When Derrida translated and commented on Husserl’s manuscript The Origin of Geometry in 1962, he gave a central place to what Husserl called the Idea “in the Kantian sense”. This article reflects on the use and function of this Idea in Derrida’s reading of Husserl. It critically interrogates the relationship between the Idea in the Kantian sense and mathematical ideality, as well as the use of this Idea in the interpretation of the (...) Thing (Ding) and the stream of experience (Erlebnisstrom). In the centre of the discussion stands what Derrida calls “pure thinking”, on which he tries to ground the Idea in the Kantian sense. (shrink)

This chapter examines Edmund Husserl’s notion of idea in the Kantian sense with the aim of clarifying the distinction between ideas and essences. In particular, the chapter focuses on the occurrences of the notion of idea in the Kantian sense in Ideas I, identifies its core features, and explains why the notion of idea should not to be conflated with the phenomenologically relevant notion of essence. The chapter then points to doubts about the (...) givenness of ideas in the Kantian sense and argues that, once the notions of essence and of idea are disentangled, those doubts have no bearing on whether essences merit a place within phenomenology. (shrink)

The current technoscientific progress has led to a sectorization in the philosophy of science. Today the philosophy of science isn't is informal interested in studying old problems about the general characteristics of scientific practice. The interest of the philosopher of science is the study of concepts, problems and riddles of particular disciplines. Then, within this progress of philosophy of science, neuroscientific research stands out, because it invades issues traditionally addressed by the humanities, such as the nature of consciousness, action, knowledge, (...) normativity, etc. As a result, the new area of interdisciplinary study of neuroscience and philosophy arises: neurophilosophy. This emerging area applies neuroscientific concepts to traditional philosophical questions, limiting their responses to neuroscientific revelations about nervous systems. Neurophilosophy research focuses on problems related to the indirect nature of mind and brain, computational or representative analysis of brain process, relationships between psychological and neuroscientific research, adequate adaptations of physical and philosophical concepts in neuroscience and the place of cognitive functions. Now, the temporal representation of conscious experience and the types of the neural architecture to represent objects in time have aroused scientific interest. Under these interests, we focus on the studies on the temporary triadic structure of phenomenological consciousness in Dan Lloyd and Rick Grush. From Grush’s studies, the importance of Kantian ideas for cognitive neuroscience emerges, due to the active way in which Kant conceived space and time as forms of intuition, within which the mind interprets its experience. Under this perspective, the theoretical arguments of Dennett-Kinsbourne and Eagleman-Sejnowski represent winks in the direction of Kant-Husserl within the neuroscientific goal while considering that the contents provided by the mind included space, objects and perception of causal relationships. Then, theories of cognitive neuroscience are beginning to suggest that these elements are also, as Kant argued, interpretative elaborations provided by mind / brain, and not only content received from outside. In other words, current cognitive neuroscientific theories try to pass from its Humean phase to a Kantian phase. So, the challenge has been to explain that these elements are provided by the mind and the world itself, and how they have the content they have come from. These are lacking in current studies. Filling this gap helps to involve the analysis of the scientist’s experience in his theoretical attitude. In this sense, an investigation under the Kantian-Husserlian approach that involves pure intuitions a priori with the experience of the scientific and neuroscientific concepts represents a ground-breaking. At present, a neurophilosophical study about this does not exist. In this sense, one feasible proposal for research would be based on the application of neuroscientific results of Moser-Britt to philosophical problems of foundational notions in relativistic physics: space, time, space-time, field, etc., under the Kantian-Husserlian approach, which allows to demonstrate the multidisciplinary link between neurophilosophy and physics. This represents a ground-breaking area in current interests in scientific research, with a positive impact in the field of neuroscience, and contributing to the study of abstraction emphasizing the importance of Kant’s Copernican turn and Husserl’s phenomenological ideas in the construction of physical theories. -/- . (shrink)

Relativism is central to the social sciences for the simple reason that customs and morals are diverse, and explaining this diversity is one of its major tasks. The explanations have relativistic implications, but they vary according to the type of explanation. In the nineteenth century evolutionary explanations dominated: differences were relative to stages. The social determination of ideas followed from these accounts, but could be logically separated from them. In the twentieth century, accounts based on the culture concept, understood loosely (...) in neo-Kantian terms as a matter of different shared presuppositions, dominated. This conception informed a relativistic methodological approach to history and disciplinary differences, exemplified in the methodological writings of Max Weber, where they were related to values. This was more radical, in the sense that there was no further explanation of the presuppositions. They simply differed. As this conception was expanded into the epistemic realm, it became even more radical, by being applied to science itself. The “Strong Programme in the sociology of science” observed a principle of symmetry, which held that true and false scientific beliefs needed to be explained using the same explanatory tools. In each of these cases problems of reflexivity and self-undermining played a role. (shrink)

Science starts out with the idea of a person as billions of neurons housed in a body that is a cloud of particles. Common sense starts out with the idea of a person having capacities belonging to a single individual. The common sense person does not have parts. Our objectifying science slowly takes over the person as it tends toward physical materialism. Where will it end? What is being gradually pushed out of the world? If science (...) had already taken over, if the categories of neuroscience were complete, then it would be possible to speculate about its relation to earlier stages of thought. However, that is not the situation. The categories of science have yet to emerge. The puzzling character of new scientific objects reveals that we are on the threshold of profound conceptual change. The Humanities are at a crossroad. Do the Humanities scoff at the encroachment of science and risk the fate of those who resisted the Copernican revolution? Do they embrace the changes only to be burned at the stake like those who accepted the Copernican revolution? I suggest that the Humanities mobilize their collective power to create the categories in terms of which science will explicate the very idea of a person. Over the last fifty years, philosophers in the Kantian tradition have offered strategies for developing the new categories in humanistic terms. One approach follows “color” and “consciousness” through their passage from a common sense image of the world to a developing scientific image. It is a journey that illustrates the problems and the puzzles ahead. It indicates the perils of the next recategorization of the world. (shrink)

Kant's ethics is used by some as a defence of the exploitation of animals and is criticised by others for not recognising any moral relevance of the plight of animals. These appeals overlook the broad applicability of Kant's principles. In this article, I argue that Kant's ethics implies a duty to abstain from most meat and some other animal products derived from farming. I argue that there is a Kantian principle not to choose goods that have been derived from (...) wrongdoing, with certain qualifications. This principle isolates the wrong of using others to commit wrongdoing on one's behalf. As has been argued by others, Kant's ethics implies that animal farming as we know it in our society almost universally involves wrongdoing and the slaughter of animals is especially tied to wrongdoing. I argue for a broad sense in which these ideas together imply that choosing farmed meat, and probably other animal products, is treating animal industry workers as mere means. Thus, we have a Kantian duty to abstain from these products. (shrink)

