Extant theoretical work on the political resource curse implies that dependence on resource revenues should decrease autocracies’ likelihood of democratizing but not necessarily affect democracies’ chances of survival. Yet most previous empirical studies estimate models that are ill-suited to address this claim. We improve upon earlier studies, estimating a dynamic logit model that interacts a continuous measure of resource dependence with an indicator of regime type using data from 166 countries, covering the period from 1816-2006. We find that an increase (...) in resource dependence at time t - 1 increases the likelihood of autocratic persistence at t, but has no appreciable effect on democratic survival. We go beyond existing empirical studies to show that increases in resource dependence have persistent and substantial cumulative effects on autocracies' likelihood of becoming democratic over the long-term, showing that the total effect of resource dependence on regime type is much larger than the short-term (one period) effect indicates. (shrink)

Utopia can be conceived as a possibility – a space within language, a set of principles, or the product of technological development – but it cannot be separated from questions of place, or more accurately, questions of “no place.” 1 In between the theoretically imaginable utopia and its realisation in a particular time and place, there is a space of critique, which is exploited in anti-Utopian and critical dystopian narratives. 2 In Science Fiction narratives of this kind, technology is responsible (...) for the transformation of the utopian impulse into a set of principles that are precisely stated and rigidly enforced. The critique focuses on the impossibility, due to the reductive force of instrumental reason, of any systematic realisation of a eutopia where the positive qualities of freedom, individualism and creativity are nurtured. The films Minority Report, directed by Steven Spielberg , and Gattaca, written and directed by Andrew Niccol , both examine utopian claims through speculation on the possible future use of current technologies, the tools of crime investigation and the genome project respectively. However, an examination of the plot cannot attend sufficiently to the particular properties of film and how it, as a medium, constructs utopia as a place. This article aims to address this issue by examining how technologically derived images of utopia are realised in the visual space of film, that is, on the level of the mise en scène. These images are often dystopian but the distinction between dystopia and eutopia is not crucial to the argument, because the aim is not to return utopian ism to its place at the vanguard of progressive politics, nor to reject utopianism on the basis that it is unrealisable, but rather to examine how technology and utopianism can combine in the visual language of film. My concern here is to investigate how utopia is conceived according to the specific features of the medium rather than to present an overarching narrative judgement as to the value of utopian principles. In Gattaca, the utopianism of a genetically determined future is reproduced in the mise en scène as a set of aesthetic principles, whereas in Minority Report the utopian technology itself resembles the apparatus of film. This involves two quite different approaches to the visualisation of utopia: 4 in Gattaca, utopia is embodied in a society in which there can be “no other place,” realised through the subtraction or reduction of visual difference; in Minority Report, utopia is an expression of a panoptic regime that can incorporate all visual and cultural difference such that the visible is “every place.”. (shrink)

In a relational universe, the only properties of a system that have meaning are those that arise from correlations with other systems. No state exists in an absolute sense independently of other states. Our basic premise is that the universe is built from elementary combinatorial (or relational) structures. These structures change and if we are not to suppose the existence of laws over and above the universe, then they must encode the rules for their own change. Geometry, time and consciousness, (...) it is argued, emerge from such a universe as relational Kantian phenomena. (shrink)

This contribution offers a detailed presentation of the commentaries on Porphyry’s Isagoge and Aristotle’s De anima by Walter of Wervia. Walter wrote his commentaries between 1445 and 1472 at the University of Paris. Both works bear witness to the influence of John Duns Scotus and Scotism on Parisian Masters of Arts.

- 1. t. Einleitung und kritische übersicht.

