion is that, for Husserl, consciousness is the condition for the manifestation of the "world" only as an empirical, bodily consciousness. I believe the tenability of this position can be demonstrated through Husserl's phenomenology of the human body, where the body is understood as a special mode of the expression of consciousness. For these analyses, taken as a whole, lend to his idealism a subtlety that significantly boosts both its plausibility and the force of its presentation. (shrink)

Among the studies on the history of philosophy recently published in Italy, one that may be of some interest to the English reader is by D R . Abbagnano , a young pupil of Aliotta , and is devoted to the new English idealism. 1 Truthfully speaking, the term ‘ new ’ is inappropriate, or partly so, because Abbagnano dedicates the greater part of his study to what we might call the ‘ old ’ idealism in England, represented by Stirling, (...) the two Cairds, Wallace, Green, and Bradley. However, he does also pass in review the more recent doctrines, particularly those of J. H. Muirhead, G. H. Howison, D. G. Richtie, J. E. Creighton, J. B. Baillie, J. S. Mackenzie, H. Jones, W. E. Hocking, A. S. Pringle Pattison, and G. P. Adams. Abbagnano regards as a distinctive trait of English idealism inspired by Hegel as opposed to Hegel himself, this, that “for Hegel the absolute is essentially process, change and becoming; it is thought which differentiates itself and becomes articulate in a life of its own, in the threefold rhythm of thesis, antithesis, and synthesis, in which each moment passes into the next. For Green, Bradley, and Royce, the absolute is on the other hand immutability, completeness, static perfection, in which each process and becoming is overcome and resolved.” At any rate, Abbagnano is equally unsympathetic towards Hegel and towards his followers, against whom he opposes, not without scholastic ingenuity, his own irrationalistic views, set out in another book whose contents are sufficiently expressed in the title. 1. (shrink)

This essay situates Gregory’s treatment of the soul—especially, but not exclusively, in his dialogue On the Soul and the Resurrection—within the philosophical tradition of treatises On the Soul (περὶ ψυχῆς, to which he significantly added the Christian component περὶ ἀναστάσεως) and in conversation with Origen’s complex psychology. While Origen never wrote a work On the Soul, for precise reasons, he did write one On the Resurrection. His older contemporary Tertullian composed both a work On the Soul and one On the (...) Resurrection. Gregory opted for a synthesis—not in two separate treatises, but in the same dialogue—of the philosophical genre On the Soul with the Christian (for him Origenian) genre On the Resurrection (which in his view, as in Origen’s, coincided with restoration-apokatastasis) within the framework of a remake of a Platonic dialogue—namely, the Platonic dialogue on the immortality of the soul par excellence, the Phaedo. An investigation into the meaning of restoration with respect to the soul will be conducted in the light of Gregory’s philosophical definition of the soul and of the Platonic ideal of harmony and unity that are paramount in Gregory’s doctrine of the soul and nous. I shall finally tease out the role of the soul in what I call Gregory’s ‘theology of freedom’, deeply rooted in Plato’s philosophy, and the influence that he seems to have exerted on Evagrius’s theories of the threefold resurrection (of body, soul, and nous) and of the subsumption of body into soul and soul into nous (the so-called ‘unified nous’): it will be argued that the Christian Neoplatonist Eriugena was right to trace the latter doctrine back to Gregory of Nyssa. -/- . (shrink)

What is the relationship between our perceptions and reality? What is the relationship between the mind and the body? These are questions with which philosophers have grappled for centuries, and they are topics of considerable contemporary debate as well. Hilary Putnam has approached the divisions between perception and reality and between mind and body with great creativity throughout his career. Now, in _The Threefold Cord: Mind, Body, and World,_ he expounds upon these issues, elucidating both the strengths and weaknesses (...) of current schools of thought. With his characteristic wit and acuity, Putnam offers refreshing solutions to some of philosophy's most vexing problems. Putnam first examines the problem of realism: is objective truth possible? He acknowledges the deep impasse between empirical and idealist approaches to this question, critiquing them both, however, by highlighting the false assumption they share, that we cannot perceive the world directly. Drawing on the work of J. L. Austin and William James, Putnam develops a subtle and creative alternative, which he calls "natural realism." The second part of the book explores the mind-body question: is the mind independent of our interactions with the physical world? Again, Putnam critically assesses two sharply antithetical contemporary approaches and finds them both lacking. _The Threefold Cord_ shows the entire mind-body debate to be miscast and draws on the later work of Wittgenstein, once more advancing original views on perception and thought and their relationship with both the body and the external world. Finally, Putnam takes up two related problems--the role of causality in human behavior and whether or not thoughts and sensations have an "existence" all their own. With Putnam's lucid prose and insightful examples, _The Threefold Cord_ loosens the Gordian knots into which philosophy has bound itself over the issue of epistemology. (shrink)

