This chapter contains sections titled: Kant's Philosophy of History Criticisms of Kant's Philosophy of History Herder's Reflections and His Objections to Kant's Philosophy of History Criticisms of Herder's Philosophy of History Bibliography Further Reading.

My topic is Kant’s theory of historical progress. My approach is primarily textual and contextual. I analyse in some detail Kant’s three most important essays on the topic: ‘Idea for a Universal History’, the third part of ‘Theory and Practice’ and the second part of The Conflict of the Faculties. I devote particular attention to the Kant-Herder debate about progress, but also discuss Rousseau, Mendelssohn, Hegel and others. In presenting, on Kant’s behalf, a strong case for his theory of (...) progress, I address the main objections which have been put to it. These are: (i) historical teleology is incoherent (history can’t have a goal because there is no intentional actor functioning at the historical level); (ii) historical teleology undermines morality (if things are getting better anyway, why do I have to try to make them better?); (iii) progress involves ‘chronological unfairness’ (if things are getting better, doesn’t this mean that earlier generations get a raw deal?); (iv) progress consigns the species to ‘spurious infinity’ (isn’t endless improvement endlessly unsatisfactory?); (v) progress amounts to pernicious homogenization (doesn’t the elimination of traditional practices and values impoverish our world?); (vi) the idea of progress is just ‘secularized’ religion (and should be rejected accordingly). In relation to (vi), I consider the Löwith-Blumenberg debate, and draw some general conclusions about the issue of ‘secularization’. In relating these to Kant, I argue for the following position: (a) his theory of progress is more than merely secularized religion; (b) to the extent that it can be described in terms of the secularization thesis, this reflects his ‘critical’ endeavour to rationalize Christianity; (c) in any case, the idea of progress by no means exhausts the rational potential of religion, and so should not be seen as intended to replace the latter. (shrink)

An extended philosophical analysis of the concept of judgement, important in many areas of contemporary philosophy, including epistemology, the philosophy of value and aesthetics.Kant's philosophy understands judgement in different ways in the cognition of nature, the appreciation of natural beauty, and in the determination of moral action. This book aims to explore these three 'philosophies' of judgement, producing in the process a new and creative reading of Kant's work. The result is a unique book-length study (...) of judgement in general. At the core of this reading is an interpretation of how Kant understands reflection, presentation and activity. Novel aspects include accounts of the transcendental object, the implications of considering cognition as an activity, the structure of sensible givenness, Kant on the sublime, and the moral argument.The book draws upon ideas from within the Continental philosophy tradition, particularly from Nietzsche, Heidegger and Deleuze. To Nietzsche there is devoted a whole chapter on the subject of sensation and physics, which aims to expand upon and illuminate parallel discussions in the reading of Kant. Readers will find much of interest in this wide-ranging text, including treatments of key features in Kant's epistemology, philosophy of mind, aesthetics, philosophy of religion as well as his practical philosophy.Features* The first book to consider Kant's account of judgement in general.* A unique interpretation of Kant, employing philosophers in the Continental tradition - e.g Nietzsche, Heidegger and Deleuze.* Contains a sustained study of Nietzsche on the subject of sensation and physics. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 39.3 (2001) 445-446 [Access article in PDF] G. Felicitas Munzel. Kant's Conception of Moral Character: The "Critical" Link of Morality, Anthropology, and Reflective Judgment. Chicago: University of Chicago Press, 1999. Pp. xxii + 378. Cloth, $53.00. Paper, $24.00. Given the recent trend in Kant scholarship to seek a kinder, more caring philosopher behind the familiar rules and imperatives, a study (...) focusing on the place of "character" in Kant's thought is a timely contribution to a growing body of work. Indeed, G. Felicitas Munzel intends to go where no Kantian has gone before and show not only that Kant has a conception of character, but that it is "rich" (1) and "unique in the history of philosophy" (5). Considering his "corpus as a whole" (6), she sets out to demonstrate the "systematic importance" of the concept for Kant's thought (1) and reveal "a richer sense of familiar notions of his moral philosophy than is generally appreciated" (11).From the outset, however, high hopes prove hard to sustain. In Chapter 1, Munzel's exegetical efforts to link "character" with Denkungsart ("conduct of thought") and Gesinnung ("comportment of mind"), either delineate only familiar elements of Kant's thought or attribute to him views which philosopher and non-philosopher alike could hardly deny: in Kant's "rich" conception, character involves clear thinking and perfection, and is an "accomplished state" (67) presupposing sound reasoning and the capacity to think. In what becomes the dominant theme of the study, Munzel concludes that, for Kant, character is an activity in which the objective moral law is realized in subjects acting on maxims and from firm principles.In Chapter 2 the reader is subsequently led across a familiar terrain of causality, desire, and feeling, to learn that Kant is disinclined to inclination, but very much inclined to reason (71-2); and that character has a foot in both the empirical and intelligible orders of causality (74). The same goes for desire (95ff.) and aesthetic capacity (126ff.), where the "moral form" of character represents the union of reason and nature. A [End Page 445] similar story continues in Chapter 3 where Munzel considers Kant's view of religion and hopes to cast "new light" (142) upon and foster "fresh appreciation" (182) for "radical evil." Again, the reader spots comforting landmarks along the way and emerges into a world unchanged: for Kant, Munzel concludes, human conflict is a manifestation of evil with its roots in human nature; virtue involves progress or advance; and a well-established character brings inner and outer peace to human life (134-6).In the remainder of the book Munzel turns to the "structure and cultivation of character." Chapter 4 focuses on orientation, reflective principles, conscience, and discourse where, rambling through the Kantian landscape, one learns that common sense is a source of principles (198ff); maxims should be steadfastly adopted (208-9); and that morally upright persons should know their duty (210), tell the truth (246), and develop their capacities to the full (249). By this stage, that "character must be made subjectively rational" (252) has become a mantra, but lest the point remain unclear, Munzel expounds a metaphor (from Mendelssohn's Morgenstunden) of a traveler on life's journey, in order to emphasize that moral character involves being rational, competent, and accountable for one's actions (191ff.).In the final chapter, pedagogy becomes the main focus. It is a practice, Munzel contends, which determines the conditions under which character is formed (260). Mixed in the appropriate fashion, its elements combine to make "cultivation of moral judgment" the "essence of moral character" (259). Again, Munzel connects character to well-known Kantian doctrines, linking pedagogy to self-mastery (292) and a community of civic-minded citizens (258) in which the good of one promotes the well-being of all (288). In the world according to Kant, reason "grafts" virtue onto the stuff of nature to create an organic unity as—in Munzel's favorite metaphor (see 335-45... (shrink)

Kant’s ‘Refutation of Idealism’ plainly has an anti-Cartesian conclusion: ‘inner experience in general is only possible through outer experience in general’ (B278). Due to wide-spread preoccupation with Cartesian skepticism, and to the anti-naturalism of early analytic philosophy, most of Kant’s recent commentators have sought to find a purely conceptual, ‘analytic’ argument in Kant’s Refutation of Idealism – and then have dismissed Kant when no such plausible argument can be reconstructed from his text. Kant’s argument supposedly cannot eliminate all relevant (...) alternatives, and so cannot justify its strong modal claims. Kant based his arguments on an inventory of our basic cognitive capacities to employ our forms of intuition and our forms of judgment. Kant provides a variety of considerations and arguments to determine what our cognitive capacities are. This involves ‘transcendental reflection’, which Kant held is absolutely crucial for judging matters a priori (A263/B319). I argue that there is a level of philosophical reflection on our own cognitive capabilities and their preconditions that is significantly richer than has been noticed by recent commentators, and that is a precondition of Kant’s transcendental reflection proper. I explicate certain thought experiments Kant proposes in order for us to recognize some our basic, characteristic cognitive capabilities, and the limits and requirements they entail for the nature and objects of human knowledge. These thought experiments involve a kind of reflection on who we as cognizant subjects are, on what our basic cognitive capabilities are. Engaging in this kind of reflection reveals that Kant’s transcendental arguments are significantly stronger and more persuasive than has been recognized in recent commentary. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Kant's Critique of Berkeley HENRY E. ALLISON THE CLAIMTHAT KANT'S IDEALISM,or at least certain strands of it, is essentially identical to that of Berkeley has a long and distinguished history. It was first voiced by several of Kant's contemporaries such as Mendelssohn, Herder, Hamann, Pistorius and Eberhard who attacked the alleged subjectivism of the Critique of Pure Reason. 1 This viewpoint found its sharpest contemporary (...) expression in the notorious Garve-Feder review to which Kant responded at length in the Prolegomena. In subsequent times it has been championed by Schopenhauer, and most nineteenth century German commentators on the relation between the two philosophers. 2 In addition, it has been, and continues to be, the prevailing view of the vast majority of British writers on Kant, including, with significant qualifications, Norman Kemp Smith. 3 This tradition continues despite the fact that Kant specifically, and in no uncertain terms, repudiated this identification in the Prolegomena and the second edition of the Critique. In both works he responds to the charges of subjectivism, and in so doing distinguishes his position from that of Berkeley, who in the eighteenth century was commonly regarded as a solipsist and denier of the "external world." 4 In contra-distinction to Kant's own critical or transcendental idealism, which explains the possibility of synthetic a priori knowledge within the realm of possible experience, Berkeley is characterized as a "dogmatic" or "visionary idealist." He is judged guilty of "degrading bodies to mere illusion" (B69), of regarding things in space as "merely imaginary entities" (B274), and of holding with all "genuine idealists" that: "all knowledge through the senses and experience is i Cf. Hans Vaihinger, Commentar zu Kant's Kritik der Reinen Vernunft (Stuttgart, Berlin, Leipzig, 1892), II, 494-505. Cf. Friederich Fredericks, Der Phainomenale Idealisraus Berkeley's und Kant's (Berlin, 1871); Robert Zimmerman, "Ober Kant's Widerlegung des Idealismus yon Berkeley" (Sitzungsberichte der Akademie der Wissenschaften, Vienna, Philox.-hist. Kl.), LXVIII (1871); Gustav Dieckert, tiber dos Verhiiltnis des Berkeleyschen ldealismus zu Kantischen Vernun]tkritik (Konitz, 1888). Tiffs is a consequence of the general British tendency to view Kant in phenomenalist terms. A typical recent example is found in P. F. Strawson, The Bounds of Sense (London, 1966). Kemp Smith in his Commentary to Kant's Critique o[ Pure Reason (2nd ed., rev., 1923) takes greaZ pains to distinguish between the subjectivist strand in Kant's thought, which is essentially identical to Berkeley's position, and the genuine critical doctrine which stands side by side with it in the text. 9 Cf. I-I.M. Bracken, The Early Reception of Berkeley's Materialism 1710-1733, rev. ed. (The Hague: Martinus Nijhoff, 1965). [43] 44 HISTORY OF PHILOSOPHY nothing but sheer illusion, and only in the ideas of pure understanding is there truth" (374). 5 One of the chief reasons for the continuation of the Kant-Berkeley tradition is that these, and similar statements about Berkeley, which we find in these works and in Kant's correspondenc e with Beck, have not been taken very seriously by Kant's critics. They are usually dismissed as obvious misinterpretations, due to Kant's ignorance of Berkeley's actual writings, and of his reliance upon distorted second and third hand accounts of Berkeley's thought such as is to be found in Beattie. Furthermore, this view is often supported by the philological reflection that Kant did not read English, and that Berkeley's writings were not yet available in German translation. 6 The philological argument, however, loses much of its force when we consider that there was indeed a German translation of Berkeley's Dialogues, which although apparently unknown to nineteenth century scholars, was readily accessible to Kant. This is to be found, together with a translation of Collier's Clavis Universalis and critical analyses, in a work by the professor of philosophy at Rostock, Johann Christian Eschenbach, entitled: Samlung der vornehmsten Schri[tsteller die die tFirklichkeit ihres eignen K~rpers und der ganzen Ki~rperwelt leugnen (Rostock, 1756). Furthermore, in addition to this work, which was probably known to Kant, there is Berkeley's important Latin work, De Motu (1721), as well as French translations of many of... (shrink)