The Garden of Leaders explores two related questions: What is leadership? And what sort of education could prepare young people to be leaders? Paul Woodruff argues that higher education--particularly but not exclusively in the liberal arts--should set its main focus on cultivating leadership in students. Woodruff advances a new view of liberal arts education that places leadership at the root of everything it does, so that students will be prepared to lead in their lives and careers--and not necessarily in (...) management roles. Woodruff views the contemporary university as sorely lacking an emphasis on leadership, and presents three core sets of recommendations for how they can and should foster it. First, Woodruff posits co-curricular groups, activities, and projects as essential activities for students to gain confidence and leadership skills. Administrations should encourage students to engage in activities outside the classroom, convert coached sports teams into student-led clubs as far as possible, and discourage social organizations that are segregated by race or sex. Second, Woodruff advocates for a different curriculum for all undergraduates, no matter their major-arguing that they need to be taught leadership in the forms of key skills including communication, as well as exposure to key material in history literature, social science, and ethics. Students should be asked to consider the hardest ethical dilemmas that leaders face, toggling between Machiavelli and great ethical thinkers such as Confucius and Socrates. Third, Woodruff calls for the teaching methods used by instructors to re-orient themselves around the question of leadership, particularly by emphasizing teamwork. Professors should respect their students' independence, avoid tyrannical teaching, and remember that all teachers teach ethics simply by the examples they set in dealing with students. Whether in engineering, music, or classics, The Garden of Leaders advances leadership as a core value that should be at the heart of the educational enterprise-contending that while a college campus can be many things, it should at the very least be a ground upon which new leaders can grow. (shrink)

This article combines an appreciation of several themes in Josh Reeves's Against Methodology in Science and Religion: Recent Debates on Rationality and Theology while arguing in favor of critical realism. The author holds that critical realism manages to combine the objective truth reached through inference and especially cognitive acts of judgment as well as the various, contingent historical contexts that also define where science is practiced. Reeves advocates a historical perspective, but this article claims that in order for critical realism (...) to be credible, a philosophical perspective must be maintained. (shrink)

Comment la sexualité se parle-t-elle dans le couple qu’elle unit de façon si impérieuse et précaire à la fois? Le paradoxe est que, d’une part, l’union des corps rend la parole superflue et que, d’autre part, l’amour tient au signifiant chez les êtres parlants. Parler de sa sexualité pour un couple ne se décrète pas. Dans l’après-acte se rétablit, au-delà du réel de l’étreinte, la séparation des êtres parlants. La sexualité n’est donc pas qu’un registre relationnel ou communicationnel. Ainsi se (...) dessine un savoir de l’inconscient qui ne ferait pas fi de l’impossible du rapport sexuel, sauf à parler de « lit de plein emploi » – entre-deux du « parlêtre » et du corps. Il s’agit ici d’en suivre la dialectique, des effets divisants de la parole à la réconciliation sur l’oreiller, de la sujétion sexuelle à l’éloignement, les figures de la crise imposant traumatiquement une parole d’éveil. (shrink)

This article presents the ethical situation that evolves the discussion of limitation of treatment offered to patients in a persistent vegetative state. Health professionals find themselves in difficult situations when dealing with these recurrent problems in their daily professional activities. This is presented, then, as an ethical issue of difficult solution, the decision of suspension of life support tasks. The debate is sustained, however, on how to distinguish the concepts of terminality of life, orthothanasia, euthanasia, dysthanasia, palliative care and, in (...) an specific case, a persistent neurovegetative state, with its implications in the use of disproportional treatment that prolongs life, in a painful and a futile way, of the process of agony to the death. There are questions or dilemmas involved in this debate, such as in which moment the suspension of treatment can be considered adequate or the use of all possible measures to maintain life, even in advanced, irreversible and terminal illness are ethically acceptable. And finally, who is responsible for the suspension of therapeutic procedures in the irreversible and terminal clinical situations. (shrink)

Many properties of compacta have “textbook” definitions which are phrased in lattice-theoretic terms that, ostensibly, apply only to the full closed-set lattice of a space. We provide a simple criterion for identifying such definitions that may be paraphrased in terms that apply to all lattice bases of the space, thereby making model-theoretic tools available to study the defined properties. In this note we are primarily interested in properties of continua related to unicoherence; i.e., properties that speak to the existence of (...) “holes” in a continuum and in certain of its subcontinua. (shrink)

Defining an "emphatic" as an intrusion that alters the import of what it intrudes on, Paul Weiss sets the stage for an exquisitely systematic, speculative study of the major themes confronting modern metaphysics. Weiss analyzes emphatics in etiquette, social status, nature, art, conventional behavior, encyclopedias, psychiatry, and religion.