Theories of picture perception aim to understand our perceptual relation to both the picture surface and the depicted object. I argue that we should talk about not two, but three entities when understanding picture perception: the picture surface, the three dimensional object the picture surface visually encodes and the three dimensional depicted object. As and can come apart, we get a more complex picture of picture perception than normally assumed and one where the notion of twofoldness, which has played an (...) important albeit controversial role in understanding picture perception is replaced by the concept of threefoldness. (shrink)

We members of settler colonial culture—the latest form of what novelist and cultural critic Daniel Quinn calls Taker culture—are constrained by myriad institutions that leave us with little choice but to engage in practices that are profoundly damaging to the planet, to others, and to ourselves. Our path to living otherwise, Andrew Frederick Smith argues, lies in the threefold struggle, which is inspired by Quinn's focus on the interweaving roots of ecological, social, and personal wellbeing. These three forms of (...) wellbeing are co-implicated. We cannot enjoy one without equally enjoying the others; they are a package deal. As such, what works for people individually and collectively works for the planet, and vice versa. Reclaiming our lives and revitalizing our human and more-than-human communities are salient acts of resistance against Taker culture. They offer means of escape from our cultural captivity and an opportunity for full-spectrum wellbeing. (shrink)

This paper investigates a particular philosophical puzzle via an examination of its status in the writings of Wittgenstein. The puzzle concerns negation and can take on three interrelated guises. The first puzzle is how not-p can so much as negate p at all – for if p is not the case, then nothing corresponds to p. The second puzzle is how not-p can so much as negate p at all when not-p rejects p not as false but as unintelligible – (...) for if p is unintelligible, then p is nothing but scratches and sounds and does not seem apt for negation. And the third puzzle is how “not” could be anything but hopelessly equivocal if it sometimes (per the first puzzle) requires, and sometimes (per the second puzzle) precludes the intelligibility of p. The paper investigates these three puzzles, their respective structures, and their relations to each other. The second puzzle is expounded as the centre of gravity, and in countering two objections to the threefold puzzle, a special predicament is expounded with regard to the second puzzle’s concern with unipolar propositions – propositions that do not admit of an intelligible negation. The text concludes by indicating the first steps that could potentially lead us out of the threefold puzzle. (shrink)

Bioethics faces two closely linked problems: though the concept of human dignity is widely acclaimed, it becomes highly controversial as soon as we try to define its content and meaning extension; we strongly need a method or theory of reasoning that allows us to determine the relation between moral principles and concrete cases. In a broader although strict philosophical sense these two problems of recent bioethics are related with Kant’s concepts of ‘Autonomy’ and ‘reflective judgement’, which can be combined in (...) view of a threefold logic of establishing rules. Such logic is anticipated in Montesquieu’s doctrine of the distribution of powers, since by defining and executing rules we also have to identify the cases of their application .Thus we can understand the relation between moral concepts or principles and facts or concrete cases as a dynamical relation constituting its moments, and therefore can comprehend human dignity rather as a ‘regulative idea’, then as a concept that has to be definitely defined. (shrink)

David Lack of Oxford University and V. C. Wynne- Edwards of Aberdeen University were renowned ornithologists with contrasting views of the modern synthesis which deeply influenced their interpretation and explanation of bird behavior. In the 1950's and 60's Lack became the chief advocate of neo-Darwinism with respect to avian ecology, while Wynne- Edwards developed his theory of group selection. Lack 's position was consistent with the developing focus on individual level adaptation, which was a core concept of the modern (...) synthesis. Alternatively, Wynne- Edwards viewed the emphasis on populations as the most important development provided by the modern synthesis. In this paper, I present the development of these two positions and trace their roots in the literature of the synthesis. Through an analysis of Lack 's 1966 critique of Wynne- Edwards I conclude that Wynne- Edwards was, in many ways, justified in his pursuit of group level explanations. (shrink)

A science is an intellectual activity defined by its mechanisms that prevent its scientists from always reaching the conclusions that they set out to reach. Such mechanisms are needed because, if scientists are given full control over what hypotheses they select, what data they discard, and what results they publish, they can communicate any conclusion that they desire. Synthesis, by setting a grand challenge, forces scientists across uncharted territory where they encounter and solve unscripted problems. When theory is inadequate, (...) the synthesis fails, and fails in a way that cannot be ignored. Therefore, synthesis drives discovery and paradigm change in ways that simple hypothesis testing cannot. Here, we describe the discoveries that emerged when synthetic biologists were challenged to create an alternative genetic system that has different molecular structures than DNA and RNA. In pursuit of this particular “grand challenge,” synthesis forced the recognition that the community did not know as much about the double helix as it had constructively assumed. In general, a field of science having access to synthesis as a research strategy can create knowledge even if its practitioners do not fit the ideal of a dispassionate, advocacy-free scientist. (shrink)