For Kant, the main aim of teleology in nature is to identify or to segregate as a particular class of objects certain types of causal systems, specifically, systems of interdependent parts.With the development of physiology as a distinct science at the beginning of the 18th century, the idea of interdependence or reciprocity of parts in a system was well-established as a fundamental principle for the specification of organisms. Kant combined the ideas of teleology and causal reciprocity in his systems-theoretical foundation (...) of organized beings in nature. In the analysis of such systems teleological thinking, i.e. the focus on end states or outcomes, is prevalent because the outcome of each process is relevant for the perpetuation of the system as a whole. Teleological thinking thus plays a methodological role in Kant’s philosophy of nature. Its status ismerely reflective, in that it neither postulates a separate ontological category for living beings nor does it constrain mechanical explanations. But at the same time, teleology is constitutive for a particular class of objects and their scientific study. In Kants Philosophie der Naturwissenschaften kommt der Teleologie eine wesentliche Rolle in der Identifikation und Ausgliederung einer bestimmten Klasse von kausalen Systemen zu: den Systemen aus wechselseitig voneinander abhängigen Teilen. Die Vorstellung der wechselseitigen Abhängigkeit zwischen den Teilen eines Ganzen entwickelt sich mit der Etablierung der Physiologie als einer besonderen Wissenschaft zu Beginn des 18. Jahrhunderts zu einem grundlegenden Prinzip, das der Spezifizierung von Organismen dient. Kant verbindet diese Vorstellung der Wechselseitigkeit mit der Teleologie in seiner systemtheoretischen Fundierung des Begriffs eines organisierten Wesens der Natur. In der Analyse dieser Systeme spielt die Teleologie im Sinne der Konzipierung eines Prozesses ausgehend von seinem Resultat eine wichtige Rolle, weil die Wirkung eines physiologischen Vorgangs für die Erhaltung des ganzen organischen Systems entscheidend ist. Da das System in seiner Einheit und Ganzheit erst in der teleologischen Beurteilung erkannt wird, kommt dem teleologischen Denken in Kants Philosophie der Naturwissenschaften eine methodologische Funktion zu. Die teleologische Beurteilung hat allerdings einen bloß reflektierenden Status, insofern über sie keine neue ontologische Kategorie für Lebewesen begründet wird und die Reichweite mechanistischer Erklärungen durch sie nicht beschränkt wird. Trotzdem ist die Teleologie konstitutiv für die Erkenntnis einer bestimmten Klasse von Gegenständen und deren wissenschaftliche Untersuchung. (shrink)

This book highlights Kant's fundamental contrast between the mechanistic and dynamical conceptions of matter, which is central to his views about the foundations of physics, and is best understood in terms of the contrast between objects of sensibility and things in themselves.

Kant was the first great anti-Cartesian in epistemology and philosophy of mind. He criticised five central tenets of Cartesianism and developed sophisticated alternatives to them. His transcendental analysis of the necessary a priori conditions for the very possibility of self-conscious human experience invokes externalism about justification and proves externalism about mental content. Semantic concern with the unity of the proposition—required for propositionally structured awareness and self-awareness—is central to Kant’s account of the unity of any cognitive judgment. The perceptual ‘binding (...) problem’ is central to Kant’s account of the unity of the object in perception. This paper outlines Kant’s development and justification of his a rationalist account of our active intellect and its roles in perceptual consciousness and in rational judgment, including our consciousness of our rational freedom, all through a radically innovative transcendental inquiry into the necessary a priori conditions for us to be conscious at all. Kant’s anti-Cartesianism is a major philosophical breakthrough far surpassing contemporary anti-Cartesian efforts. It behoves us to give Kant his due and avail ourselves of his profound insights into the nature of human mindedness. (shrink)

Against the background of the current interest in hermeneutics and interpretation theory, the title of Booth's book might lead one to expect a post-Nietzschean reading of Kant's philosophy of history and politics. But the actual source of the book's title is Marx's final thesis on Feuerbach. Booth gives us a sceptical, realistic Kant who faces the shortcomings of reason and the challenges of the natural world not by trying to change the world but rather by seeking interpretations (...) of it that enable man to cope with nature and orient his life amid the trials and difficulties that beset him. Booth's Kant is not so Hegelian as to seek a kind of transcendence that accepts the world only to encompass it in an act of self-conscious reflection; nor is he so Marxist as to settle optimistically for nothing less than changing the world. Rather he is more Stoic or Spinozist; he recognizes various interpretive standpoints that serve different human purposes and advocates an orientation for human experience that is rooted in human freedom, rationality, and courageous resolve. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 44.4 (2006) 577-597 MuseSearchJournalsThis JournalContents[Access article in PDF]Kant and Herder on Baumgarten's AestheticaAngelica NuzzoWhile philosophers since antiquity have offered reflections and theories on subjects such as the beautiful, the sublime, art, and its appreciation, "aesthetics" as a discipline in its own right dates back only to the second half of the eighteenth-century. We owe to Alexander Gottlieb Baumgarten (1714–1762) the (...) introduction of 'aesthetics' into philosophical discourse. At the moment of its inception, however, this discipline had little to do with art and was not primarily concerned with the beautiful. It was instead a theory of the cognitive value of human sensibility—a doctrine of "sensible cognition." A general historical and systematic question presents itself at this point: How shall human sensibility be conceived in order for aesthetics as a theory of sensibility to gain an independence of its own in philosophical discourse? And accordingly: How shall the human being be conceived in order for our aesthetic experience to claim a philosophical value of its own?In this essay, I elaborate the results of the hypothesis that I submit in response to these questions. 1 My claim is that the mind/body dualism dominating the rationalist tradition of modern philosophy is the principal obstacle preventing aesthetics from becoming an independent science of human sensibility. 2 In the rationalist tradition within which Baumgarten's work is placed, truth concerns the higher cognitive faculty. Besides logic, the investigation of this faculty occupies the discipline of psychology traditionally divided into rational and empirical psychology. While rational psychology abstracts from sensibility in dealing with a disembodied metaphysical soul and its properties, empirical psychology is still viewed as a branch of metaphysics bound to the reduction of all faculties to the theoretical one. Such a view prevents the important results of empirical research from connecting to fields such as history, anthropology, and moral philosophy in a way that can positively defy the charge of materialism and the attacks of skepticism. [End Page 577] In other words, since empirical psychology is still metaphysica specialis, its results do not qualify it to the status of an independent empirical science.Kant and Herder are the crucial protagonists of the transformation of aesthetics after Baumgarten. In their intellectual itinerary, both philosophers dedicate important reflections and critical considerations to the new idea of "aesthetics" first introduced by Baumgarten. They both take up his heritage and work in the direction of overcoming its rationalistic presuppositions. For both philosophers, the confrontation with Baumgarten's theory of "sensible cognition" prompts a new understanding of the role that "sensibility" plays in constituting philosophical discourse and, in connection with this issue, a new understanding of what can be properly called a "philosophical" aesthetics. The critical reflection on Baumgarten's doctrine leads both Kant and Herder to a new view of the relation between logic, epistemology, psychology, and anthropology. It is precisely the different set of relations that Kant and Herder respectively establish among these disciplines that determines the different role that they attribute to aesthetics in their philosophy.In what follows, I offer a confrontation between Kant's and Herder's views of aesthetics that is mediated by their respective critiques of Baumgarten. The aim of this confrontation is not historical but systematic. The issue at stake is the positioning of aesthetics between epistemology, on the one hand, and psychology and anthropology, on the other. I am interested in the way in which Kant and Herder propose different models for integrating "sensibility" into the philosophical discourse by establishing ontological and epistemological conditions which radically break with the rationalist paradigm of mind/body dualism. I want to suggest that Kant's and Herder's starting point and first objective is the same, although the realization of the program differs significantly. Their general aim is to attribute to human sensibility a new central place in philosophy, thereby steering the philosophical focus from the metaphysics of a "disembodied soul" to the inquiry into an "embodied mind." With Kant and Herder, rational psychology yields... (shrink)