Kant says that ideas have to be linked with sense experience to be meaningful. Rational ideas can be so linked via the "symbolical process" which is a process of creating a similarity (in rules of application) between an idea and its symbol. In this process the imagination goes beyond a concept (which is already linked with sense experience) to another concept in order to say something about the latter. This turns out to be the metaphorical process. For (...) in every metaphor there is an idea that receives expression in another, The latter already meaningful (i.E., Having a literal meaning). (shrink)

The general conception of Kantian cosmology in Universal Natural History is one that folds into the “pre-Critical” period in the basic sense that the status of the types of principles invoked within the work is not subjected by Kant to critical assessment. This is far from meaning that the enquiry of Universal Natural History is simply abandoned by Kant. Rather, the stakes of the inquiry into cosmology become transformed and this transformation has much to do with the results (...) of the Critique of Pure Reason, not least the arguments of the Transcendental Dialectic. In this piece I will first review some of the most salient lines of argument in Universal Natural History prior to undertaking to investigate a reason for re-thinking cosmology in Kantian terms both within the Critique of Pure Reason and in the wake of it. This latter enquiry will hinge both on an understanding of the nature of Kant’s use of the notion of the “regulative idea” and also upon an investigation of his uses of cosmic images within the Critical period. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Reviewed by:Nietzsche’s Critiques: The Kantian Foundations of His ThoughtDaniel SchumanR. Kevin Hill. Nietzsche’s Critiques: The Kantian Foundations of His Thought. Oxford: Clarendon Press, 2003. Pp. xvi + 242. Cloth, $45.00.This important book presents a broad and systematic study of Kant's influence on Nietzsche. Hill contends that Nietzsche, throughout the course of his philosophical career, wrestled with fundamental ideas presented in all three of Kant's Critiques. In the (...) preliminary chapter, Hill chronicles Nietzsche's familiarity with Kant by briefly examining the nineteenth century interpretations of Kant that Nietzsche was known to have read, namely those of Kuno Fisher, Friedrich Lange, and Schopenhauer. Hill also details Nietzsche's references to Kant throughout the published and unpublished writings, even providing a table that lists the number of references to Kant in five-year increments from 1865 through 1889 (19). Whether or not one agrees with the arguments in the remainder of the book, this first chapter stands alone as a useful historical introduction and reference guide for anyone interested in Kant and Nietzsche in light of early Neo-Kantianism.Chapters 2 and 3 focus upon Nietzsche's early encounter with the Critique of Judgment. Hill offers an interpretation of the third Critique that focuses on the centrality of reflective judgment in that text. The author shows how both aesthetic and teleological judgments are reflective, as opposed to determinative, in the sense that they exemplify ways that the subject is driven to interpret or conceive of the world, e.g., "as if" it were designed (70). He argues that Kant's conception of reflective judgmenthad a significant influence upon Nietzsche's early views on teleology and aesthetics. Hill also proposes that Nietzsche's early published and unpublished writings, including the Birth of Tragedy, are more indebted to Kant's metaphysics and conception of the supersensible, than they are to Schopenhauer's metaphysics of the will. Though Nietzsche retained a conception of the noumenal, Hill argues that he rejected Schopenhauerian determinative judgments about noumena in favor of Kantian reflective judgments similar to those in the third Critique (94).Chapters 4, 5, and 6 of this book deal with Kant's influence on Nietzsche's mature critiques of metaphysics and epistemology. Hill contends that Nietzsche's naturalism and empiricism were a response to, and outgrowth of, a variety of specific metaphysical and epistemological claims made in the first Critique. For example, by focusing on space and time, he compares Kant's transcendental idealism with Nietzsche's naturalism. Hill shows that Nietzsche generally accepted Kant's contention that the spacio-temporal structure of the phenomenal or natural world is "mind-dependent" (127). However, he also proposes that because Nietzsche had access to more advanced empirical theories, he eventually came to the conclusion that Kant's rigid a priori, Euclidian characterization of the phenomenal stands as a "falsified" interpretation of nature (132, 191). Hill contends that while Nietzsche [End Page 503] accepts that nature is a product of the mind, he was also committed to the idea that there may be better or more accurate ways of characterizing nature. In this section of the book, Hill could have done more to clarify how, for Nietzsche, nature is both dependent upon the mind (what Hill labels "panpsychism"), yet still somehow "transcends us" (138). Nonetheless, one does gain from these chapters an appreciation of the influence that Kant's theoretical philosophy had on Nietzsche.The final chapter investigates the ways that the three essays of the Genealogy of Morals confront various aspects of Kant's practical philosophy (Hill does provide evidence that Nietzsche read the second Critique prior to writing the Genealogy [202]). Hill claims Nietzscheian genealogy is employed as an attack upon various aspects of Kant's rational conception of morality, including his dependence upon moral intuition (202, 205, 206). He also details Nietzsche's reaction against Kant's dependence upon the noumenal as the foundation for moral freedom and responsibility (219, 222-29). Nonetheless, Hill finds points of agreement between Kant and Nietzsche on morality. For instance, he argues that Kant and Nietzsche share somewhat similar conceptions of moral agency in the sense that Nietzsche "agrees with Kant's characterization... (shrink)

The article considers the influence of I. Kant’s ideas on the development of philosophical and bioethical discourse on animal rights. The doctrine of I. Kant, with its inherent anthropocentric attitude, is usually regarded as opposed to the spirit of the biocentric po­sition that has been characteristic of Anglo-Saxon utilitarianism since the time of I. Ben­tham. The Kantian approach is supposed to ignore the issue of animal rights. In the arti­cle, the author argues that the teachings of I. Kant had (...) a significant impact on the for­mation of the discourse on animal rights not only in the sense that animal rights activists perceived the ideas of I. Kant as arguments of their ideological opponent, which should be questioned, but also in the sense that they were accepted and developed in the 20th cen­tury as part of the biocentric discourse and were used to protect animal rights. (shrink)

This paper is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of (...) his philosophy of natural science, but also his arguments for the phenomenal validity of the metaphysical foundations, his teachings on the aesthetic human faculties of judgment and Anschauung, and the discernment of the transcendental philosophy from Platonic idealism carrying it to a cosmological level, i.e. Kant’s insertion of the concept of cosmotheoros. Since the process of transition is an aesthetic process based on human senses, intuitions and judgments, the argument will follow that in order to explicate Übergang, we need to reconcile cosmology, as the oldest branch of philosophy dealing with the interactions between the cosmic forces and the ways they affect human life, with aesthetics, as the youngest branch of philosophy dealing with how we sense, intuit and judge the form and motion of matter. Therefore, in the last analysis, Übergang becomes rather a cosmologic-aesthetic principle similar to the Heraclitean logos. Another building block of the paper is the fruitful comparison between the Kantian sublime and Nietzschean Dionysian, which are going to be construed as the aesthetic theories on human understanding representing the transition from nature to art. For they are not only conceptual – aesthetic but also dynamic – cosmological theories due to their reference both to nature and to human nature. (shrink)