Michel Weber, The Threefold Root of Temporality. Elements of Whiteheadian Organic Metaphysics, Louvain-la-Neuve, Éditions Chromatika, 2021 ; 978-2-930517-76-6, pdf 978-2-930517-77-3 ; 120 pp. ; 16 € -/- The question of the nature of time is as old as philosophy itself. Before philosophy, time was not problematized, it was a pure common-sensical matter. There were various experiences of time, and, accordingly, different words to name it. Whitehead’s solution of the temporal conundrum lies in the concept of “creative advance of nature” (...) that is systematically elucidated only in Process and Reality (1929) To understand the creative advance of nature, one needs to interpret the togetherness of its three aspects —creativity qua concrescence, efficacy qua transition, vision qua initial subjective aim—, and this provides us with the core meaning of time: (i) genuine novelty appears in the World, (ii) past events are, so to speak, ontologically memorized, and (iii) there is an upward trend in terms of “intensity” of events. These three complementary requirements refresh in their own way the Greek triple understanding of time: time is “aiôn,” lived duration (outside physical time) and destiny, but it is also “chronos,” causal time, and “kairos,” timeliness or the appropriate moment for action. -/- Michel Weber is Director of the Centre for Philosophical Practice (Brussels) and Adjunct Professor at the Department of Educational Foundations of the University of Saskatchewan. His current research program mainly addresses the Ayurvedic understanding of the anchoring of the mind in the body and of the expression of the body in the mind. (shrink)

The paper discusses Edmund Husserl’s threefold pictorial experience and the threefold aesthetic experience of pictures accordingly. It aims to show what the advantages are of the threefold account of pictorial experience, in contrast to the twofold account, to explain aesthetic experience. More specifically, it explains the role of the image object’s fold in aesthetic experience. The paper is divided into three parts. The first part explains and defends Husserl’s theory of threefold pictorial experience, which is an (...) experience of seeing-in or, in Husserl’s terminology, image consciousness. A comparison will be made with other seeing-in theories, especially with Bence Nanay’s threefold account of picture perception. The second part explains the relationship between the second and the third fold, namely the resemblance and difference between the image object and the image subject. The focus is on explaining the terms of analogizing and non-analogizing moments of the image object. The third part of the paper discusses Husserl’s theory of the threefold aesthetic experience of pictures. It will be shown that aesthetic attitude is turned toward the how of representation, instead of the what of representation. Also, a comparison between Husserl and Richard Wollheim’s theories of representation is made. More specifically, the paper will show that Richard Wollheim’s different hows of representation are similar to Husserl’s view on analogizing and non-analogizing moments of the image object. (shrink)

This article describes a new theoretical, psychological model characterizing the concept, structure and functioning of spirituality in relation to the phenomenon of religiousness. The structural and processual approaches are indispensable when examining the spiritual sphere. The theory suggests that the psychological nature of spirituality can be considered from a threefold perspective: as a cognitive scheme, as a dimension of personality, as an attitude towards life. The Threefold Nature of Spirituality model binds these perspectives together and describes the phenomena (...) and processes inherent in spiritual functioning: looking for the sacred or a-sacred, for the meaning of life, and for personal fulfilment. Theoretical and empirical examples are presented here in support of the TNS, although further exploration is necessary. (shrink)

This article explores the notion of the unconscious (das Unbewusste) in terms of its nature and constitutive manifestations in consciousness. In contrast to the psychoanalytic formulation, the unconscious is conceptualized here distinctively as sedimentation (die Sedimentierung) within the Husserlian framework. All `experiences sediment and are “stored” in a darkened, affectless region of the psyche, which is nonetheless not in any sense separated from the sphere of consciousness. Rather, the sedimented experiences move dynamically between the unconscious and consciousness, constantly affecting and (...) manifesting in the upcoming conscious activities of the subject. Based on this conceptualization, I suggest a schematic understanding of the manifestations of the unconscious, or sedimentation, in consciousness. The conceptual division of consciousness into the sphere of understanding (Verstandessphäre), sphere of affect (Gemütssphäre) and sphere of volition (Willenssphäre) allows us to speak of the corresponding threefold manifestations of the unconscious in each of these spheres as type (Typus), mood (Stimmung) and habits (Habitus). Having their genetic “origin” in sedimented experiences, these structural moments play a constitutive role in upcoming conscious activities of the intentional subject. Furthermore, I demonstrate that each of these moments is characterized by a distinctive kind of horizonality, in light of which a deepened understanding of the genetic concept of horizon-consciousness (Horizontbewusstsein) is obtained. Despite the conceptual tripartition, I emphasize at the end the essential intertwinement of the three structural moments in such conscious performance as association. (shrink)