TGiulio Preti, born in Pavia (Italy) in 1911 and dead in Djerba (Tunisia) in 1972, represents one of the most subtle Italian thinkers of the latter half of the twentieth century. After graduating in 1933 discussing a thesis about The Husserl’s historical significance, he connected more and more to the Antonio Banfi’s lesson of critical rationalism and he elected him as his master. Starting from Banfi’s The principles of a reason theory (1927), Preti studied in depth the program of historization (...) of the Kantian transcendental both in books such as Idealism and positivism (1942), and in Praxis and empiricism (1957), in Rhetoric and logic (1968), and then in his numerous essay studies, later collected in fundamental posthumous volumes, Philosophical essays (1976, 2 vol.). Preti’s decisive problem is the following question: how is it possible to historicize human knowledge without a relativization? According to Preti, in order to answer this question, it is necessary to acknowledge the objectivity of scientific knowledge. The objective knowledge mustn’t be confused with an absolute knowledge or, least of all, with a subjective, or toutcourt relative, knowledge. Therefore it is necessary to avoid either opposite poles, but specular, in which the different epistemologicaltraditions of the last century are, on the contrary, stopped. In Preti’s opinion, the objectivity of knowledge arises from the eidetic, linguistic and operative structures, within the limits of which develops a determinate form of human scientific knowledge. In other words: every scientific knowledge, structured into a particularscientific theory and relating to a particular technological heritage, consists of a precise theoretical-practical horizon, that determines, with Husserl’s words, a specific “ontological region”, or, with Bachelard’s words, a specific “ontogenesis”. So Preti recovers the heuristic rule of the Kant’s transcendental reason. Nevertheless, unlike Kant, Preti believes the aprioristic structures of our ideas always have a conventional and historical foundation. In this way, the Kantian a priori changes into an historical and relativistic a priori. Certainly in Kant’s opinion an historical and relativistic a priori would have looked like a “round-square”, an authentic contradiction, a pure logical impossibility. According to Preti, on the contrary, this paradoxical aspect is the true distinctive feature of scientificknowledge objectivity, which has no more any eternal or absolute value, but is always built by men born to die and is always bound to determinate historical forms of civilization. Starting from these assumptions, Preti builds, in this way, a research programme on the possibility to individualize a form of “critic ontologism”, which hasn’t any more connection with the claims and the traditional metaphysical structures of the “Being qua Being”. On the contrary, Preti thinks the only “being” we can rationally talk about is the one constituted within the different cognitive ambits. Philosophy then must be able to develop a “meta-reflection” on different knowledge elaborated by single sciences. According to Preti, in fact, philosophy is the formality of human culture, it is, in other words, a form of self-reflection by the human culture about itself. Therefore philosophy has no more any privileged subject, but it must be always able to reflect, with great theoretical humility, on the different cognitive forms, in order to study languages, structures, methods, extension and limits of the human knowledge. In this way Preti’s “critic ontologism” is a kind of historical-objective transcendentalism, able to study the different configurations of the technical-scientific heritage produced by mankind during his history. (shrink)

The purpose of this paper is to view Kant's approach to education in the broader context of Kant's philosophy of culture and history as a process whose direction should be reflectively assumed by human freedom, in the light of man's moral vocation. In this context, some characteristic tensions of his enlightened approach to education appear. Thus, while Kant takes the educational process to be a radically moral enterprise all the way through—and hence, placed in a relational (...) context—he also aspires to constitute education as a science, to be improved through experiments, thereby paving the way for a systemic approach to education; in spite of its moral inspiration, his systemic approach not only could enter into conflict with the moral demand of taking each individual subject as an end, but is also marked by an intrinsic paradox, already involved in the ambiguity of the term ‘humanity’, which might mean a) humanity as a moral disposition present in each individual human being or b) humanity as a whole, as the ‘human species’. (shrink)

In his 1785-review of the Ideen zur Philosophie der Geschichte der Menschheit, Kant objects to Herder's conception of nature as being imbued with active forces. This attack is usually evaluated against the background of Kant's critical project and his epistemological concern to caution against the “metaphysical excess” of attributing immanent properties to matter. In this paper I explore a slightly different reading by investigating Kant's pre-critical account of creation and generation. The aim of this is to show (...) that Kant's struggle with the forces of matter has a long history and revolves around one central problem: that of how to distinguish between the non-purposive forces of nature and the intentional powers of the mind. Given this history, the epistemic stricture that Kant's critical project imposes on him no longer appears to be the primary reason for his attack on Herder. It merely aggravates a problem that Kant has been battling with since his earliest writings. (shrink)