Legal theorist Desmond Manderson and Shakespearean Paul Yachnin develop parallel arguments that seek to restore a public dimension of responsibility to literary studies and a private dimension of responsibility to law. Their arguments issue from their work as the creators of the Shakespeare Moot Court at McGill University, a course in which graduate English students team up with senior Law students to argue cases in the “Court of Shakespeare,” where the sole Institutes, Codex, and Digest are comprised by the (...) plays of Shakespeare. Yachnin argues that modern literary studies suffers from impermanence and isolation from real-world concerns and that it can redress these limitations—developing attributes of corrigibility, temporality, judgment, and publicity—by learning from law. Manderson finds that modern legal judgment is bereft of affective engagement with the subjects of law and wedded to an ideal of objectivity, regulation, and impersonality. Literature can restore to legal judgment the elements of narrative, character, context, and self-reflection. Together, the essays argue that the question of judgment, so integral to the disciplines of law and of literature, needs the renewal that an interdisciplinary engagement provides. (shrink)

In lieu of an abstract, here is a brief excerpt of the content:Three Ovidian Tails PAUL BAROLSKY Kneeling at the edge of a pond in push-up position, a beautiful nude boy crowned with flowers gazes down at the water in which he beholds his reflection. In love, he is enthralled. Thus, the image of Narcissus rendered by the Florentine painter Alessandro Allori in a work that has been largely overlooked until recently. Datable to the second half of the sixteenth (...) century, it now hangs in the Turkish Embassy in Washington, DC. In the distant background of the picture we behold Echo, who extends an arm upward seemingly in a gesture of despair, since she is rejected by Narcissus. She stands before a mass of rock, her left leg beginning to turn to stone, the very stone into which she vanishes as only her voice remains when she echoes her beloved. The painting abounds in Alessandro Allori, Narcissus. Photograph © Patricia Rubin. arion 26.3 winter 2019 closely observed passages such as the little fish in the pond, one of which has captured a worm. There are other notable details such as the crab on a rock in the foreground, or the clusters of pendulous, ripe grapes, fruit of Bacchus, to whom androgynous Narcissus is likened in Ovid’s Metamorphoses. Allori also employs poetic simile in his picture, since the fingers of the youth’s left hand rhyme with the finger-like roots that emerge from the water. These roots are magnified in turn by their reflected image on the water’s surface. 136 three ovidian tails Abraham Janssens, Nymph and Pan Among the Reeds. AKG / Museen Böttcherstra ße. The apex of the picture, we might say, is baby Cupid who, hovering above, aims his dart at Narcissus and thus arouses the boy’s desire. The shape of Cupid’s bow echoes that of Narcissus ’s prominent buttocks which are framed by the attractive, bright golden drapery fluttering prominently around the youth’s posterior. One might well say that Allori features the buttocks of Narcissus’s body most provocatively in a kind of butt which recalls that of Cupid in the famous Venus, Cupid, Folly, and Time painted by the artist’s teacher, Bronzino. What Allori pictures is not exactly what Ovid writes. It is, however, how Allori imagines the Narcissus of Ovid’s tale. Allori is not alone among Ovidian artists in focusing on the backside of the human body. The posterior is especially prominent in another mythological picture, this one from the early seventeenth century, executed by a disciple of Rubens, Abraham Janssens. This work has found its way to Bremen, where it is now housed in the Ludwig Roselius Museum. It illustrates Pan’s pursuit of Syrinx, who is metamorphosed into reeds in a story told by Mercury in order to put Argus asleep. Ovid is Janssens’s point of departure. The artist depicts the moment when a muscular Pan with a ruddy, almost leathery face embraces Syrinx in her new form as a bunch of reeds. Janssens departs from Ovid with a most novel invention. He depicts a woman, seen from behind, who dominates the composition. With sharp contrasts of lights and darks, vestiges of Caravaggio, the painter emphasizes the female’s imposingly broad backside, which is framed by a billowing, bright, attention-grabbing red drapery that she seems to hold across the front of her body. Could it be that Janssens here alludes to the backside of Syrinx as Pan would have seen it when he chased her? It would seem that we are given not only a view of Pan embracing reeds, we are simultaneously given a Pan’s-eye view of Syrinx’s prominent and provocative backside before her metamorphosis. I wish to consider one final example of the derrière in Ovidian art, this one prominent in a picture painted well Paul Barolsky 137 over a hundred years after Janssens worked: Louis-JeanFran çois Lagrenée’s Abduction of Deianira by the Centaur Nessus, a work which is now in the Louvre. In Ovid’s story, Hercules arrives with his bride Deianira at the shore of the river Evenus where she is abducted by Nessus, who flees only to have Hercules shoot him with... (shrink)

