17th/18th Century German Philosophy

In his "Elementa Iuris Naturae et Gentium" Johann Gottlieb Heineccius presents a unique account of love as the principle of natural law, referring to the main concern of early modern protestant theories of natural law: the importance of securing subjective rights by a law. Heineccius accepts the universal character of subjective rights derived from human nature, claiming their protection as natural duties required by a law. This chapter provides an attempt to explain the specific ways in which Heineccius deals with (...) the paradoxical situation that the protection of subjective rights by a natural law theory requires certain limitations of the use of such rights, in order to avoid the mutual collision of such rights. For this purpose it focuses on the rights to free thought and free speech, which are very good example for that. While the first part reconstructs the way in which Heineccius claims the specific concern of natural law and points out continuities and discontinuities with his predecessors, the second part focuses on the requirement of natural law for limitation of free thought and free speech in case of collision of subjective rights. (shrink)

This paper compares the trajectories and defining moments in the evolution of dialectic in Islamic and European civilizations in the early modern intellectual history. The paper begins with a discussion of the concept of contradiction in the history of dialectic, and traces the shifts in the meaning of contradiction in the pre- and post-Hegel periods by focusing on the works of Immanuel Kant, G.W.F. Hegel and Karl Marx to illuminate how Islamic intellectuals understood dialectic at the very moment in which (...) a new form was being constructed in Europe. This paper aims to demonstrate that in Islamic civilization, dialectic was used as a tool for finding the truth whereas in Europe, especially in the post-Hegel period, dialectic was a tool for understanding the contradiction in nature and the world. (shrink)

In quest’articolo esamino l’idea humboldtiana di progresso. Più precisamente, ricostruisco come Wilhelm von Humboldt teorizzi il progresso del singolo individuo, del cittadino e del genere umano. Secondo la mia ricostruzione, l’idea humboldtiana di progresso presenta un intreccio di motivi illuministi, storicisti e antirazionalisti, ed esige una riforma dello stato in senso liberale. La mia tesi è che, tuttavia, il pensiero politico di Humboldt sfoci in un conservatorismo non liberale che in quanto tale spalanca uno iato tra il sistema istituzionale auspicato (...) e la possibilità di progresso. (shrink)

Im politischen Denken des Wilhelm von Humboldt findet eine konservative Wende statt: Von den radikalen Freiheitsansprüchen der Frühschriften bleibt in den Denkschriften des späten Staatsmannes kaum noch etwas erhalten. In diesem Band wird Humboldts konservative Wende textimmanent freigelegt, historisch situiert und systematisch ergründet. Insbesondere wird Humboldts Konservatismus auf seine zunehmende Angst vor der Demokratie zurückgeführt, was nach seinem Verständnis das schädliche Ergebnis der neuzeitlichen Vernunftrechts- und Vertragslehre darstellt. Aus diesem Grund wird Humboldts konservative Wende letzthin durch seine bereits in der (...) Frühproduktion anzutreffende zweifache Kritik an Rationalismus und Kontraktualismus beleuchtet. (shrink)

A particularly promising trail on the search for forgotten logic diagrams leads to Upper Lusatia in the 17th century, more precisely to Christian Weise and his students. Samuel Grosser, who later became rector in Görlitz, and Johann Christian Lange, who later became professor of logic at the University of Gießen, are the most prominent to have published remarkable logic diagrams. Even more remarkable, however, is the fact that Lange's interest in these diagrams ultimately gave rise to the idea of building (...) a logic machine. (shrink)

Die Aufklärung wurde als historische Denkbewegung oft kritisiert, ihre (vermeintliche) Dialektik aufgedeckt und die Kluft zwischen ihren ursprünglichen Zielen und ihren Konsequenzen angesichts der Kriege und Krisen des 20. Jahrhunderts beschrieben. Trotz dieser Kritik sind Begriff und Epoche der Aufklärung nach wie vor von großer gesellschaftlicher Bedeutung. Grundforderungen der Aufklärung wie Freiheit, Öffentlichkeit, überprüfbares Wissen, Mündigkeit, Emanzipation und Selbstreflexion stellen eine fortwährende Herausforderung dar. Noch heute liefert sie Impulse für demokratische Bewegungen. Und auch (wissenschafts-)didaktisch erscheint sie zeitlos: Moderne Begriffe wie (...) Brainstorming, Mindmapping und Networking, die innovativ, demokratisch und neu wirken, gehen auf Grundideen des selbstständigen und zugleich gemeinsamen Denkens und Arbeitens zurück, die bereits ein wichtiges Anliegen der Spätaufklärung waren. Die Beiträge des vorliegenden Bandes reichen von der historischen Einordnung der jeweiligen Disziplin in Bezug zur Epoche der Aufklärung bis hin zu Spezialfragen aus den Bereichen Wissenschaftsgeschichte, Pädagogik, Hochschulpolitik, Philosophie und Philosophiegeschichte, Medizinethik, Patient/-inneninformation und ärztliche Verantwortung, Rechtswissenschaft und -geschichte, Theologie, Post-Colonial Studies und Interkulturalität, Friedensforschung und Sexualaufklärung. (shrink)