A new understanding of Kant’s theory of a priori knowledge and his natural philosophy emerges from Jeffrey Edwards’s mature and penetrating study. In the Third Analogy of Experience, Kant argues for the existence of a dynamical plenum in space. This argument against empty space demonstrates that the dynamical plenum furnishes an a priori necessary condition for our experience and knowledge of an objective world. Such an a priori existence proof, however, transgresses the limits Kant otherwise places on transcendental arguments (...) in the _Critique of Pure Reason_ because it establishes a _material_ transcendental condition of possible experience. This finding motivates Edwards to examine the broader context of Kant’s views about matter, substance, causal influence, and physical aether in connection with the developmental history of his theory of transcendental idealism. Against the backdrop of early modern metaphysics and contemporaneous physical theory, Edwards explicates the origins of the Third Analogy in Kant’s early work on the metaphysics of nature. The argument against empty space presented in the Third Analogy reveals a central aspect of Kant’s transcendental theory of experience that Edwards explains lucidly. By clarifying the epistemological standpoint at issue in the Third Analogy, he shows that the fundamental revisions to which Kant subjects his theory of knowledge in the _Opus postumum_ not only originate in his precritical metaphysics of nature but are developments of an argument central to the _Critique of Pure Reason_ itself. Edwards’s work is important to scholars working in the history of philosophy and the history and philosophy of science, as well as to Kant specialists. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kant’s Critique of the Power of Judgment: Critical EssaysTed KinnamanPaul Guyer, editor. Kant’s Critique of the Power of Judgment: Critical Essays. Lanham, MD: Rowman & Littlefield, 2003. Pp. xxiii + 253. Cloth, $75.95. Paper, $27.95.The volume under review is a collection of essays on a wide range of topics concerning Kant's Critique of the Power of Judgment. All the papers included here have been published previously, although (...) many of them in places where they might not be easily accessible to English-speaking philosophers. While some of the articles will be familiar to Kant scholars, this collection should be useful to specialists and valuable to students first delving into the third Critique.One essay in the volume, Guyer's own piece on "Kant's Principles of Reflecting Judgment," will be of particular interest to Kant scholars. Guyer's thesis here is that the account of reflecting judgment Kant offers in the Critique of the Power of Judgment is both continuous with the account of regulative principles of reason in the Critique of Pure Reason and the basis of the unity of the third Critique as a whole. He supports this by demonstrating how each of the sorts of judgment discussed in the work can be seen as an application of the broader account of reflecting judgment in general. Guyer identifies five such applications, and shows that each of them has three features central to regulative principles: they set a goal of constructing a system within a certain specific range of cognitions; they require the suitability of objects for attainment of the goal in question, and thus are transcendental [End Page 499] and not merely logical principles; and they supply heuristic advice for the investigation of nature. Thus every form of judgment can with justice be considered as an instance of the general activity of reflecting, that is, finding a universal for a given particular.Several of the essays included here concern the most prominent issues relating to the Analytic of the Beautiful. Nick Zangwill's piece deals with the disinterestedness of aesthetic judgment, while Christopher Janaway's "Kant's Aesthetics and the Empty Cognitive Stock" debunks what he sees as misguided readings of the role of concepts in judgments of taste. In "The Idealism of Purposiveness," an excerpt from his 1993 book Kantian Aesthetics Pursued (Edinburgh, 1993), Anthony Savile criticizes what he calls the "established reading" of Kant's claim that beautiful objects exhibit "purposiveness without purpose." On this reading, to say that a thing is purposive without purpose is to say that it appears to be designed, but to no particular purpose. Savile argues instead that we should take purposiveness without purpose to indicate that an object is suitable for a function, but not as a result of conscious design. Articles by Eva Schaper (from her well-known book on Kant's aesthetics) and Malcolm Budd discuss the distinction between free and dependent beauty and the account of the sublime, respectively.Some of the other selections in the volume are interesting for their focus on somewhat neglected aspects of the third Critique. One such aspect is the role of the imagination in Kant's account of aesthetic appreciation, and by extension in cognition more generally. In "Imaginative Freedom and the German Enlightenment," Jane Kneller argues that appreciation of the role of imaginative freedom in Kant's account of aesthetic judgment helps to connect Kant to the Enlightenment rationalist tradition that saw the value of art in its ability to educate and improve those who appreciate it. This education cannot, of course, be of the most straightforward nature, since Kant emphatically argues that to judge a thing beautiful is altogether different from judging it morally good. Instead, Kneller argues, our awareness of our own imaginative freedom provides us with evidence of our ability to realize the "highest good" on earth, evidence otherwise denied us in Kant's philosophy. Also addressing the theme of imagination is Donald Crawford's "Kant's Theory of Creative Imagination," in which he points out striking parallels between Kant's account of the imagination's role in mathematics and in the creation of fine art.Another aspect of Kant... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 39.4 (2001) 559-580 [Access article in PDF] Problems in Kant's Vindication of Pure Reason Ted Kinnaman One of the most important questions in interpreting the Critique of Pure Reason concerns the proper way of characterizing Kant's view of the faculty of reason. Clearly, one of Kant's intentions is to show that reason is incapable of cognition of objects (...) such as God or the soul, because such cognition would require going beyond possible experience. At the same time, he also wants to defend reason, to "institute a court of justice, by which reason may secure its rightful claims while dismissing all its groundless pretensions" (Axi-xii). Denied the possibility of attaining theoretical knowledge, reason instead finds its fulfillment in its practical employment, striving to bring the world into conformity with the moral law. This, however, can make it appear that the task of guiding action is one that reason must merely settle for, having unfortunately been denied its true goal, knowledge of the supersensible. It is thus difficult to see how Kant can claim to have vindicated reason.Recently, a number of scholars have suggested that a proper understanding of Kant's account of reason can correct this purely negative view of Kant's theory. In particular, Richard Velkley and Susan Neiman have argued separately that Kant's emphasis on the goal-directed nature of reason's task helps to justify Kant's belief that the first Critique defends as well as limits reason. 1 Because this reading truly does justice to Kant's insistence on the unity of theoretical and practical reason, it goes a long way toward bringing out Kant's overall project in the Critique of Pure Reason. But I will argue that Velkley's and Neiman's defense of Kant's conception of reason, while persuasive as a reading of Kant's intentions in the first Critique and a clear improvement over a simply negative view of reason, is ultimately unsuccessful philosophically. I will show that Kant's defense of reason in the Critique of Pure Reason is vulnerable [End Page 559] to two strong objections, of which Kant himself was made aware of in the years after the publication of the Critique: We have no grounds, on the basis of the argument of the first Critique, to think that the goals reason sets for us can be achieved; nor does Kant's theory provide a basis for defending his conception of reason against other plausible and coherent sources of warranted assertion, such as religion or culture. Indeed, Kant's appreciation of the seriousness of the deficiency of his defense of reason in the Critique of Pure Reason helps to explain the importance of the concept of the purposiveness of nature in the later Critique of Judgment. First I explain in detail why it appears that Kant's analysis of reason produces only a negative result—that reason cannot attain knowledge of its objects. Second, I will look at how the readings of Velkley and Neiman attempt to defend Kant's account of reason's positive use. I will then argue that without some argument for the suitability of appearances to systematization according to ideas of pure reason, we can be assured neither of the possibility of reaching the goals reason sets for us nor of the superiority of Kant's views over competing views on morality and religion. In particular, I will look briefly at the writings of Johann Georg Hamann and Johann Gottfried Herder, with the intention of showing that they offer at least prima facie plausible alternatives to Kant's view of reason. 1. The central problem concerning Kant's conception of reason in the Critique of Pure Reason results from the conjunction of two of his most important philosophical claims. First, it clearly is crucial to Kant's philosophical outlook that "we cannot cognize any object that is thought except through intuitions that correspond to those concepts" (B165). But, second, Kant says that unlike the understanding reason does not relate directly to intuition, and... (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Kant’s Theory of SelfApaar KumarArthur Melnick. Kant’s Theory of Self. New York-London: Routledge, 2009. Pp. viii + 186. Cloth, $118.00.Melnick interprets the Kantian self from the first-person perspective as real abiding intellectual action. It unfolds in time but does not arise in inner or outer attending. Hence, it is neither a noumenal entity nor Kantian intuitable substance. Melnick thinks that his interpretation not only clarifies Kant’s arguments in (...) the Paralogisms of the first Critique, but also illuminates Kant’s positive theory of self.Melnick argues that a thought is inchoate, unformed, and unsettled until the thinking self as intellectual marshaling action brings it into focus and “coalesces” around it a series of related but out-of-focus thoughts ready to replace the focal thought if necessary. This marshaling action is temporal because it shifts/adjusts (“accompanies”) progressive attending but cannot be intuited in time. Its shifting/adjusting constitutes its only reality, for it would have to be in objective time if it were intrinsically real, which Kant’s transcendental idealism does not allow.As intellectual marshaling action, the thinking self cannot know itself as simple substantial entity. Instead, it knows itself as always-subject-and-never-predicate because it is constant and never swallowed up by particular thoughts, and as indivisible because its self-awareness as marshaling action in a whole thought is not the sum of its self-awareness in each part of that thought. Self-consciousness is a structural possibility of this marshaling action. It occurs when the subject has to report its thoughts, which it does by distancing-itself-from-but-still-encompassing its thought/s in reflection.The same marshaling action makes for the identity of the cognizing subject by constantly regulating thinking. Thinking is “proneness” to standardize or regulate. If I am unifying/regulating a synthesis of outer apprehension (empirical-object-dog) through my prior grasp of a thought or rule (empirical-dog-concept), I am self-identical in empirical apperception. If I am unifying/regulating outer or inner attending per se according to pure rules of space and time in a synthesis of outer apprehension, then I am self-identical in pure apperception.In the synthesis of inner apprehension, I can be self-identical only if I, as intellectual marshaling action, set representations of inner sense in time. Personal identity is the extension of this identity. It is to be construed as a “thin” capacity contingent upon the fulfillment of its activation conditions, rather than as a metaphysical entity. Given that time-consciousness [End Page 535] demands outer bodily representations in Kant, and bracketing his abstraction from the body, self-identical persons must necessarily be construed as embodied. Finally, contra the rationalists, intellectual marshaling action is neither material nor separable from material reality, and our capacity for such action relates immediately to the capacity of material things to affect us.The problem with this argument, which Melnick admits Kant himself never articulated, is that at key moments, it is neither a comprehensive interpretation of Kant (especially since Melnick relies principally on the first Critique, but not exhaustively so: for instance, he does not discuss the important distinction between the analytic and synthetic unity of apperception, etc.), nor a stand-alone first-person account of the self.First, Melnick’s use of several Kant-independent spatial analogies to explain crucial mental concepts is disconcerting: to some extent, self as “marshaling” action, consciousness as “awning” that envelops affection from outside, and (most obscurely) self-conscious subjects ostensibly require reflection to “mirror” a thought into a verbal report (56–57), but it remains unclear what mirroring into involves.Second, Melnick uncritically accepts Kant’s obscure equation of the unities of act and consciousness (7–8, 97), and hence sidesteps the thorny problem of relating/distinguishing activity and consciousness. Since he categorically interprets self as activity, Melnick appears to presuppose the priority of activity over consciousness. But this needs justification, which, in turn, requires further investigating the relationship between attention, consciousness, and intellectual marshaling action.Finally, although Kant never says this, Melnick offers a two-step argument that we possess a capacity for personhood, which seems rather unconvincing... (shrink)

A new understanding of Kant’s theory of a priori knowledge and his natural philosophy emerges from Jeffrey Edwards’s mature and penetrating study. In the Third Analogy of Experience, Kant argues for the existence of a dynamical plenum in space. This argument against empty space demonstrates that the dynamical plenum furnishes an a priori necessary condition for our experience and knowledge of an objective world. Such an a priori existence proof, however, transgresses the limits Kant otherwise places on transcendental arguments (...) in the _Critique of Pure Reason_ because it establishes a _material_ transcendental condition of possible experience. This finding motivates Edwards to examine the broader context of Kant’s views about matter, substance, causal influence, and physical aether in connection with the developmental history of his theory of transcendental idealism. Against the backdrop of early modern metaphysics and contemporaneous physical theory, Edwards explicates the origins of the Third Analogy in Kant’s early work on the metaphysics of nature. The argument against empty space presented in the Third Analogy reveals a central aspect of Kant’s transcendental theory of experience that Edwards explains lucidly. By clarifying the epistemological standpoint at issue in the Third Analogy, he shows that the fundamental revisions to which Kant subjects his theory of knowledge in the _Opus postumum_ not only originate in his precritical metaphysics of nature but are developments of an argument central to the _Critique of Pure Reason_ itself. Edwards’s work is important to scholars working in the history of philosophy and the history and philosophy of science, as well as to Kant specialists. (shrink)