I show why Michael Friedman’s idea that we should view new constitutive frameworks introduced in paradigm change as members of a convergent series introduces an uncomfortable tension in his views. It cannot be justified on realist grounds, as this would compromise his Kantian perspective, but his own appeal to a Kantian regulative ideal of reason cannot do the job either. I then explain a way to make better sense of the rationality of paradigm change on what (...) I take to be Friedman’s own terms. (shrink)

This book is founded on a close reading of Kant’s Opus Postumum in order both to explore the essential motivation that drove Kant to write a last comprehensive magnum opus and, by doing so, to show the essential link between his aesthetics and the idea of Übergang, the title of this last work. For this work contains not only his dynamical theory of matter defining motion as preliminary to the notions of space and time, and the advanced version of (...) his philosophy of natural science, but also his arguments for the phenomenal validity of the metaphysical foundations, his teachings on the aesthetic human faculties of judgment and Anschauung, and the discernment of the transcendental philosophy from Platonic idealism carrying it to a cosmological level, i.e. Kant’s insertion of the concept of cosmotheoros. Since the process of transition is an aesthetic process based on human senses, intuitions and judgments, the argument will follow that in order to explicate Übergang, we need to reconcile cosmology, as the oldest branch of philosophy dealing with the interactions between the cosmic forces and the ways they affect human life, with aesthetics, as the youngest branch of philosophy dealing with how we sense, intuit and judge the form and motion of matter. Therefore, in the last analysis, Übergang becomes rather a cosmologic-aesthetic principle similar to the Heraclitean logos. Another building block of the book is the fruitful comparison between the Kantian sublime and Nietzschean Dionysian, which are going to be construed as the aesthetic theories on human understanding representing the transition from nature to art. For they are not only conceptual – aesthetic but also dynamic – cosmological theories due to their reference both to nature and to human nature. Finally, Cosmological Aesthetics employs the principles of transition and motion to analyze Van Gogh’s Starry Night in an excursus. (shrink)

In the Club of Rome report Come on! Capitalism, Short-Termism, Population and the Destruction of the Planet (2018) Kant, along with other “old” Enlighteners, is presented as the father of a world-view which led to the destabilisation of the environment in which humanity exists. The authors of the report argue that the “old Enlightenment” with its individualism, faith in the market and a consumerist attitude to nature should be scrapped. I maintain that this assessment of Kant’s philosophy is groundless and (...) that his ideas allow us both to conduct a more profound diagnosis of the crisis and to propose a more solidly founded strategy of overcoming it. First, I sum up the position of the authors concerning the loss of sustainability of development which they attribute to the philosophy of Enlightenment. Next, I outline the history and content of the notion of “sustainable development” and offer an analysis of the sources of progressivist commitment to the conquest of nature which lie outside Modern Times in the idea of the “cultural mandate”. Then I present the Kantian diagnosis of the causes of the crisis which attributes it to humankind’s failure to “mature”. I compare the idea of “the full world” formulated by the authors of the report with the idea of the “the world come of age” and their diagnosis of “capitalism — short-termism — depletion of resources” with the Kantian assessment of the attempts to escape from the predicaments of the present into the past or the future. I draw attention to Kant’s solutions to some of the specific problems indicated in the report. Instead of the strategy of “return of the cultural mandate”, proposed at this time by the authors of the report, the Kant­ian answer to the crisis is a “Copernican turn” and re-direction of the cultivating effort to the inner moral development of the human being. (shrink)

I argue that Kant has developed a broad systematic account of the architectonic functionality of pure reason that can be used and advanced in contemporary contexts. Reason, in the narrow sense, is responsible for the picture of a well-ordered universe of science consisting of architectonic ideas of science, sciences and parts of sciences. In the first section (I), I show what Kant means by the architectonic ideas by explaining and interrelating the concepts of (a) the faculty of reason, (b) (...) ideas (as principles), (c) method, and (d) sciences of reason. Thereafter (II), I think through his holistic understanding of science and scientific progress and suggest differentiating between four levels of use of architectonic ideas, drawing on the metaphor of a well-structured universe as imagined by Kant in his work on the Universal Natural History and Theory of the Heavens. I also claim that each possible idea of reason can be (apart from its primary function) additionally regarded as a fourth-level architectonic concept when explicitly conceived as an object of (e. g. philosophical) studies, i. e. from a mere methodological perspective. In the final section (III), I unveil the potential of Kant’s theory by pointing out how this architectonic methodological function of pure reason is tacitly used in Karl-Otto Apel’s contemporary philosophical research programme. You can get the official version of the paper and the whole issue (open access) by clicking on the attached link. (shrink)

In the Transcendental Dialectic, Kant searched for a universal concept of reason different from the understanding and offered the short formula “the faculty of principles”. I will argue that this is only one and not the most pertinent and general mark of the concept of reason. There are more compelling short expressions in Kant’s Reflexionen, the third Critique and/or in the reception of Kant’s works: “the faculty of ideas” or reason in the narrower sense. The latter narrows down the (...) logical sphere of the concept of rational faculties, and the former contains reason’s most basic mark: ideas. The first part of this article will focus on preliminary remarks on Kant’s philosophical methodology and conceptual analysis. The second part will analyze the division of the logical sphere of the concept of reason by nine necessary and coherent marks. These marks are centered around the concept of ideas, which allows for an ideas-first understanding of reason and preference for the formulas the faculty of ideas and reason in the narrower sense. The article will end with an “imperfect definition” of reason based on those nine marks. (shrink)

In this article I argue that Kant’s understanding of the universality of radical evil is best understood in the context of human sociality. Because we are inherently social beings, the nature of the human community we find ourselves in has a determinative influence on the sorts of persons we are, and the kinds of choices we can make. We always begin in evil. This does not vitiate responsibility, since through reflection we can become aware of our situation and envision ourselves (...) as members of a different community, one with different expectations, making genuine virtue possible. This understanding of radical evil helps to make sense of Kant’s high regard for the church in Religion. (shrink)

Normative notions are central to Husserl’s account of intentionality: intending an object is a normative achievement, essentially admitting of fulfillment or disappointment. So is teleology: intentional conscious life is inseparable from a horizontal orientation toward “ideas in the Kantian sense.” How are they related? Is teleology essential for intentionality as a normative achievement? Or, in Husserl’s way of putting it, do relative truths “demand” ideal truths? This article explores some reasons for agreeing with Husserl that this is indeed (...) the case. In Sec. 2, I will identify a “normative turn” in Husserl’s account of the basic structure of perceptual intentionality and spell out the teleological character of this normative account. This sense of teleology is a minimal one. A more robust teleology, in the sense of an orientation toward infinite ideality, is then justified in Sec. 3 by virtue of its function in the constitution of genuine objectivity. In Sec. 4, I will turn to the noetic, especially the ego-oriented side of Husserl’s analysis, in order to clarify the normative force of infinite telos. All in all, I will argue that the normative and the teleological sides of the story are inextricably intertwined in Husserl’s account of intentional conscious life. (shrink)