The Anti-Christ is one of the most notorious, if not the most notorious, books by Nietzsche - and one of his most frequently misrepresented. Presupposing no prior knowledge of Nietzsche or the text, nor with Christian beliefs or doctrines, Paul Bishop carefully guides students through The Anti-Christ section by section. Bishop unpacks the difficulties that many readers face when dealing with Nietzsche's rhetoric. And he contextualizes the text within the wider contexts of Nietzsche's thought as a whole and the (...) broader currents of contemporary 19th and 20th century thought. Student resources include a chronology of Nietzsche's life and work, a glossary of key terms, an index of names and subjects and a guide to further reading. (shrink)

In this 1969 text, Paul Roubiczek argues that in the age of science there is still a place for ethics and a need for the philosophical method. He attempts to prove this by examining the contributions of three disciplines - history, psychology and sociology - towards man's understanding of his moral involvement with society. By illustrating that all three leave gaps or lead to contradictions, he poses the question of whether it is possible to speak of an absolute morality, (...) which he answers by confronting 'objective method' with 'subjective method'. Only the latter can lead to a full understanding of ethics. Later, Roubiczek goes on to examine different ethical teachings, in particular, Kant's theory of knowledge and ethics, and shows that acceptance of an unconditional ethical teaching requires a Kierkegaardian 'leap into the unknown'. However, he claims that, in the field of ethics, the leap turns out to be certainty. (shrink)

Human brains exhibit complex dynamic behaviour measured by external recordings of electric (EEG) and magnetic fields (MEG). These data reveal synaptic field oscillations in neocortex at millisecond temporal and centimetre spatial scales. We suggest that the neural networks underlying behaviour and cognition may be viewed as embedded in these synaptic action fields, analogous to social networks embedded in a culture. These synaptic fields may facilitate the binding of disparate networks to produce a behaviour and consciousness that appears unified to external (...) observers. EEG, MEG, anatomy, physiology, and complex physical systems are considered here to suggest fundamental physical and biological properties of human brains that may be required for human consciousness to occur. We do not claim that these tissue properties are necessarily causal; however, they appear to be strongly correlated with human consciousness. Emphasis is placed on the hierarchical structure of brains, non-local connections between distant cortical regions, and resonant interactions between networks. While several of these ideas are supported by both experimental data and mathematical theory, the mathematics is replaced by metaphor for this paper. One conjecture is that the schizophrenias and other diseases occur when neural networks fail to conform to global synaptic fields. Perhaps consciousness is a resonance phenomenon and only properly tuned brains can orchestrate the beautiful music of sentience. (shrink)

More and more, natural scientists are becoming aware that they must consider the human element as one of the variables in physical measurement. Its measure has usually been hidden in what has been called the error of measurement. Part of its measure has been qualitative for we often hear that Mr. Soandso is a good or a poor experimenter or observer. As we go to engineering research or to any applied field, we become more conscious of the human element. Here, (...) an attempt is made to design apparatus and measuring equipment that will operate or make measurements with minimum variability associated with people. Some problems, such as those dealing with what consumers want, require an even more complete knowledge about the behavior of people. It is not possible to define or to specify a product that will be satisfactory to the consumer if we do not know what the consumer wants. Hence, it is our first observation that the natural scientist needs information about the human element that is always present to some degree in his work. (shrink)

In this paper, I address the motivation gap that prevents many people from acquiring and activating environmental values. In the face of this gap, I analyze Aldo Leopold’s conservation philosophy as a potential solution. This is done by reading Leopold through John Dewey’s theory of aesthetic experience, in which motivated action develops out of unified aesthetic experience made up of three phases: action, emotion, and intelligence. Showing that Leopold’s approach to conservation exhibits this aesthetic structure not only gives it a (...) clearer organization but promotes its use for rectifying the severe lack of environmental conscience and practice in society. (shrink)

In this book Paul Hinlicky suggests that to the detriment of the church as a whole Martin Luthers legacy did not unfold as he himself would have hoped or ...