In Another Philosophy of History, J.G. Herder claims that his aim is not to compare and judge different cultures, but merely to describe and explain how each came into being and thus to adopt the standpoint of an impartial observer. I argue, however, that there is a tension between Herder's understanding of his own project—his stated doctrine of historicism and cultural relativism—and the way in which it is actually put into practice. That is, despite Herder's stated (...) aims, he is nevertheless unable to avoid justifying premodern forms of life and making context-transcending evaluative judgments in the process of trying to understand cultures on their own terms and holding them up as exemplars vis à vis the Enlightenment. This tension presents the challenge of accounting for it in the most charitable and illuminating way. I argue that this goal can be achieved by appealing to the resources of the philosophical hermeneutics of Hans-Georg Gadamer, which enables us to disclose two enabling conditions for Herder's project of which he was not explicitly aware, viz., the internal connection between understanding and justification and the enabling character of prejudice as the condition for the possibility of understanding as such. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 40.3 (2002) 406-408 [Access article in PDF] Book Review Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment Henry E. Allison. Kant's Theory of Taste: A Reading of the Critique of Aesthetic Judgment. New York: Cambridge University Press, 2001. Pp. xvi + 424. Cloth, $69.95. Paper, $24.95. In his new book, Henry Allison provides a study (...) of the two introductions and the first half of Kant's Critique of the Power of Judgment to stand alongside his previous books on Kant's theoretical and practical philosophy, Kant's Transcendental Idealism (1983) and Kant's Theory of Freedom (1990). Those books showed Allison's commitment to the unity and coherence of Kant's thought, and it is the aim of the present book to demonstrate the connections between the two halves of Kant's third Critique, that is, Kant's aesthetics and his teleology, as well as to demonstrate the connections between Kant's aesthetic theory and both his theoretical and his practical philosophy. In order to defend the unity of the third Critique, Allison defends Kant's characterization of the judgment of taste as a species of reflective judgment, and argues that our judgments of beauty depend upon the principle of the purposiveness of nature that is also the basis for judgments about the systematicity of natural laws. To display the connections between Kant's aesthetics and his theoretical philosophy, [End Page 406] Allison uses the first Critique's distinction between the quid facti and the quid juris to explicate the relation between Kant's "analytic of the beautiful" and his "deduction of pure aesthetic judgment"; he then defends the success of Kant's strategy for the deduction of judgments of taste by grounding them in the general conditions of the possibility of cognition. Finally, in order to explain Kant's connection between aesthetics and morality, Allison interprets Kant's theory of the "intellectual interest" in the beautiful as evidence of nature's amenability to our achievement of the ends of morality, an assurance that we need not be motivated in the first place to act as morality requires, but rather to prevent our motivation to be moral from being undermined by our own predisposition to radical evil. He then defends Kant's thesis that all beauty, and thus natural as well as artistic beauty, can be seen as an expression of aesthetic ideas, and specifically of the morally requisite idea of nature's amenability to the achievement of our moral objectives.There is much in this approach with which I can agree, and some with which I cannot. I agree that there is much in Kant's general conception of reflective judgment that illuminates his conception of judgments of beauty, yet I do not think that the principle of taste is analogous to the principle of the purposiveness of nature, because it does not play a role in making particular judgments of taste analogous to the role the latter principle plays in the conduct of scientific inquiry. My own interpretation of Kant's model for making particular judgments of taste is not fundamentally different from that which Allison offers under the rubric of the quid facti, although we disagree about which of the four "moments" of the "Analytic of the Beautiful" are part of the meaning of a judgment of beauty and which function more as grounds for making judgments with such a meaning. But I am not persuaded by Allison's defense of Kant's deduction of pure judgments of taste, that is, his answer to the quid juris, from the objections that I and others have raised to it. Finally, although there are large areas of agreement between our interpretations of Kant's theory of intellectual interest in the beautiful, the claim that aesthetic experience is evidence of nature's amenability to the realization of the ends that we adopt in the name of morality is only part of the story that Kant develops in the Critique of Aesthetic... (shrink)

The present article considers the problem of the preservation of pleasure in Kant’s Critique of Judgment. The problem stems from the fact that the Critique of Judgment contains not one but two distinct definitions of pleasure. In the definition of pleasure in §10 of the Analytic of the Beautiful Kant emphasizes that all pleasure is characterized by the tendency to preserve itself. On the other hand, in the definition of §VII of the unpublished Introduction Kant makes a sharp distinction between (...) interested and disinterested pleasures, whereby only the former kind is defined by the tendency for self-preservation. Yet, how can the disinterested pleasure of the beautiful preserve itself, given that insofar as it is disinterested it can be based on neither desire for its own preservation nor continued existence of the object? In addressing this issue, most commentators erroneously reintroduce desire in the pleasure of aesthetic reflection. By contrast, I propose to resolve this issue by turning to Kant’s account of lingering in §12 of the Analytic of the Beautiful and, more importantly, §§43-53 of the Deduction, where Kant affords his conception of aesthetic ideas. (shrink)

Excerpt from Maine De Biran's Philosophy of Will No special account of Maine de Biran's philosophy has before appeared in English, and the sources are rendered somewhat difficult by the author's highly involved style. It has seemed, therefore, that a somewhat extended exposition of his work may prove useful. In the composition of this monograph my object has been two-fold: to give a statement of Biran's system, and to show his exact position in the history of speculative (...) thought. As a result of careful investigation, I have found it necessary to call attention to the unitary character of the system, which, as a matter of fact, centers around the single idea - will. This conclusion is, of course, opposed to the view of Naville, who in his introduction to the Œuvres inedites divides Biran's work into three sharply distinguished periods. I am convinced, however, that this division rests on insufficient grounds. For in the idea of activity is to be found the keynote of the entire philosophy. This idea is clearly evident in the writings assigned by Naville to the earlier and the later periods, as well as in the more important works that were written during the intervening years. On the whole, it may seem surprising that I have not emphasized more strongly the importance of Biran's philosophy. It is perhaps unusual in a work of this kind to minimize the significance of the subject. However that may be, I have to confess that the motive which led me to begin my study, the expectation of finding elements of permanent value in Biran's philosophy based on frequent references to him as 'French Kant,' has scarcely been realized by my subsequent investigation. Even with the most sympathetic interpretation, Biran cannot be placed among philosophers of the first rank. Kant's great significance does not consist merely in his emphasis on the activity of mind against the empiricists, but rather in the fact that he shows that the activity in which the nature of mind is expressed is universal and objective in character. About the Publisher Forgotten Books publishes hundreds of thousands of rare and classic books. Find more at www.forgottenbooks.com This book is a reproduction of an important historical work. Forgotten Books uses state-of-the-art technology to digitally reconstruct the work, preserving the original format whilst repairing imperfections present in the aged copy. In rare cases, an imperfection in the original, such as a blemish or missing page, may be replicated in our edition. We do, however, repair the vast majority of imperfections successfully; any imperfections that remain are intentionally left to preserve the state of such historical works. (shrink)

In this article, I explore the role of the first principle in Fichte’s philosophy of history and assess the extent to which its introduction is able to resolve problems in the philosophies of history of his predecessors. Particularly, I focus on Fichte’s response to the question of how history can be grasped in a systematic manner for the purposes of theoretical cognition. I argue that while Fichte is able to resolve the tension between Herder’s pluralism and (...) Kant’s chiliasm in an innovative manner, the deployment of his first principle is ultimately unsuccessful in establishing historiography on a firmer scientific foundation. (shrink)

This paper examines how in the ‘Critique of teleological judgment’ Kant characterized the concept of natural purpose in relation to and in distinction from the concepts of nature and the concept of purpose he had developed in his other critical writings. Kant maintained that neither the principles of mechanical science nor the pure concepts of the understanding through which we determine experience in general provide adequate conceptualizations of the unique capacities of organisms. He also held that although the concept of (...) natural purpose was derived through reflection upon an analogy to human purposive activity in artistic production and moral action, it articulates a unique notion of intrinsic purposiveness. Kant restricted his critical reflections on organisms to phenomena that can be given to us in experience, criticizing speculations on their first origins or final purpose. But I argue that he held that the concept of natural purpose is a product of the reflecting power of judgment, rather than an empirical concept, and represents only the relation of things to our power of judgment. Yet it is necessary for the identification of organisms as organized and self-organizing, and as subject to unique norms and causal relations between parts and whole. (shrink)

This essay examines the main line of argument of Yirmiyahu Yovel's The Adventures of Immanence. Expressing general agreement with Yovel's central thesis that Spinoza's ?immanent revolution? marked an important tuming?point in the history of modernity and profoundly influenced subsequent thought, I none the less take issue with some of the details of the story. In particular, I question his omission of Lessing, his account of the relationship between Spinoza and Kant, and his treatment of Marx. In a final section (...) I present some objections to Yovel's guiding conception of a philosophy of immanence. (shrink)

Kant’s philosophy of science takes on sharp contour in terms of his interaction with the practicing life scientists of his day, particularly Johann Blumenbach and the latter’s student, Christoph Girtanner, who in 1796 attempted to synthesize the ideas of Kant and Blumenbach. Indeed, Kant’s engagement with the life sciences played a far more substantial role in his transcendental philosophy than has been recognized hitherto. The theory of epigenesis, especially in light of Kant’s famous analogy in the first Critique, (...) posed crucial questions regarding the ‘looseness of fit’ between the constitutive and the regulative in Kant’s theory of empirical law. A detailed examination of Kant’s struggle with epigenesis between 1784 and 1790 demonstrates his grave reservations about its hylozoist implications, leading to his even stronger insistence on the discrimination of constitutive from regulative uses of reason. The continuing relevance of these issues for Kant’s philosophy of science is clear from the work of Buchdahl and its contemporary reception. (shrink)

The submitted study presents a philosophical assessment of the Kant's Theory of Aesthetics, which is mainly exposed in his "Critique of Judgment". In the author's view Kant's Theory represents one of the most important interpretations of the fundamental philosophical problem of aesthetic Being in the modern history of philosophy, and is, at the same time, one of the best examples of Cartesian account of the metaphysical foundations of aesthetics. Upon reflection this fact turns out to be (...) a very important one for our understanding of philosophical origins of modern aesthetics. (edited). (shrink)