Husserl’s most systematic phenomenological work, Ideas for a Pure Phenomenology and Phenomenological Philosophy. First Book: General Introduction to Pure Phenomenology (Ideas I) (Husserl, 2014), differentiates pure transcendental phenomenology, as an eidetic science, from the eidetic science of mathematics. In line with the tradition of transcendental philosophy arguably—ante rem—stretching back to Plato, Husserl contrasts transcendental phenomenology with mathematics and argues that its conceptuality cannot be appropriately articulated and conceived in analogy with mathematics. While both mathematics and transcendental phenomenology are eidetic sciences, (...) phenomenology “belongs to a basic class of eidetic sciences … [that is] totally different from that to which the mathematical sciences belong” (Husserl, 2014, 136). The key differential between these two sciences on Husserl’s view concerns the nature of the essences that are the subject matter of each discipline. Mathematics deals with exact essences, which he characterizes as ideas in the Kantian sense. Phenomenology deals with inexact essences, which Husserl characterizes as morphological. (shrink)

This article considers the charge that citizens of developed societies are complicit in large-scale harms, using climate destabilisation as its central example. It contends that we have yet to create a lived morality – a fabric of practices and institutions – that is adequate to our situation. As a result, we participate in systematic injustice, despite all good efforts and intentions. To make this case, the article draws on recent discussions of Kant’s ethics and politics. Section 1 considers Tamar Schapiro’s (...) account of how otherwise decent actions can be corrupted by others’ betrayals, and hence fall into complicity. Section 2 turns to discussions by Christine Korsgaard and Lucy Allais, which highlight how people can be left without innocent choices if shared frameworks of interaction do not instantiate core ideals. Section 3 brings these ideas together in order to make sense of the charge of complicity in grave collective harms, and addresses some worries that the idea of unavoidable complicity may raise. (shrink)

These remarks focus on Kraus’s claim that for Kant the category of substance cannot apply to the soul but that instead we can and should apply a merely regulative idea of the soul. While granting Kraus’s contention that we require an idea of the soul in order to investigate inner experience, I argue that the category of substance nonetheless applies to the soul, but that the notion of the soul as entirely non-corporeal is a regulative idea. To (...) explore this contention, I closely examine two crucial passages Kraus uses to argue against parity between inner and outer sense. (shrink)

This paper provides an analysis of Rudolph Otto's understanding of the structures of human consciousness making possible the appropriation of revelation. Already in his dissertation on Luther's understanding of the Holy Spirit, Otto was preoccupied with how the " outer " of revelation could be united to these inner structures. Later, in his groundbreaking Idea of the Holy, Otto would explore the category of the numinous, an element of religious experience tied to the irrational element of the holy. This (...) paper first provides a brief account of Otto's account of the holy, especially its numinous, irrational elements. Second, the paper analyzes Otto's understanding of the structures of consciousness grounding the experience of the numinous and allowing the irrational element to be " schematized " by the rational element. Otto's exposition of these structures is heavily influenced by his reception of Kant's analysis of the two stems of human cognition, namely understanding and sensibility, and their possible relation to a common root, which Otto identified with what the mystics called the ground of the soul. Yet it is in Otto's reception of Kant's Critique of Judgment that all of these ideas find their completion, and it is here where we must look to understand the relation between the religious a priori and Otto's category of the numinous. Kant's aesthetic idea is a singular representation given in intuition; it is infinitely saturated and as such intimates the ideas of God, the soul, and the world as a whole. I show how Otto appropriates Kant's aesthetic idea and its relation to ideas of reason in order to make sense of how an empirically given revelation, for instance, an experience of the numinous, can connect with the inner structures of consciousness and thereby have the singular import that it does. (shrink)

Dongchundang Songjoongil (1606-1672) was a scholar who represented Gihoyeahak and Sanlim (山林) influencing the society of Chosŏn dynasty since the middle of 17th century. This report focus on its contemporary purport and reconciliation spirit on the Kyoung (敬) of Dongchundang. The Kyoung is the core idea that elucidates Dongchundang's philosophy and its characteristic. Dongchundang tried to continue to live the life of 'according knowledge and action' (知行一致) and dreamed the world of 'harmonization but not same' (和而不同) which indicates the (...) principle of heaven, meaning the harmony never following suit without reflection and a just and great cause, going through with his original idea through the Kyoung. In addition, Dongchundang expanded the Kyoung from personal existential problems to social ethic practical ones in the viewpoint of more reason than vitality, and aimed to build the ethic kingdom that came the harmony andreconciliation of all the communities together, interacting his subjectivity and the universal. The Kyoung and reconciliation spirit of Dongchundang is the orthodoxy of Dohak(道學), and it made him live moral intention and through real life and summarized the manner and spirit pursuing the just and great cause beyond factions. In this sense, Dongchundang's philosophy is the concentration of the Kyoung and philosophical expression of reconciliation spirit. As the peculiarity of Dongchundang's philosophy is based on the Kyoung, it is the everlasting principle of what one should do and practice in human life. (shrink)

