20th Century Philosophy, Miscellaneous

This paper for the first time reveals Oakeshott' early interest in writing a work of Christian apology. This "apology" was conceived in accordance with Oakeshott's religious modernism. Since Oakeshott never completed a formal apology, the author explores some early essays in which parts of the apologetic project are reflected, and then goes on to race the religious themes present in many of Oakeshott's published work. In conclusion, it is suggested that Oakeshott maybe understood as offering a concept of civilization that (...) may be called Christian, though he is far away from any attempt to articulate a doctrinal version of Christianity. (shrink)

Surprising as it may appear, the philosophical writings of political economist Karl Marx (1818–1883), and those of philosopher, educator Maria Montessori(1870–1952), show thematic resemblances that invite further exploration. These resemblances reflect both keen awareness of the historical period they shared, but also important common threads in their philosophical anthropology, ethical and political values, and goals. In this paper, I examine one central thread which both take as fundamental, namely, the centrality of work in achieving the harmonious development of humankind. I (...) critique Marx’s description of the dynamic process leading to his classless society, because he fails to supply the proximate, efficient cause or middle term that effects this goal. My thesis is that Montessori supplies this missing causal link through her scientific demonstration of the work and function of the child and her holistic understanding of the human person in its full historical dimension, and human and cosmic telos. (shrink)

The paper tackles the question of the relevance of emotions in ethics. It argues that emotions are discerning and thus inherent components of morality and they deserve a place in adequate ethical projects. The paper engages into a conversation with Martha C. Nussbaum and Thomas Aquinas. Specifically, it presents accounts of compassion and anger to illustrate the discerning nature of these emotions and the moral value they might signal.

In an aticle written in 1917 for the Hungarian journal Nyugat (Occident), Freud speaks of three deep humiliations that scientific investigation had to inflict on the selflove of humanity. The first is cosmological, which is associated with the work of Copernicus, who proved that the habitat of man, the earth, is not at the center of the universe. The second is biological, and it is indebted to the work of Darwin, who destroyed man's belief in his divine descent, thus making (...) it impossible for him to break his bonds of solidarity with the animal world. The third is psychological. (shrink)

Modern critics often regard Goya's etchings and black paintings as satirical observations on the social and political conditions of his times. In a study of Goya first published in 1950, which seldom receives the attention it merits, the French author and art theorist André Malraux contends that these works have a much deeper significance. The etchings and black paintings, Malraux argues, represent a fundamental challenge to the humanist artistic tradition that began with the Renaissance - a tradition founded on the (...) pursuit of a transcendent world of nobility, harmony and beauty. Following an illness that left him deaf for life, Goya developed an art of a fundamentally different kind - an art, Malraux writes, ruled by ‘the unity of the prison house’ which replaced transcendence with a pervasive feeling of dependence and from which all trace of humanism has been erased. Foreshadowing modern art's abandonment of the Renaissance ideal, the etchings and black paintings are the first announcement of the death of beauty in Western art. (shrink)

Rarely have these separate approaches been brought into the same conversation. Education, Justice, and Democracy does just that, offering an intensive discussion by highly respected scholars across empirical and philosophical disciplines.