Over the past decade, scholarship on Kant’s practical philosophy has developed from a one-dimensional focus on his objective normative doctrines toward a more richly textured engagement with his views of character, virtue, and subjective moral consciousness. A significant contribution to this trend is made by G. Felicitas Munzel’s new study of the formal notion of character running throughout Kant’s mature works. As Munzel notes, the exhaustive attention that has long been focused on the Groundwork’s justification of fundamental moral principles (...) has obscured the equally crucial issue “of what it means for the human subject concretely to actualize such moral insight”. In Kant’s Conception of Moral Character, she provides a meticulously detailed and multi-dimensional answer to this question. Her book argues “not only that [Kant] has a very rich notion of moral character, but also that it is a conception of systematic importance for his thought, linking the formal moral with the critical, aesthetic, anthropological, and biological aspects of his philosophy”. While the book is almost entirely devoted to the latter exegetical aim, Munzel’s larger purpose is to highlight the gulf between Kant’s conception of moral character and the Aristotelian conception that underlies much recent philosophical work in virtue theory. By demonstrating the possibility of a notion of character focusing on the principled, rigorously controlled conduct of thought, she wants to present the Kantian account as one capable of contributing to contemporary debates about character, virtue, and moral education. (shrink)

The subject of this article is Herder’s unique conception of the soul-body relationship and its divergence from and dependence on Leibniz. Herder’s theory is premised on a rejection of the windowlessness of monads in two important respects: interaction between material bodies (as gleaned from Crusius and Kant) and interaction between the soul and body. Herder’s theory depends on Leibniz insofar as it agrees with the intimate connection Leibniz posits between the soul and the body, as his epistemology demonstrates, with, however, (...) the significant modification that the connection is real. Herder transforms the Leibnizian rehabilitation and use of substantial forms to develop a double-conception of the human soul as both thinking substance and substantial form: the soul, qua thinking substance, needs a body through whose senses it can interact with, and acquire knowledge of, the external world; the soul, qua substantial form, constructs itself this material body by harnessing the forces of attraction and repulsion. Herder’s theory provides an alternative to other contemporary accounts of the soul-body relationship, especially Kant’s, which start from the problem of relating two distinct substances. His unique and original reconciliation of the modern dichotomy of spirit and matter, via his connecting of Leibniz’s realms of final and efficient causes, is of great significance for the rise of German Idealism. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Time and History in Alois Riegl's Theory of PerceptionMichael GubserIn an early essay, the Austrian art historian Alois Riegl (1858–1905), a pioneer of the modern discipline of art history, linked the creation of the zodiac images in calendar art to the designation of constellations in the heavens.1 Ancient calendar artists observed the motion of stars across the night sky and attempted to map them into recognizable patterns (...) representing specific temporal periods. Their efforts inscribed the cyclical temporality of the heavens into the images of the ancient calendar. This inherent temporality came to characterize all art forms in Riegl's work; his choice of calendar art as his earliest research topic heralded a career-long interest in the connection between temporality and artistic form. Art objects, he believed, were temporal as well as spatial. Just as the light from constellations reflected a deep history, artworks illuminated the passage of time by visually re-presenting the perceptual world of past eras.Riegl's work has garnered attention in recent decades among art historians and non–art historians alike. This interest is due in part to the renewed concern for disciplinary origins that art history, like other fields, has experienced in the wake of poststructuralist critiques. Scholars outside of art history have taken note of his work because of its broad scope and relevance for the study of historiography and perception; Riegl's work provides models for linking the analysis of specific artworks with a history of perception, exploring the relationship between monuments and memory, and analyzing the nature of visual modernity. Interest in Riegl also stems from his acknowledged impact on such preeminent philosophers and historical theorists as Erwin Panofsky, Paul Feyerabend, Gilles Deleuze, Fèlix Guattari, and above all Walter [End Page 451] Benjamin.2 Figures as varied as Georg Lukács, Karl Mannheim, Walter Gropius, and Mikhail Bakhtin have cited his work favorably.3 Riegl is perhaps best known for his attempts to dismantle the hierarchy of high and low art, his attack on the preeminence of classical aesthetic ideals, and his effort to construct a universal history of style. The combination of these commitments led him to consider European and non-European craft genres that fell outside conventional definitions of art. In books such as Problems of Style, Late Roman Art Industry, and The Group Portraiture of Holland, Riegl examined the high arts, decorative arts, and manufactured artifacts alike, gleaning insights into the structure of an era's perception from close descriptive analyses of its artwork.4 In Problems of Style, Riegl traced the development of ancient vegetal decorative motifs toward their fulfillment in the naturalized tendrils and acanthus leaves of Greek ornament. A single, universal development encompassed seemingly distinct motivic forms, and creative innovation was driven by an inner formal logic. Similarly, Late Roman Art Industry, the [End Page 452] epoch-making work that Walter Benjamin described as a revolution in art historical method,5 traced the gradual development of space as an object of artistic concern in the late Roman Empire. In this volume, Riegl explored his controversial notion of the Kunstwollen, or artistic will, which asserted art's autonomy on the basis of a formal creative volition internal to artworks.6 Finally, The Group Portraiture of Holland documented the emergence and decline of a "typically Hollandish painting" emphasizing space and attention.7Riegl scholars have frequently attempted to situate his art history within a variety of philosophical traditions, an effort complicated by Riegl's limited citation of sources. Several scholars have linked Riegl's historical vision with the embattled tradition of Hegelian philosophy. Riegl's teleology; his stress on the unified, internal, and purposive development of art; his notion of art as mind overcoming material; and even his emphasis on the role of the viewer in art all have a distinctly Hegelian resonance. Wolfgang Kemp fits Riegl squarely within a late-nineteenth-century Hegelian revival,8 Michael Podro incorporates him within a Hegelian critical tradition of art history that spanned the nineteenth and early twentieth centuries,9 and Michael Ann Holly posits a clear trajectory, linking Kant and Hegel with Riegl and Panofsky.10Others, however, just as firmly reject this... (shrink)

Kant was not a very knowledgeable historian of philosophy. He came to the study of philosophy from natural science, and later the fields of ethics, aesthetics, politics and religion came to occupy his central concerns, but his approach to philosophical issues never came by way of reflection on their history. He was well acquainted, of course, with the recent tradition of German philosophy: Leibniz, Wolff, Baumgarten and Crusius, and he seems also to have had knowledge of (...) eighteenth century French philosophy, and of as much of Anglophone philosophy as had been translated into either French or German. But like many modern philosophers, he had an inadequate appreciation of the scholastic tradition, and his knowledge of classical Greek philosophy was mostly at second hand. (shrink)

Reviewer surveys barnard's work, approves of main theses, but corrects minor points. he then reflects upon several problems raised by barnard. he relates some of herder's assertions to german proto-romanticism. points discussed are: herder's turning away from cosmopolitanism and his turning toward english literature as an expression of his francophobia, the "superiority" of the gothic style, the concepts of "kunstpoesie" and "naturpoesie", the emphasis on primitivism and the socio-political theories, the theory of language. merlan also comments on the (...) "volk" concept and its significance for historiography, and the debate between herder and kant. he concludes with a statement about the concept of "volk" and the problem of an individual's participation in history. the work reviewed is "herder's social and political thought. from enlightenment to nationalism." by f.m. barnard. oxford: clarendon press 1965. pp. xv, 189. (shrink)

Peirce's study of Kant, and later of Hegel, and Dewey's (1930) retention of much of Hegel's social philosophy are recognised idealist sources of pragmatism. Here I argue that the transition from idealism to pragmatic realism was already achieved by Hegel. Hegel's ‘Objective Logic’ corresponds in part to Kant's ‘Transcendental Logic’ (WdL,GW21:47.1-3). Hegel faults Kant for relegating concepts of reflection to an Appendix to his Transcendental Logic (WdL,GW12:19.34-38), and for treating reason as ‘only dialectical’ and as ‘merely regulative’ (WdL,GW12:23.12,.16-17). (...) I present three important yet neglected features of Kant'sCritique of Pure Reasonwhich are key enthymemes undergirding Hegel's critical reconstruction of Kant's Critical philosophy (§2). I then summarise some features of the philosophical context within which Hegel begins to re-assess and reconstruct Kant's Transcendental Logic (§3), and review several key steps in this direction Hegel undertook in the 1807Phenomenology(§4). (A related paper extends these results to Hegel'sLogicandEncyclopaedia.) These points show that Hegel's reanalysis of Kant's Critical philosophy is the first and still one of the most sophisticated and adequate pragmatic — specifically pragmatic realist — accounts of thea priori. (shrink)

Kant’s use of the terms ‘Nature’ and ‘Providence’ in his essays on history has long puzzled commentators. Kant personifies Nature and Providence in a curious way, by speaking of them as “deciding” to give humankind certain predispositions, “wanting” these to be developed, and “knowing” what is best for humans Moreover, he leaves the relationship between the two terms unclear. In this essay, I argue that Kant’s use of ‘Nature’ and ‘Providence’ can be clarified and explained. Moreover, I show that (...) Kant’s use of the terms is symptomatic of a much more important and not sufficiently appreciated fact about Kant’s philosophy of history, viz., that it fulfils a function in both his theoretical and his practical philosophy. (shrink)

A seminal figure in the philosophy of history, culture, and language, Johann Gottfried Herder also produced some of the most important and original works in the history of aesthetic theory. A student of Kant, he spent much of his life striving to reconcile the opposing poles of Enlightenment thought represented by his early mentors. His ideas influenced Hegel, Schleiermacher, Nietzsche, Dilthey, J. S. Mill, and Goethe. This book presents most of Herder's important writings on aesthetics, including (...) the main sections of one of his major untranslated works, Kritische Wälder. These notes, essays, and treatises, the majority of which appear here in English for the first time, show this idiosyncratic thinker both deeply rooted in the controversies of his day and pointing the way to future developments in aesthetics. Chosen to reflect the extent and diversity of Herder's concerns, the texts cover such topics as the psychology and physiology of aesthetic perception, the classification of the arts, taste, Shakespeare, the classical tradition, and the relationship between art and morality. Few thinkers have reflected so sensitively and productively on the cultural, historical, anthropological, ethical, and theological dimensions of art and the creative process. With this book, the importance of aesthetics to the evolution and texture of Herder's own thought, as well as his profound contribution to that discipline, comes fully into view. (shrink)