The imagination—Einbildung—as its German makes clear is the faculty of formation. But this formative activity in various ways through the history of its concept has been intimately related to the concept of common sense, whether understood as the sense that gathers, orders, and makes coherent the various sense, or as the sensibility of the community. This contribution seeks to unfold that history of the concept of the creative or productive imagination while also tracing the parallel history of (...) the concept of common sense (sensus communis) and their relationship that begins with their inception in Aristotle, a connection that has been retained implicitly in one way or another, intentionally or not, at different times—but also often forgotten—in their history and that seems again to manifest with the recent conceptions of the social imaginary. I will trace this history in the Western philosophical tradition while also making use of a couple of Japanese philosophers who take part in this intellectual history. We shall follow the history of the imagination from Aristotle through Kant’s epistemology in his first Critique—when its productive function becomes positively, rather than negatively, evaluated—and on to the post-Kantians of the nineteenth and twentieth centuries. Post-Kantians like Schelling and Heidegger ontologize that productivity of the imagination beyond the epistemic sphere and, in a parallel fashion, broaden its significance beyond the individual and onto the collective. Common sense also has a long and parallel history within the West that involves a variety of meanings starting with the Aristotelian faculty for integrating the various senses (as koinē aisthēsis) that was closely associated with the imagination (phantasia), and ending with two contrasting notions of a communal or social sensibility (as sensus communis)—the vulgar “commonplace” notion of common sense as habituated custom and the healthy sense of common sense as prudential, contextual, ethical judgment. Both senses of common sense together with the faculty of the imagination are found in Kant’s third Critique but the imagination’s creativity expressed in genius comes into tension with the latter communal sense of common sense (Gemeinsinn) that attempts to order and fetter that creativity with the judgment of taste. The contemporary notion of the social imaginary, for example, in Castoriadis, certainly recalls the close connection between the imagination and common sense in Aristotle but also seems to encompass both the vulgar and the healthy senses of common sense along with their tension in Kant. Although Kant wanted to argue for a transcendental basis of common sense as such that would fit with his theory of the imagination from the first Critique, the imagination itself has been broadened in the third Critique, making way for post-Kantian developments, such as in its ontologization, expanding it beyond the merely epistemic as noted above. At the same time this also broadens the significance of the faculty beyond the cognizing mind of the individual and onto the social sphere to unfold what was implicit in Kant’s third Critique. In Japan Miki Kiyoshi develops that ontology of the imagination even though he still affirms its transcendental status. Nonetheless he explicates its formative creativity as involving the human collective producing not only ideal forms for thought but also institutions and technics of human culture. Likewise, Castoriadis understands the creativity of the imagination in socio-collective terms. But in addition, he underscores—in contrast to Miki—its temporal contingency or historicity and non-transcendental status. At the same time, the tension between unbounded creativity and communal responsibility found in Kant’s third Critique—together with the form-formlessness dynamic found in Miki—in a certain sense reappears in Castoriadis’ theory of the social imaginary and the creative imagination. We might say that in general the notion of Gemeinsinn in Kant in that sense provides a bridge between the idea of a creative or productive imagination and the idea of the social imaginary, while harking back to the original relationship between koinē aisthēsis and phantasia in Aristotle. This connection is implicitly assumed, perhaps unintentionally, by many of the relevant thinkers who discuss either concept. It is made explicit in contemporary Japanese philosopher Nakamura Yūjirō’s discussions of common sense, but can also be extracted out of Hannah Arendt’s discussions of the imagination, judgment, and sensus communis. Conceptually the two converge in Castoriadis’ and Ricoeur’s notions of the social imagination/imaginary. I thus plan to trace the parallel history of these two concepts (imagination and common sense). This is a chapter in the book 'Social Imaginaries: Critical Interventions' edited by Suzi Adams and Jeremy Smith. (shrink)

Hegel’s chief criticism of Kant in his early essay Faith and Knowledge is that Kant’s philosophy introduces the dichotomy between intuition and concept, between being and thought. As a result, Kantian philosophy fails to explain how the synthesis between concepts and intuitions in experience is possible. Kant’s theory of ideas is symptomatic of this failure: Kant’s idea refers to the concept of totality, the highest expression of reason, which is nonetheless not accessible to human experience. Yet, Hegel recognizes (...) another conception of an idea in Kant’s philosophy: the aesthetic idea in the Critique of Judgment is, according to Hegel, the “most interesting point in the Kantian System.” Kant describes the aesthetic idea as an intuition that contains much thought (conceptual content): in the aesthetic idea, then, the concept-intuition dichotomy falls away. And while Kant reduces the aesthetic idea to the subjective framework of reflective judgment, I argue that Hegel treats the aesthetic idea as something like a precursor of the speculative idea: the original unity between thought and being. (shrink)

The inquiry will attempt to answer several questions about: a) the cognitive status of philosophy according to Kant; b) the possibility of distinguishing philosophy from other forms of knowledge, with particular reference to specifically named scientific cognitions; c) the consequences connected with the necessity of thinking of philosophy in its relation to an ulterior dimension with respect to that of science, which is, according to Kant, the dimension of wisdom. Philosophy, according to Kant, is a rational cognition, yet different from (...) mathematics. Philosophy is a rational cognition from concepts, and therefore makes a discursive use of reason in accordance with concepts. Mathematics is instead a rational cognition from the construction of concepts, and therefore makes intuitive use of reason through the construction of concepts. The construction of a concept implies necessarily the capacity and the possibility of exposing in the intuition the corresponding object and to express it through a representation which is universally valid “for all possible intuitions that belong under the same concept”. It is precisely the fact that it is a cognition that proceeds along the construction of concepts which makes mathematics a stable and certain discipline, accompanied by evident proofs founded upon definitions, axioms and demonstrations that no rational cognition that proceeds with mere concepts can possess. It is for this reason that philosophy, in contrast with mathematics and whatever else is in some manner reducible to mathematics, may not be learned; for the fact that philosophy, understood as a scientific discipline in the same way in which all scientific disciplines are to be understood, really doesn’t exist. Philosophy is not a discipline in the sense in which all the other scientific disciplines are, because philosophy, for Kant, “is a mere idea of apossible science that precisely as an idea of a possible science is nowhere given in concreto”. If one may effectively speak about philosophy as a science, this does not constitute the moment in which philosophy finally reaches completion in itself. What Kant underscores is that at this level philosophy is only a science, that is, knowledge which, as much as it is fundamentally stable and certain, does not succeed in any case in obtaining that which constitutes instead, the most important and irreducible element of philosophy: “the relation of all cognition to the essential ends of human reason”. The philosopher is not for Kant simply a technician of reason, in that his aim is not solely that of ability, the completeness of knowledge and its systematic organisation. Rather, he aspires to something which goes beyond the merely cognitive dimension, and that Kant calls “wisdom”. Even knowing that science is the only available path, philosophy knows also that science cannot satisfy itself. In this sense philosophy presents itself as a science of limits and finds precisely in this determination the difference of all particular scientific disciplines, and, at one and the same time, of all pseudocognitive attitudes which are programmatically presented as independent from and alternative to science. (shrink)

Hermann Cohen, as it is well known, criticised the Kantian notion of the thing-in-itself. And before him the Kantian thing-in-itself was criticised by Fichte and other German idealists. Probably for this reason, Hermann Cohen is sometimes regarded as a person who said things similar to Fichte. This gives a completely wrong perspective, making it impossible to understand the philosopher's ideas. The basis for his critique of the Kantian thing-in-itself is quite different from the motives, determining the criticism (...) of Kant in the classical German Idealism. Such interpretation does not allow to see close connection of Cohen's theoretical philosophy with revolution in physics which took place at the turn of the nineteenth and twentieth centuries. The article explains how Cohen's demand that pure thinking must form its own content is connected with transformations taking place in physics and mathematics, and the peculiarity of Cohen's understanding of idealism is demonstrated: for him, correct idealism must realize that autonomous, free thinking should work seriously with sense data. The closeness of Cohen's ideas to the postpositivist thesis of the theory-ladenness of observation is explained. For Cohen, serious work with sense data is opposite to uncritical acceptance of them as given. The origin of scientific thinking is thinking itself. It responds to the challenge of sensory material by creating its own constructs. Mathematized natural science becomes for Cohen both an example and a confirmation of this thesis. For him, what is real is what is described in the language of mathematical analysis, i.e. continuous processes, in spite of the fact that any data are discrete. It is shown that the source of Cohen's assertions on this issue is in Kant's Critique of Pure Reason, namely in the doctrine of the Principles of pure natural science and, more specifically, in the Anticipations of Perception. Cohen's conviction of the constructive character of the theories of mathematized natural science is confirmed in the article by references to the authority of A. Einstein. (shrink)