Jewish ethics has more in common with the burgeoning field of virtue ethics than generally has been acknowledged within the discourse of contemporary religious ethics. This paper describes the virtue ethics present in the Talmud and other rabbinic texts. Missing from many of the arguments in support of virtue ethics is space for other approaches to ethics, including act-evaluation and the codification of at least some ethical decisions into law. The approach to virtue ethics found in the Talmud overcomes this (...) dichotomy. Therefore, it is advantageous to bring these Talmudic texts concerned with character and virtue into dialogue with contemporary virtue ethics. (shrink)

The aims of this paper are twofold. First, I offer a new insight into Shepherd’s theory of mind by demonstrating that she distinguishes a threefold ‘Variety of Intellect’, that is, three kinds of minds grouped according to their cognitive limitations. Following Shepherd, I call them (i) minds afflicted with idiocy, (ii) inferior understandings, and (iii) sound understandings. Second, I show how Shepherd’s distinction informs her theory of education. While Shepherd claims that her views serve to improve educational practices, she (...) does not explain how her threefold ‘Variety of intellect’ does so. I argue that Shepherd’s distinction contributes to her aim by providing pedagogues with a more comprehensive grasp of the various cognitive limitations of the people in their care. This allows the former to adjust their expectations and to provide need-oriented guidance. (shrink)

This is the first book in English devoted entirely to Kant's Opus postumum and its place in the Kantian oeuvre.

I propose we abandon the unit concept of "the evolutionary synthesis". There was much more to evolutionary studies in the 1920s and 1930s than is suggested in our commonplace narratives of this object in history. Instead, four organising threads capture much of evolutionary studies at this time. First, the nature of species and the process of speciation were dominating, unifying subjects. Second, research into these subjects developed along four main lines, or problem complexes: variation, divergence, isolation, and selection. Some (...) calls for 'synthesis' focused on these problem complexes (sometimes on one of these; other times, all). In these calls, comprehensive and pluralist compendia of plausibly relevant elements were preferred over reaching consensus about the value of particular formulae. Third, increasing confidence in the study of common problems coincided with methodological and epistemic changes associated with experimental taxonomy. Finally, the surge of interest in species problems and speciation in the 1930s is intimately tied to larger trends, especially a shifting balance in the life sciences towards process-based biologies and away from object-based naturalist disciplines. Advocates of synthesis in evolution supported, and were adapting to, these larger trends. (shrink)

Generative AI has gained a lot of attention in society, business, and science. This trend has increased since 2018, and the big breakthrough came in 2022. In particular, AI-based text and image generators are now widely used. This raises a variety of ethical issues. The present paper first gives an introduction to generative AI and then to applied ethics in this context. Three specific image generators are presented: DALL-E 2, Stable Diffusion, and Midjourney. The author goes into technical details and (...) basic principles, and compares their similarities and differences. This is followed by an ethical discussion. The paper addresses not only risks, but opportunities for generative AI. A summary with an outlook rounds off the article. (shrink)

Surprisingly enough, modified versions of the confirmation theory of Carnap and Hempel and the truth approximation theory of Popper turn out to be smoothly synthesizable. The glue between confirmation and truth approximation appears to be the instrumentalist methodology, rather than the falsificationist one.By evaluating theories separately and comparatively in terms of their successes and problems (hence even if they are already falsified), the instrumentalist methodology provides – both in theory and in practice – the straight route for short-term empirical progress (...) in science in the spirit of Laudan. However, it is argued that such progress is also functional for all kinds of truth approximation: observational, referential, and theoretical. This sheds new light on the long-term dynamic of science and hence on the relation between the main epistemological positions, viz., instrumentalism (Toulmin, Laudan), constructive empiricism (van Fraassen), referential realism (Hacking and Cartwright), and theory realism of a non-essentialist nature (Popper), here called constructive realism.In From Instrumentalism to Constructive Realism (2000) the above story is presented in great detail. The present synopsis highlights the main ways of theory evaluation presented in that book, viz. evaluation in terms of confirmation (or falsification), empirical progress and truth approximation. (shrink)

A response to Lindsay Craig's essay, The So-Called Extended Synthesis and Population Genetics.

Thomas discusses the referral of acts to the ultimate end unsystematically and in diverse texts. These texts are interesting in that they raise difficult questions. For example, on Thomas’s view there can be a disparity between the moral value of the act and that of the ultimate end. But what does he mean when he claims that venial sins may be habitually referred to God as the supernatural ultimate end? Moreover, he claims both that every good is desired for the (...) sake of the ultimate end and that bad agents can perform good actions. How are these two statements compatible? These texts raise additional questions about the connection between the natural and supernatural ends. If, as Thomas states, unbelievers can perform good actions, is there a sense in which unbelievers can order their acts to God as a purely natural ultimate end? (shrink)