In "The Metamorphosis of Plants" (1790) and the related didactic poem (1798) Goethe describes the generation and development of plants as six metamorphoses of the primal plant and its organ, the leaf. In a first step, I will try to analyze the nature of the primal plant and its organ, the leaf. Is the primal plant and its organ, the leaf, an idea or does it consist in matter? If it is an idea, is it the idea of all plants (...) (the plant), the idea of a particular species of plants, or the idea of the individual plant? If it is matter – which kind of matter? In a second step, I will analyze the generic nature of the primal plant and its organ, the leaf. How does the metamorphosis of plants proceed? Suppose the leaf is A and the parts of the plants are B, C and D. Does A transform into B, C, D by a process from A to B to A, from A to C to A, and from A to D to A; or does A transform into B, proceed from B as B to C, and proceed from C as C to D; or does A transform into B, while remaining at the same time A, and proceed from B as A to C, while remaining at the same time A, and proceed from C as A to D, while remaining at the same time A? Which of these models explains our experience of plant generation and growth and allows a meaningful interpretation of Goethe's mysterious claim that 'All is leaf'? (shrink)

Alexander Gottlieb Baumgarten’s ethics had a significant influence on the formation of Kant’s ethics. The extent of this influence, however, has not been sufficiently investigated by existing Kant scholarship. Filling this gap, this paper aims to reveal Baumgarten’s substantial influence on the formation of Kant’s ethics, particularly the complex ways in which Kant’s ethics retains the concept of God as crucial for ensuring that his ethics persist under the scrutiny of reason. In a systematic comparison of the ethics of the (...) two philosophers, I argue that Kant alters and yet accommodates several aspects of Baumgarten’s ethics in his own version of the system of ethics more thoroughly than has previously been perceived. More specifically, I argue, first, that Kant’s rejection of Baumgarten’s conception of “duties towards God” and his alternative notion that duties are recognized as if they were divine commands unveil his criticism of Baumgarten’s conception of how religion is situated in ethics. Second, I argue that Kant’s argument for the extension of pure reason for practical purposes discloses his critical response to Baumgarten’s optimistic assumption about the entirety of pure reason. (shrink)

Meier’s Gedancken von dem Zustande der Seele nach dem Tode (Gedancken) deserves a prominent place among treatments of the immortality of the soul in 18th century German philosophy, both within and without the Wolffian tradition of rational psychology. It does not wilt next to Mendelssohn’s Phädon in its quality of expression, and might even be compared with Kant’s discussion in the Paralogisms chapter of his Kritik der reinen Vernunft in terms of the boldness of its argument and its philosophical rigour. (...) The Gedancken contributed greatly to Meier’s growing reputation as an original thinker and helped him emerge from the shadow of his famous colleague in the philosophy faculty at the Friedrichs-Universität in Halle, Christian Wolff; moreover, it provoked detailed responses on the part of its critics and even made Meier himself the subject of official investigation as an accused aider and abettor of freethinkers. Meier’s Gedancken thus stands as a work of central importance within his own philosophical corpus and in the history of 18th century German rational psychology more generally. Accordingly, in this Introductory Essay, I will present the context and argument, as well as the reception, of the Gedancken, and then consider Meier’s subsequent defense of his controversial text. (shrink)

Die Untersuchung analysiert deswegen nach einem einleitenden Vorschlag zur Bestimmung des Verhältnisses von Logik und Metaphysik im Anschluss an Leibniz Baumgartens Erkenntnistheorie in ihrer charakteristischen Komplementarität von Ästhetik und Logik, die das gesamte Feld aller möglichen Gewissheit, d. h. des Bewusstseins der Wahrheit der verschiedensten Erkenntnisse, abdecken. Darüber hinaus erörtert sie auch deren mögliche Gegenstände, nämlich die Beschaffenheit der Dinge, wie sie das Wissen Gottes als eine ideale Metaphysik enthielte. Auf der Grundlage einer Ontologie teilweise unbestimmer aktualer Existenz kommt Baumgarten (...) zu einer kosmologischen Theorie monadischer Bewegtheit aller körperlichen Dinge. Sie führt zu einer Psychologie des Erkennens und Handelns, aus der ein indeterministischer Begriff menschlicher Willensfreiheit folgt, die auch von Gottes Allwissen nicht beschränkt wird. (shrink)