This article aims to clarify the epistemological foundations of the Freudian energetics model, starting with a historical review of the 19th century scientific context in which Freud's research lay down its roots. Beyond the physiological and anatomical references of Project for a Scientific Psychology, the physiology Freud makes reference to is in reality primarily anchored in an epistemological model derived from physics. Whilst across the Rhine, the autonomy of physiology in relation to physics was far from being accomplished, as a (...) counterpoint, in France, the revolution in physiology driven by Claude Bernard established itself autonomously from physics,. In contrast, Freud's scientific landscape is entirely dominated by the physics elevated to the rank of an ideal science. The influence of Helmholtz, who is both a medical doctor and a physicist, has a determining influence on Freud's training. The discoveries in physics at that time, in particular the formulation of the principle of 'conservation of force' - first principle of thermodynamics - will constitute the points of reference upon which Freud will elaborate his energetics model, then subsequently, the idea of economy in his metapsychology. In this way we can trace both the historic and epistemological path that led Freud from a concept based on physics, and more specifically thermodynamic energy, to an idea of nervous energy that constitutes the basis of the concept of "quantity" as it is stated as 'first fundamental idea' in Project for a Scientific Psychology. This notion will subsequently evolve, and lead Freud to the introduction of the concept of 'psychical energy,' this time in a purely metapsychological sense. (shrink)

This article tracks Derrida's readings of Kant and Husserl as they explore the relation between, on the one hand, faith and knowledge, and on the other, theory and practice. Kant had to limit the scope of theoretical knowledge in order to make room for a practical faith in the rational ideas of the unconditioned, generated through the unconditionality of the moral law. Husserl deployed the figure of ‘the Idea in the Kantian sense’ at those crucial moments in (...) the exposition of his transcendental phenomenology where the unconditioned comes into play, a problematic strategy that Derrida judges to have revealed the limits of the phenomenological project. While Husserl's call for an unconditional theoretical and practical renewal of faith in reason appears to offer him an out, Husserlian faith is ultimately dependent on an untenable circularity, to which the Kantian variety also succumbs. Only Derrida's unconditional gift of faith can save the honour of reason from its mortal crisis, but in a manner that is itself not wholly a matter of reason. (shrink)

On the background of explaining their different notions of analyticity, their different views on definitions, and some aspects of Frege’s notion of sense, three important Kantian strands that interweave into Frege’s view are exposed. First, Frege’s remarkable view that arithmetic, though analytic, contains truths that “extend our knowledge”, and by Kant’s use of the term, should be regarded synthetic. Secondly, that our arithmetical (and logical) knowledge depends on a sort of a capacity to recognize and identify objects, which (...) are given us in particular ways, constituting their senses (Sinne). Third, that there is a sense in which Frege’s view of definitions and explications gives new substance to Kant’s leading idea of analyticity, namely, the containment of a truth or a concept in another. In all these, Frege’s view does not endorse the Kantian strands as they are, but gives them special and sometimes quite sophisticated twists. (shrink)

With this concise and tightly constructed account of Kant’s views on social welfare, Alexander Kaufman has filled a gap in the growing literature on Kant’s political philosophy. Kaufman’s purpose is two-fold: first, to explicate the philosophical basis of Kant’s views of social welfare; and second, to reconstruct Kant’s views on political judgment in order to link his abstract philosophical ideas to public policy.

With this concise and tightly constructed account of Kant’s views on social welfare, Alexander Kaufman has filled a gap in the growing literature on Kant’s political philosophy. Kaufman’s purpose is two-fold: first, to explicate the philosophical basis of Kant’s views of social welfare; and second, to reconstruct Kant’s views on political judgment in order to link his abstract philosophical ideas to public policy.

The function of rationality in A Theory of Justice (1971), which is of paramount importance for John Rawls’ (1921–2002) project, is often criticised as ambiguous.David Gauthier, for example, claims that Rawls develops principles for recipients who essentially share his intuitions of morality, without managing to prove theirvalidity. In Political Liberalism (1993), Justice as Fairness (2001) and other writings Rawls himself embarks upon the task to throw more light on this issue, making the Kantian distinction between ‘rational’ and ‘reasonable’. I (...) intend to demonstrate that in A Theory of Justice the formulation and the compliance with the principles of justice are based on the interaction between the rationality, represented in the idea of the good, and the sense of justice of individuals. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Journal of the History of Philosophy 42.2 (2004) 231-232 [Access article in PDF] Donald R. Kelley. The Descent of Ideas: The History of Intellectual History. Aldershot, England: Ashgate, 2002. Pp. vii + 320. Cloth, $59.50. The field of intellectual history, once known as the history of ideas, intersects with many other historical sub-disciplines, especially the history of philosophy, the history of literature, the history of science, and cultural history. (...) Donald Kelley, a distinguished intellectual historian and editor of The Journal of the History of Ideas, has written a comprehensive history of his field that emphasizes the process by which scholars who studied the history of thought gradually adopted an approach to their subject that resulted in "the descent of ideas" from philosophical abstraction to the "sublunar" realm of human experience and understanding. This intellectual descent, just like the biological descent of man plotted by Darwin in 1871, has not followed a linear course. Displaying remarkable scholarly range and erudition, Kelley guides the reader through a complex and sometimes amorphous history of intellectual history that covers developments in scholarship from ancient times to the present.The most original and distinctive feature of the book is Kelley's emphasis on the importance of eclecticism in the emergence of intellectual history. The book begins with an exposition of the scholarship of the early nineteenth-century Liberal French philosopher and educator Victor Cousin, whose eclectic approach to teaching the history of philosophy was for him not only the best route to attaining true wisdom but also the key to organizing the history of thought. In this way Cousin helped to make intellectual history a distinct branch of historical scholarship, while his contemporaries Abel-François Villemain and François Guizot marked a parallel shift in interest from the history of ideas to the history of literature and the history of civilization. From this starting point Kelley looks back to classical, medieval, and early modern thought, exploring earlier expressions of eclecticism, including that of Diogenes Laertius in the third century CE, as a distinct and often maligned philosophical tradition. An excellent chapter on the "new" or modern eclecticism of the seventeenth and eighteenth centuries, which rejected syncretism as well as skepticism and which found a place for Christian thought, gives new significance to the work of [End Page 231] Jakob Thomasius, his son Christian Thomasius, and J. J. Brucker, whose Critical History of Philosophy (1742-44) established the history of philosophy as a distinct discipline.Kelley devotes considerable space to discussing the intersection between the history of philosophy and intellectual history. The former has long served as the "taproot" of the latter, even after eighteenth-century philosophers, striving to establish philosophy as a rigorous science, rejected a historical approach to attaining wisdom. This development caused a split within the ranks of philosophers between the "purists" in the Kantian tradition and "culturalists" like J. G. Herder who, "following the descent of ideas into the medium of language, strayed off into what came to be known as cultural history" (p. 4). In a chapter devoted to the history of philosophy in modern times, Kelley explores the contributions made by the philosophers Ernst Cassirer, Benedetto Croce, and Arthur Lovejoy to the field of intellectual history.By taking a long historical perspective on the development of his field, Kelley is able to demonstrate that some recent trends in intellectual and literary history have longstanding precedents. Thus he traces the recent "linguistic turn" in historical analysis, which he styles the "linguistic return," back to the Renaissance, and he sees the claims of twentieth-century scholars who emphasize the importance of narrative structures in giving meaning to the past as restatements of ancient literary theory. In his chapter, "The Way of Ideas and the Ways of Words," Kelley shows that the descent of ideas began long before the emergence of intellectual history as a distinct field. As might be expected in a work of historiography, Kelley's methodology in establishing these precedents and continuities in scholarship is in a certain sense traditional. Yet there is little that... (shrink)