It is generally acknowledged that Kant's political philosophy stands on a par with the great works of the Western liberal tradition. It is also a matter of agreement that the rational principles on which it rests represent an adequate philosophical expression of the progressive agenda that was inaugurated by the Enlightenment and fulfilled, with varying degrees of success, by the French Revolution. Yet Kant's philosophical position is ambiguous when it comes to evaluating that momentous event in modern (...) history. We know, from anecdotal evidence, some surviving letters, several cryptic references in his published works, as well as a number of posthumously published reflections, that Kant was enthusiastic about and strongly approved of the changes that were taking place in France at the time. He certainly condemned, in strong and unequivocal terms, the execution of Louis XVI. But this did not translate into a repudiation of his support for the revolution. And he seems to have found even in this case mitigating circumstances that explained the revolutionaries' decision to execute the monarch, thus in fact excusing their action. Moreover, he argued that all post-revolutionary governments ought to command the same kind of loyalty from their subjects as the ones they replaced, which appears to justify Kant's contention in the Idea for a Universal History that political violence can be a vehicle of progress. Furthermore, in the Contest of Faculties Kant went so far as to identify in the enthusiastic response of the ‘spectators’ to the French Revolution a clear sign of the moral disposition of humankind. (shrink)

A seminal figure in the philosophy of history, culture, and language, Johann Gottfried Herder (1744-1803) also produced some of the most important and original works in the history of aesthetic theory. A student of Kant, he spent much of his life striving to reconcile the opposing poles of Enlightenment thought represented by his early mentors. His ideas influenced Hegel, Schleiermacher, Nietzsche, Dilthey, J. S. Mill, and Goethe. This book presents most of Herder's important writings on aesthetics, (...) including the main sections of one of his major untranslated works, Kritische Wälder (Critical Forests). These notes, essays, and treatises, the majority of which appear here in English for the first time, show this idiosyncratic thinker both deeply rooted in the controversies of his day and pointing the way to future developments in aesthetics. Chosen to reflect the extent and diversity of Herder's concerns, the texts cover such topics as the psychology and physiology of aesthetic perception, the classification of the arts, taste, Shakespeare, the classical tradition, and the relationship between art and morality. Few thinkers have reflected so sensitively and productively on the cultural, historical, anthropological, ethical, and theological dimensions of art and the creative process. With this book, the importance of aesthetics to the evolution and texture of Herder's own thought, as well as his profound contribution to that discipline, comes fully into view. (shrink)

This paper discusses a set of arguments launched in Salomon Maimon’s 1800 Der moralische Skeptiker against Kant’s notion of the moral law. Apart from being an almost overlooked chapter in the history of post-Kantian ethics, this work is one in which Maimon takes issue with four related aspects of the ethical thesis and methodology presented in Kant’s second Kritik. At the core of the discussion is Maimon’s emphasis on a major incongruity in the correlation of Kant’s notions of theoretical (...) and practical reason: objectively valid statements in ethics should not qualitatively diverge from those in theoretical science. It is in this context that the paper discusses the late Maimonian thesis that Kant’s factual notion of the moral law cannot be reconciled with his notion of theoretical rigor. It also shows why, for Maimon, the highest principle of Kantian ethics should reveal itself to be theoretically untenable and dogmatic, and hence lead to skepticism. (shrink)

Kant's account of the way in which our faculty of discursive understanding acts on what is given in our sensible intuition to produce experience lies at the heart of his critical philosophy. The present study is devoted to explicating this account. Kant distinguishes the operation of discursive understanding in sensible intuition, its operation in the guise of the productive imagination, from its operation in forming clear concepts of the objects of the productive imagination. The former brings about the (...) relations of the contents of sensible intuition in space and time by representing these relations. The latter produces clear concepts in a process of comparison, abstraction, and reflection. ;In elaborating this account, I proceed first by examining Kant's contrast between intuition and concept, in order to clarify the contrast between cognition in intuition and cognition through clear concepts. I then examine Kant's reception and development of the Leibnizian account of the clarity and obscurity of representations. This examination in turn prepares the way for my reading of Kant's account of concept formation as an analytic process by which we produce the logical form of our concepts. All this serves to sharpen our understanding, not only of the relation between the two levels at which discursive understanding operates in bringing about experience, but also of Kant's central notions of consciousness and the form of cognition. Finally, I turn to examining Kant's account of the origin of the categories. I show that, on this account, the real sensible content of the categories--form of our cognition of objects--is represented obscurely in the synthesis of the productive imagination, and is brought to clarity in a process analogous to that whereby we acquire all our concepts by giving them their logical form. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:400 KANT'S MISREPRESENTATIONS OF HUME'S PHILOSOPHY OF MATHEMATICS IN THE PROLEGOMENA In 1783, Immanuel Kant published the following reflections upon the philosophy of mathematics of David Hume, words which have colored all subsequent interpretations of the letter's work: Hume being prompted to cast his eye over the whole field of a priori cognitions in which human understanding claims such mighty possessions (a calling he felt (...) worthy of a philosopher) heedlessly severed from it a whole, and indeed its most valuable, province, namely, pure mathematics ; for he imagined its nature or, so to speak, the state constitution of this empire depended on totally different principles, namely, on the law of contradiction alone; and although he did not divide judgments in this manner formally and universally as I have done here, what he said was equivalent to this: that mathematics contains only analytical, but metaphysics synthetical, a priori propositions. In this he was mistaken, and the mistake had a decidedly injurious effect upon his whole conception. But for this, he would have extended his question concerning the origin of our synthetical judgments far beyond the metaphysical concept of causality and included in it the possibility of mathematics a priori also, for this latter he must have assumed to be equally synthetical. And then he could not have based his metaphysical propositions on mere experience without subjecting the axioms of mathematics equally to experience, a thing which he was far too acute to do. The good company in which metaphysics would thus have been brought would have saved it from the danger of a contemptuous illtreatment, or the thrust intended for it must have reached mathematics, which was and could not have been Hume's intention. Thus that acute 401 man could have been led into considerations which must needs be similar to those that now occupy us, but would have gained inestimably by his inimitably elegant style. In other words, Hume failed to notice that mathematics, despite its a priori character, is synthetic. It was thus easy for him to conclude that all a priori judgments are analytic, and that therefore metaphysics (conceived of as synthetic ¿ priori judgments) is impossible. Now what considerations led Kant himself to the opposite conclusion, that mathematics is synthetic despite being a priori? Let's consider Kant's own words in a typical passage: Just as little is any principle of geometry analytical. That a straight line is the shortest path between two points is a synthetical proposition. For my concept of straight contains nothing of quantity, but only a quality. The concept 'shortest' is therefore altogether additional and cannot be obtained by any analysis of the concept 'straight line.' Here, too, intuition must come to aid us. It alone makes the synthesis possible. I should like the reader now to compare the following passage from Hume's Treatise of Human 2 Nature, Book I, Part II, Section IV: 'Tis true, mathematicians pretend they give an exact definition of a right line, when they say, it is the shortest way betwixt two points. But in the first place, I observe, that this is more properly the discovery of one of the properties of a right line, than a just definition of it. For I ask any one, if upon mention of a right line he thinks not immediately on such a particular appearance, and if 'tis not by accident only that he considers this property? A right line can be comprehended alone; but this definition is unintelligible 402 without a comparison with other lines, which we conceive to be more extended. In common life 'tis establish 'd as a maxim, that the streightest way is always the shortest; which wou'd be as absurd as to say, the shortest way is always the shortest, if our idea of a right line was not different from that of the shortest way betwixt two points. Style and terminology apart, I defy the reader to distinguish between these two arguments and their conclusions. Hume argues that 'The shortest distance between two points is a straight line' is no definition; furthermore he says almost explicitly that 'There is a longer distance between two points than a straight line... (shrink)

Kant is probably one of the most misunderstood philosophers in the history of Western thought. Some of the most well-known and pervasive objections to Kant’s practical philosophy often rest on considerable misunderstandings of his central theses or a poor and superficial reading of his work. A common misconception is that in Kant’s practical philosophy there is no place or role for human happiness. In Happiness in Kant’s Practical Philosophy: Morality, Indirect Duties, and Welfare Rights, Alice (...) Pinheiro Walla dispels this misunderstanding by elucidating Kant’s conception of happiness (understood in broadly hedonist terms) and showing that, for Kant, the pursuit of happiness plays an important role in our personal and collective lives. This means that, far from endorsing an ascetic ideal of the moral agent, as it is commonly thought, Kant’s system embraces an ideal of the human life in which there is significant space, and even a duty, to pursue pleasurable endeavours. Somehow surprisingly, in Pinheiro Walla’s reading, Kant’s ethics is arguably less demanding than standard interpretations of Aristotelian and Utilitarian ethical theories. (shrink)