Recent advances in out understanding of the cognitive neuroscience of perception have encouraged cognitive scientists and scientifically minded philosophers to turn their attention towards art and the problems of philosophical aesthetics. This cognitive turn does not represent an entirely novel paradigm in the study of art. Alexander Baumgarten originally introduced the term ‘aesthetics’ to refer to a science of perception. Artist’s formal methods are a means to cull the structural features necessary for constructing clear perceptual representations from the dense flux (...) of sensory information in conscious experience. therefore, he interpreted artist’s formal methods as tools for studying the structure of perception. Art was a field whose interests coincidentally overlapped with aesthetics. In what follows I examine three approaches to cognitive science and aesthetics that rest on a tacit assumption of Baumgarten’s program. I argue that whereas this new research can explain how viewers perceptually recover the content of artworks, it does not explain what makes those works aesthetically interesting. Therefore, the challenge for cognitive science and aesthetics is to tie the perceptual practices of artists and viewers to their more narrowly construed aesthetic, or artistic, practices. What is needed to establish this link is an interpretation of Baumgarten’s original definition of aesthetics that treats attention to the way the formal structure of an artwork works to convey its content as a source of aesthetic interest. Unfortunately this interpretation is not transparently established by explanations of the perceptual practices of artists and viewers. I conclude that it remains an open question whether this research can contribute to philosophical aesthetics. (shrink)

Broad in its geographic scope and yet grounded in original archival research, this book situates the inception of modern aesthetic theory – the philosophical analysis of art and beauty - in theological contexts that are crucial to explaining why it arose. Simon Grote presents seminal aesthetic theories of the German and Scottish Enlightenments as outgrowths of a quintessentially Enlightenment project: the search for a natural 'foundation of morality' and a means of helping naturally self-interested human beings transcend their own self-interest. (...) This conclusion represents an important alternative to the standard history of aesthetics as a series of preludes to the achievements of Immanuel Kant, as well as a reinterpretation of several canonical figures in the German and Scottish Enlightenments. It also offers a foundation for a transnational history of the Enlightenment without the French philosophes at its centre, while solidly endorsing historians' growing reluctance to call the Enlightenment a secularising movement. (shrink)

In both his published works and lecture notes Kant distinguishes between Transcendental and Natural Theology, associating the former with Deism and the latter with Theism. The purpose of this paper is to explore these distinctions, particularly as they are shaped by Kant’s engagement with Baumgarten’s Philosophical Theology.

The chapter provides a brief survey of the moral views of some of the main writers advocating rationalist conceptions in philosophical ethics in Eighteenth-Century Britain and Germany, prior to Reid and Kant: Samuel Clarke, William Wollaston, John Balguy, Richard Price, Christian Wolff (along with his adversary Christian August Crusius), Alexander Gottlieb Baumgarten.

Name der Zeitschrift: Kant-Studien Jahrgang: 108 Heft: 1 Seiten: 152-155.

Angelica Nuzzo - Kant and Herder on Baumgarten's Aesthetica - Journal of the History of Philosophy 44:4 Journal of the History of Philosophy 44.4 577-597 Muse Search Journals This Journal Contents Kant and Herder on Baumgarten's Aesthetica Angelica Nuzzo While philosophers since antiquity have offered reflections and theories on subjects such as the beautiful, the sublime, art, and its appreciation, "aesthetics" as a discipline in its own right dates back only to the second half of the eighteenth-century. We owe to (...) Alexander Gottlieb Baumgarten the introduction of 'aesthetics' into philosophical discourse. At the moment of its inception, however, this discipline had little to do with art and was not primarily concerned with the beautiful. It was instead a theory of the cognitive value of human sensibility—a doctrine of "sensible cognition." A general historical and systematic question presents itself at this point: How shall human sensibility be conceived in order for aesthetics as a theory of sensibility to gain an independence of its own in philosophical discourse? And accordingly: How shall the human being be conceived in order for our aesthetic experience to claim a philosophical value of its own? In this essay, I elaborate the results of the hypothesis that I submit in response to these questions. My claim is that the mind/body dualism dominating the rationalist tradition of modern philosophy is the principal obstacle... (shrink)