The examples Hume relies on in _Treatise_ I.iv.2 raise questions about the role of contrariety in experience as it affects belief in the objects of perception.

Why do the United States reserve the right to be called “America” by conferring the “Americas” to the whole continent?, is that a clear sign of discrimination or supremacy or both? Ideologically, America refers to the United States of “America” excluding other regions such as Latin America, central or South America. This leads some scholars to explain convincingly that, beyond this subtle grammatical difference, the Anglo-ethnocentrism in the United States has been drawn to make their citizens believe they are unique, (...) outstanding, and special. Basically, this belief allowed not only to fight against the political enemies in Europe or in any other geographical point, but also to control the incipient worker union leaderships. What merits further attention, anyway, is the sentiment of exemplarity instilled by the founding parents of this nation. Fear was historically a mechanism of control employed by US governments at different stages in several ways. Our intention is not only to review how the fear disciplined by the claims of work-force, but also explain why the sentiment of exemplarity and fear are inextricably intertwined. (shrink)

The Slavophile idea in the broad sense, as the idea of the self-determination of Russian culture, was by no means born together with historical Slavophilism. It has always been an immanent component of the intellectual world and intellectual development of Russia and merely received its name, a rather random and infelicitous one, from Slavophilism. In our century it has a rich history, in which the majority of events have been of a political and polemical character. They have (...) been much discussed, and now we will leave them aside and take up another task: to delimit and examine the great creative contributions to the idea. Under the closest scrutiny, we find three such contributions: the idea of a Slavic Renaissance, the Eurasian idea, and the idea of a Neopatristic Synthesis. All of them in their outward appearance diverge quite far from the customary textbook image of Slavophilism: [they are] "a series of magical metamorphoses" that show both the creative force of the idea and its well-known amorphousness. Let us try to see in these metamorphoses interrelated episodes that together trace out a graphic image of the whole. Earlier, people loved to view an idea in graphic form and in action, and they knew how to do so. Faddei Zelinskii was a great master of this, and at the beginning of the century he published in Petersburg a series of studies entitled From the Life of Ideas [Iz zhizni idei]. Indeed, it is with Zelinskii that our first episode from the life of the Slavophile idea is associated. (shrink)

The sublime has been a relatively neglected topic in recent work in philosophical aesthetics, with existing discussions confined mainly to problems in Kant's theory.1 Given the revival of interest in his aesthetic theory and the influence of the Kantian sublime compared to other eighteenth-century accounts, this focus is not surprising. Kant's emphasis on nature also sets his theory apart from other eighteenth-century theories that, although making nature central, also give explicit attention to moral character and mathematical ideas and generally (...) devote more discussion to art and artifacts than Kant did.2 Recent postmodern and poststructuralist theories of the sublime tend to concentrate on the concept in art and .. (shrink)

In this paper, I want to zero in on the Kantian idea that,whilst things in themselves must logically be presupposed as the ground underlying appearances and things are not reducible to their representations, (1) objects as appearances are not properties of things in themselves, and (2) things in themselves or the thing in itself cannot properly be represented or even thought. To do this, I turn to one of the earliest defenders and champions of the Kantian philosophy, (...) Karl Leonhard Reinhold, and specifically to his first major work Versuch einer neuen Theorie des menschlichen Vorstellungsvermögens, published in 1789. I am here interested neither in the extent to which Reinhold’s interpretation of Kant is correct or even adequately represents Kant’s thought in all of its aspects, nor whether Reinhold’s attempt to present a systematic philosophy based on a rigorous deduction from a single principle (his strong foundationalism) stands up to scrutiny. I am here solely interested in some of Reinhold’s positive insights, in the Versuch, concerning elements of his representationalism that may shed light on Kant’s idealism, specifically, the relation between appearances (as objects of knowledge) and things in themselves, i. e., points (1) and (2) described above. I read the early Reinhold of the Versuch as confirming the Kantian view that objects as appearances are not properties of things in themselves and that we are radically ignorant of things in themselves, in the sense that we can neither know things in themselves (through the senses) nor even intellectually grasp things in themselves through the understanding alone. (shrink)

In this article I seek to explain Hegel’s significance to contemporary meta-ethics, in particular to Kantian constructivism. I argue that in the master–slave dialectic in the Phenomenology of Spirit , Hegel shows that self-consciousness and intersubjectivity arise at the same time. This point, I argue, shows that there is no problem with taking other people’s reasons to motivate us since reflection on our aims is necessarily also reflection on the needs of those around us. I further explore Hegel’s contribution (...) to the debate about internal and external reasons. I end by arguing that we should understand reasons as historically constructed in the sense that who counts as an intrinsic bearer of value changes over time. I thus argue that the struggle for recognition is in fact the beginning of the long march toward the idea of recognition and the Kantian kingdom of ends. This march, however, is driven by the need to overcome injustice as it is instantiated at the beginning of history by the master’s absolute domination of the slave. (shrink)

This journal recently published a special issue on Kant, evil, moral perfection and education. The essays included in the special issue discussed the vulnerably and imperfection of human be...