In contrast to the previously widespread view that Kant's work was largely in dialogue with the physical sciences, recent scholarship has highlighted Kant's interest in and contributions to the life sciences. Scholars are now investigating the extent to which Kant appealed to and incorporated insights from the life sciences and considering the ways he may have contributed to a new conception of living beings. The scholarship remains, however, divided in its interest: historians of science are concerned with the (...) content of Kant's claims, and the ways in which they may or may not have contributed to the emerging science of life, while historians of philosophy focus on the systematic justifications for Kant's claims, e.g., the methodological and theoretical underpinnings of Kant's statement that living beings are mechanically inexplicable. My aim in this paper is to bring together these two strands of scholarship into dialogue by showing how Kant's methodological concerns (specifically, his notion of reflective judgment) contributed to the ontological concern with life as a distinctive object of study. I argue that although Kant's explicit statement was that biology could not be a science, his implicit and more fundamental claim was that the study of living beings necessitates a distinctive mode of thought, a mode that is essentially analogical. I consider the implications of this view, and argue that it is by developing a new methodology for grasping organized beings that Kant makes his most important contribution to the new science of life. (shrink)

Kant's theory of the intuitive intellect has a broad and substantial role in the development and exposition of his critical philosophy. An emphasis on this theory's reception and appropriation on the part of the German idealists has tended to divert attention from Kant's own treatment of the topic. In this essay, I seek an adequate overview of the theory Kant advances in support of his critical enterprise. I examine the nature of the intuitive intellect's object; its epistemic (...) relation to its object; its mode of comprehension; the relationship between these cognitive elements; and I ask which minds Kant regards as intuitive intellects. (shrink)

The aim of this dissertation is to propose and justify the thesis that Kant's theory of judgment, which plays a vital role in the Critique of Pure Reason, Critique of Practical Reason, and Critique of Judgment, is fundamentally theoretical in nature, and that this theory insures the unity of the critical philosophy. Most of the contemporary writers who have dealt with the question of the unity of Kant's philosophy on the basis of his theory of judgement (...) have emphasized the priority of either practical, aesthetic, or even political judgment. Such interpretations, however, seem at odds with the fact that Kant's theory of judgment is rooted in the non-practical, theoretical discipline of formal logic, a discipline that underlies the structure of all three Critiques. The "theoretical" understanding of judgment is first developed in the Critique of Pure Reason wherein Kant distinguishes between general and transcendental logic. This distinction governs the distinction between two ways of employing the same logical form of judgment, viz., indeterminately and determinately. The determinate-indeterminate distinction with respect to judging is elaborated in both the first and the second editions of the Critique of Pure Reason as well as in the Prolegomena and the Preface to the Metaphysical Foundations of Natural Science . ;In the Groundwork of the Metaphysics of Morals , Kant distinguishes between "general practical philosophy" and "the metaphysics of morals." In fact, general practical philosophy "differs from a metaphysics of morals in the same way that general logic is distinguished from transcendental philosophy." Thus, the distinction between general practical philosophy and the metaphysics of morals in Kant's practical philosophy represents the distinction between indeterminate and determinate functions of judging practically, i.e., of willing. ;In the Critique of Judgment , the determinate-indeterminate distinction is expressed by means of the distinction between determinative and reflective power of judgment . Kant shows that while the determinative Urteilskraft gives rise to scientific and moral judgments, the reflective Urteilskraft makes possible both aesthetic and teleological judgments by leaving something undetermined, viz., the cognizability of an object and the intentionality of the purposiveness of nature, respectively. (shrink)

Introduction to Kant's Anthropology From a Pragmatic Point of View Michel Foucaulttranslated and with an introduction by Arianna BoveThis introduction and commentary to Kant's least discussed work, Anthropology from a Pragmatic Point of View, is the dissertation that Michel Foucault presented in 1961 as his doctoral thesis. It has remained unpublished, in any language, until now. In his exegesis and critical interpretation of Kant's Anthropology, Foucault raises the question of the relation between psychology and anthropology, and how (...) they are affected by time. Though a Kantian "critique of the anthropological slumber," Foucault warns against the dangers of treating psychology as a new metaphysics, explores the possibilities of studying man empirically, and reflects on the nature of time, art and technique, self-perception, and language. Extending Kant's suggestion that any empirical knowledge of man is inextricably tied up with language, Foucault asserts that man is a world citizen insofar as he speaks. For both Kant and Foucault, anthropology concerns not the human animal or self-consciousness but, rather, involves the questioning of the limits of human knowledge and concrete existence. This long-unknown text is a valuable contribution not only to a scholarly appreciation of Kant's work but as the first outline of what would later become Foucault's own frame of reference within the history of philosophy. It is thus a definitive statement of Foucault's relation to Kant as well as Foucault's relation to the critical tradition of philosophy. By going to the heart of the debate on structuralist anthropology and the status of the human sciences in relation to finitude, Foucault also creates something of a prologue to his foundational The Order of Things.Michel Foucault is widely considered to be one of the most important academic voices of the twentieth century and has proven influential across disciplines. (shrink)

RESUMEN Se examina la diferencia en el estatuto moral de los seres humanos y de los demás animales, en la filosofía práctica de Kant, así como las consecuencias de esta distinción para el debate en torno al conceptualismo, centrando la atención en dos líneas que parecen correr paralelas: una considera que los animales no humanos tienen el valor relativo de cosas, mientras que la otra sostiene que los animales no humanos o humanos no racionales pueden tener acceso no conceptual a (...) contenidos representacionales de carácter objetivo. Se analizan las implicaciones prácticas de la imposibilidad del no conceptualismo, y se muestra cómo rechaza un no conceptualismo fuerte que les atribuye a estos seres un acceso a representaciones objetivas que justifiquen, por medios protorracionales, creencias prácticas o epistémicas. ABSTRACT The article examines the difference between the moral status of human beings and that of other animals in Kant’s practical philosophy, as well as the consequences of this distinction for the debate over conceptualism, focusing attention on two seemingly parallel lines: one that considers that non-human animals have the relative value of things, and another according to which non-human animals or non-rational humans can have non-conceptual access to objective representational contents. It analyzes the practical implications of the impossibility of non-conceptualism and shows how Kant rejects a strong non-conceptualism that attributes to those beings access to objective representations that justify practical or epistemic beliefs through protorational means. (shrink)

This book, first published in 1957, is the study of 14th-century Arab historian Ibn Khaldun, who founded a special science to consider history and culture, based on the philosophy of Plato and Aristotle and their Muslim followers. In no other field has the revolt of modern Western thought against traditional philosophy been so far-reaching in its consequences as in the field of history. Ibn Khaldun realized that history is more immediately related to action than political (...) philosophy because it studies the actual state of man and society. He found that the ancients had not made history the object of an independent science, and thought it was important to fill this gap. A factual acquaintance with the conclusions of Ibn Khaldun's reflections on history is not the same as the full comprehension of their theoretical significance. When these fundamental questions are answered, it becomes possible to pose the specific question of the relation of Ibn Khaldun's philosophy of history, or his new science of culture, to other practical sciences and, particularly, to the art of history. After an exposition of the major trends of Islamic historiography, part of this book attempts to answer this question through the analysis of the method and intention of the sections of the 'History' where Ibn Khaldun himself examines the works of major Muslim historians, shows the necessity of the new science of culture, and distinguishes it from other practical sciences. (shrink)

The article analyzes the influence of Kantian philosophy on the problems and development of Russian empiriocriticism. It is shown that the critical pathos of Kant’s philosophy, as well as his call for intellectual honesty in philosophy, was appreciated first of all. Relying on Kant, Russian empiriocritics proved the inconsistency of metaphysics in both its religious and materialistic forms. In addition, the teachings of the founders of empiriocriticism, E. Mach and R. Avenarius, were also criticized because some dogmatic (...) assumptions were found in them. Attempts to eliminate these assumptions resulted in a dynamic concept of experience, based on which the concepts of empiriomonism (A. Bogdanov), empiriosymbolism (P. Yushkevich), scientific philosophy (V. Lesevich), positive philosophy of life (S. Suvorov), positive aesthetics (A. Lunacharsky), ethics of mutual joy (A. Bogdanov) and many others were developed. Special attention was paid to the analysis of the “thing-in-itself” since this very concept of Kantian philosophy was used by G. Plekhanov to justify “orthodox” Marxism. Russian empiriocritics opposed Plekhanov’s identification of the “thing in itself” and the material object, arguing that the concept of matter is a metaphysical assumption and, for this reason, cannot contribute to refuting dualism and Kantian “agnosticism.” From the monistic point of view, the “thing-in-itself” should be understood on the basis of experience as a necessary form of its organization. According to Bogdanov, there is nothing a priori in the “thing-in-itself”; this idea appeared as a result of substituting the known for the unknown and expressed a process rather than essence. Kant’s aesthetics and moral philosophy were also actively discussed in Russian empiriocriticism. The interpretation of beauty as “expediency without purpose” was extended to the fundamental principle of the “aesthetic worldview,” which gave credibility to the doctrine of the ideal, the practice of social construction, etc. As a result of the polemic with the ethics of compassion, of which Kant was considered the most authoritative defender, an alternative ethic of mutual joy was created. Thus, the influence of Kantian philosophy on Russian empiriocritics was complex and contributed to the development of new ideas. (shrink)

The argument of the Transcendental Deduction of the Categories in the Critique of Pure Reason is the deepest and most far-reaching in philosophy. In his new book, Robert Howell interprets main themes of the Deduction using ideas from contemporary philosophy and intensional logic, thereby providing a keener grasp of Kant's many subtleties than has hitherto been available. No other work pursues Kant's argument through every twist and turn with the careful, logically detailed attention maintained here. Surprising (...) new accounts of apperception, the concept of an object, the logical functions of thought, the role of the Metaphysical Deduction, and Kant's relations to his Aristotelian-Cartesian background are developed. Howell makes a precise contribution to the discussion of most of the disputed issues in the history of Deduction interpretation. Controversial in its conclusions, this book demands the attention of all who take seriously the task of understanding Kant's work and evaluating it dispassionately. (shrink)