This paper considers Kant’s conception of force and causality in his early pre-Critical writings, arguing that this conception is best understood by way of contrast with his immediate predecessors, such as Christian Wolff, Alexander Baumgarten, Georg Friedrich Meier, Martin Knutzen, and Christian August Crusius, and in terms of the scientific context of natural philosophy at the time. Accordingly, in the True estimation Kant conceives of force in terms of activity rather than in terms of specific effects, such as motion. Kant’s (...) explicit arguments in the Nova dilucidatio for physical influx are directed primarily against the conception of grounds and existence held by Wolff, Baumgarten, and Meier, and only secondarily against Leibniz. Finally, Kant’s reconciliation of the infinite divisibility of space and the unity of monads in the Physical monadology is designed to respond to objections that could be raised naturally by Wolff and Baumgarten.Author Keywords: Kant; Pre-Critical; Force, Causality; Wolff; Leibniz. (shrink)

It is quite standard, even banal, to describe Kant's project in the Critique of Pure Reason [KrV] as a critical reconciliation of rationalism and empiricism, most directly expressed in Kant's claim that intuitions and concepts are two distinct, yet equally necessary, and necessarily interdependent sources of cognition. Similarly, though Kant rejects both the rationalist foundation of morality in the concept of perfection and that of the empiricists in feeling or in the moral sense, one might broadly characterize Kant's moral philosophy (...) as an attempt to reconcile the apriori universality and necessity of rationalist ethics with empiricist or sentimentalist strictures concerning the distinction between the ‘ought’ and the ‘is’, between third personal knowledge of the good and first personal motivation. (shrink)

This volume explores the metaphysics of Alexander Gottlieb Baumgarten and its decisive influence on Immanuel Kant. Eleven specially written essays by leading scholars of German philosophy will boost further the growth of interest in Baumgarten as a key figure in the history of European thought.

The chapter shows how Kant’s ethical thought as reflected in the lectures, responds to Baumgarten’s works on moral philosophy. I argue that Kant chose Baumgarten’s textbooks for his classes for genuinely philosophical reasons. The thorough discussion of Baumgarten’s views provided Kant with important clues for developing an original position, even if mostly in opposition to Baumgarten. I illustrate this complex role of Baumgarten with a few significant examples, that also highlight some original aspects of Baumgarten’s position in comparison to Wolff’s: (...) (1) Kant follows Baumgarten’s in focusing on obligation as the crucial issue in moral philosophy, but Kant regards Baumgarten’s account as not satisfying. (2) Baumgarten’s sharply theistic foundation of morality is rejected by Kant. (3) Kant rejects also several significant aspects of Baumgarten’s division of ethical duties, thereby revealing profound differences in their conceptions of morality. (shrink)

Richard Kroner hat 1921 sein bekanntes Werk Von Kant bis Hegel veröffentlicht. Das Gegenstück dazu, eine Darstellung unter dem Titel Von Wolff bis Kant, ist dagegen leider bis heute ein Desiderat der Forschung geblieben. Zumindest für einen wichtigen Teilaspekt, die Geschichte des Weltbegriffs, die schließlich in Kants Antinomienlehre kulminiert, leistet diese Arbeit eine bedeutsame Vorarbeit. Zugleich werden am Leitfaden dieses Schlüsselproblems aber auch Grundlinien der Gesamtentwicklung von Wolff bis Kant zumindest in Umrissen sichtbar.

When, in 1735, Alexander Gottlieb Baumgarten added a new discipline to the philosophical system, he not only founded modern aesthetics but also contributed to shaping the modern concept of art or 'fine art'. In The Founding of Aesthetics in the German Enlightenment, Stefanie Buchenau offers a rich analysis and reconstruction of the origins of this new discipline in its wider context of German Enlightenment philosophy. Present-day scholars commonly regard Baumgarten's views as an imperfect prefiguration of Kantian and post-Kantian aesthetics, but (...) Buchenau argues that Baumgarten defended a consistent and original project which must be viewed in the context of the modern debate on the art of invention. Her book offers new perspectives on Kantian aesthetics and beauty in art and science. (shrink)

This volume provides English translations of texts that form the essential background to Kant's Critique of Pure Reason. Presenting the projects of Kant's predecessors and contemporaries in eighteenth-century Germany, it enables readers to understand the positions that Kant might have identified with 'pure reason', the criticisms of pure reason that had developed prior to Kant's, and alternative attempts at synthesizing empiricist elements within a rationalist framework. The volume contains chapters on Christian Wolff, Martin Knutzen, Alexander Baumgarten, Christian Crusius, Leonhard Euler, (...) Johann Lambert, Marcus Herz, Johann Eberhard, and Johann Tetens. Each chapter includes a brief introduction that provides succinct biographical and bibliographical information on these authors, a concise account of their projects, and information on the importance of these projects to Kant's First Critique. Extensive references to the First Critique, brought together in a concordance, highlight the potential relevance of each text. (shrink)