In this essay I explore the controversial issue of sense perception in the Zhuangzi 莊子. Although scholars have not explicitly addressed this aspect of the Chinese text, a common assumption is that the Zhuangzi proposes a mysticism that undermines sense perception in favour of a transcendent self. After an overview of this interpretation, and after analysing some key passages of the text that deal with heart fasting (xinzhai 心齋), sitting and forgetting (zuowang 坐忘) and skill mastery, I demonstrate (...) that some interpreters of the Zhuangzi read the text as if it has a metaphysical bent, recommending that sense perception be transcended as a prerequisite to perfection. In contrast, my thesis is that the text does not propose a withdrawal from the senses and from the world, but rather warns about the danger of abiding to doctrinal knowledge, which has the consequence of a person losing their responsive awareness. Indeed, in the Zhuangzi, sense perception is not an impediment on the way to a supersensible reality, but an integral part of one's own being in the world. Through my analysis, I object to the idea that the Zhuangzi proposes a mystical union with something not immediately available, which moreover needs to be achieved by transcending the lived world that is encountered through sense perception. My view is that such a move not only postulates union with a transcendent entity, it also forces a dualism between a person's capacities. This is problematic because the Zhuangzi does not point to another world–in a two worlds theory–where one must ideally attain the condition of a transcendent self. On the contrary, in rejecting a univocal ethos, the text suggests one should keep responding to changing circumstances without turning one's perceptual awareness into entrenched habits. Thus, the Zhuangzi shows how sense perception should be seen, not as a “problem” but as an ethical possibility through which the univocity of doctrinal knowledge can be undermined. (shrink)

Studies of the origins of Mikhail Bakhtin’s thought have tended to either follow a traditional intellectual history paradigm—where establishing the presence of an influence is taken to be a sign of Bakhtin’s identity as a thinker—or to view terminological and conceptual borrowings in Bakhtin’s work as mere veneer in which he dressed his own ideas to make them publishable or acceptable to his peers in a hostile political and intellectual environment. And while Bakhtin did absorb some genuine formative influences, and (...) did use some terms and ideas as mere masks, a much more interesting and unusual pattern of appropriating others’ voices is evident in, and typical of, Bakhtin’s writings. -/- In this talk I illustrate this pattern of appropriation by looking at three examples, all related to Bakhtin’s early philosophy (where the use of “masked” writing was not yet necessary), and both involving Kantianism and neo-Kantianism (cited by many as major influences, in the traditional sense, on Bakhtin). The first of these examples is the way in which Bakhtin reinterprets Kant’s “Copernican revolution”. The second is the way in which Herman Cohen’s account of God’s uniqueness in monotheism is reflected in Bakhtin’s early ethics. The third involves a passage in Paul Natorp’s book Sozial-Idealismus as anticipating Bakhtin’s views on language and dialogue, but within a philosophical context Bakhtin rejected. All these examples (and many others) demonstrate the way Bakhtin, from the outset, works with the voices and ideas of others. Bakhtin’s approach—I shall argue—is not so much that of a scholar examining the claims made by his predecessors, accepting some and rejecting others, but rather, is akin to that of a composer, who integrates and combines motifs and passages adopted from others’ works into the fabric of his symphony, where they acquire new meaning in a new context. (shrink)

What is a problem? What's asked in that question, and how does one even begin to take its measure? How else could one begin, except as one does with any other problem--by way of its impulsion. Of Learned Ignorance: Idea of a Treatise in Philosophy is about philosophy because philosophy is about problems: philosophy, in a word, is where problems become a problem. After Anti-Oedipus, in the Kafka book and in A Thousand Plateaus, what Deleuze and Guattari counsel, strikingly, (...) is sobriety. Sobriety is what they praise in Kafka. And it is sobriety that seems above all else to be necessary here. (Steven Shaviro has pointed out the prominence of structure in Deleuze's writing: "even when Deleuze's prose, by himself or with Guattari, seems to be ranging anarchically all over the place, in fact it has a rigid and unvarying architecture, which is what keeps it from falling apart.") Of Learned Ignorance is a dead letter because it names a problem. It's a dead letter because it is, cautiously, a love letter. It's a dead letter because it lovingly stages an experiment in whimsy, and perhaps above all, because it is problematic (in the Kantian sense): It is a (sober) attempt at exemplifying what it talks about -- and what eludes it: A series of footnotes, with blank (transcriptive) pages above, effects something like the integration of a differential, the reciprocal determination where the sources enter into in relation to one another in order to produce a paper, essay, or (inexistent) (chap)book. Of Learned Ignorance, in facing down a problem, makes a wager; it courts failure; it puts it all on the line. All, yes, for love -- a kind of love... (of wisdom?). (shrink)

Historians of science have long been intrigued by the impact of disparate cultural styles on the science of a given country and time period. Richard Olson’s book is a case study in the interaction between philosophy and science as well as an examination of a particular scientific movement. The author investigates the methodological arguments of the Common Sense philosophers Thomas Reid, Dugald Stewart, Thomas Brown, and William Hamilton and the possible transmission of their ideas to scientists from John Playfair (...) to James Clerk Maxwell. His findings point out the need for modifications to the Duhem-Poincaré interpretation of British scientific style and the reassessment of the extent of Kantian influence on British physics. Originally published in 1975. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. (shrink)

I have suggested that in looking for shared values which were seen as having force for people's conduct, the SCAA Forum was in effect looking for a shared morality. This does not yet show that a shared understanding was achieved on what kind of thing morality is Ð no such agreement was explicitly aimed at — but it does point in the direction in which such an agreement might be found. The key is to be found, I think, in the (...) idea that morality has a social function, and in a certain understanding of what that function is. (shrink)

In this dissertation I defend a Kantian notion of the given. I show that something akin to Kant's theory of intuition is necessary to make sense of the normative role perception has in forming perceptual knowledge. ;Perceptual judgments require guidance from the objects they represent. I argue that this normative aspect of perception can be explained only by appeal to a non-conceptual content caused by the object perceived. But isn't this to appeal to the mythical given? I show (...) that it is not by comparing it to the result of Sellars' famous Myth of the Given argument. Contrary to the generally accepted view, what follows from Sellars' argument is not that the given is a myth, but rather that what is immediately present to mind cannot be known. This result leaves an explanatory option which the Sellars' critique does not consider. The given might be a part of knowledge while not itself being independently knowable. ;However, because the possibility of an immediate cognitive content is thought to have been foreclosed by the Sellars argument, much subsequent epistemology has overlooked this alternative. One widespread response has been to embrace coherence theories according to which justification is regarded as a relation between beliefs. These theories regard perception as a thoroughly causal phenomenon and consequently allow no role for perception in the justification of perceptual or other beliefs. ;I argue that in perceptual contexts only perception can decide the case between equally coherent conceptual determinations. But according to the coherentist this kind of justificatory function could not involve perception since perception is a thoroughly causal phenomenon. Against this view, I argue that some notion of the given, one which circumvents Sellars' criticism, is necessary to account for the normative role perception plays in perceptual belief. I show that Kant's notion of sensible intuition circumvents the Sellars critique. The idea of the given is redeemed in Kant's account, since it makes possible a theory of the normative role that perception plays in knowledge. (shrink)