Available for the first time in English, this critical translation draws from the original seven Latin editions and Georg Friedrich Meier's 18th-century German translation. Together with a historical and philosophical introduction, extensive glossaries and notes, the text is supported by translations of Kant's elucidations and notes, Eberhard's insertions in the 1783 German edition and texts from the writings of Meier and Wolff. For scholars of Kant, the German Enlightenment and the history of metaphysics, Alexander Baumgarten's Metaphysics is an essential, authoritative (...) resource to a significant philosophical text. (shrink)

This paper defends the Principle of Sufficient Reason, taking Baumgarten as its guide. The primary aim is not to vindicate the principle, but rather to explore the kinds of resources Baumgarten originally thought sufficient to justify the PSR against its early opponents. The paper also considers Baumgarten's possible responses to Kant's pre-Critical objections to the proof of the PSR. The paper finds that Baumgarten possesses reasonable responses to all these objections. While the paper notes that in the absence of a (...) response to Kant's Critical discussion of the PSR, this result does not vindicate the principle, it shows how this discussion provides a deeper understanding of what, according to Baumgarten, the PSR really assumes and intends, and prepares the way for a more responsible discussion of Kant's Critical objections to Baumgarten's supposed proof. (shrink)

This article considers three objections Immanuel Kant raises against Alexander Baumgarten’s plan for a science of aesthetics at different points in his career. Although Kant’s objections appear to be contradictory, this article argues that the contradiction is the result of an anachronism in the composition of Kant’s Logic. When the contradiction is resolved, it becomes apparent that Kant’s main reason for rejecting Baumgarten’s aesthetics during the pre-critical period—the lack of a priori principles for a critique of taste—loses its force after (...) Kant develops a kind of critique that yields a priori principles and then discovers a priori principles of aesthetic judgment. Instead of withdrawing his objections, Kant finds different reasons to deny that aesthetics can be a science, based on the distinction between determining and reflective judgments. (shrink)

A clear and concise account of the relationship between aesthetics and philosophy in Europe during the seventeenth and eighteenth centuries and the development of aesthetics as a discipline in its own right.

One of the most important concepts Baumgarten introduces in his Reflections on Poetry is the concept of sensible perfection. It is surprising that Baumgarten does not elaborate upon this concept in his Metaphysics, since it plays such an important role in the new science of aesthetics that he proposes at the end of the Reflections on Poetry and then further develops in the Aesthetics. This article considers the significance of the absence of sensible perfection from the Metaphysics and its implications (...) for Baumgarten’s aesthetics, before turning to the use Meier and Kant make of Baumgarten’s concept. In the end, this article shows that Baumgarten did not abandon his conception of sensible perfection in the Metaphysics, though its influence declined significantly after Kant rejected the idea that sensibility and the understanding could be distinguished by the perfections of their cognition. (shrink)

This essay focuses on the relation between man and the world in Kant’s anthropology. Within Baumgarten’s Metaphysica, used as a manual by Kant for his lessons, empirical psychology is situated between cosmology and rational psychology. However, this view is untenable for Kant, at least after the first Critique. Consequently, whereas Baumgarten explains, for instance, obscure ideas referring to the bodily position in the world, Kant’s pragmatic approach excludes this. Yet, the concept of «Welt» retains paramount importance within Kant’s Anthropology. The (...) two parts of the work are thus harmonically linked: the first offers an account of a largely pathological human psychology; the second a way out of the pathology through the construction of a social and historical human world. Accordingly, anthropology responds to the «Weltbegriff» of philosophy and helps to correct the deviations from the final rational destination of mankind. (shrink)

In this paper, I consider Baumgarten’s views on the soul in the context of the Pietist critique of Wolff’s rational psychology. My primary aim is to account for the largely unacknowledged differences between Wolff’s and Baumgarten’s rational psychology, though I also hope to show that, in some cases, the Pietists were rather more perceptive in their reading of Wolff than they are typically given credit for as their criticisms frequently succeed in drawing attention to significant omissions in Wolff’s discussion.

A mediados del siglo XVIII, A. Baumgarten estableció una “ciencia del conocimiento sensible ” o estética. Su propuesta ampliaba el legado de Leibniz y Wolff, profundizaba la noción de experiencia y asumía el esquema tradicional de la Idea que Leibniz criticó a Descartes, pero considerando la acepción de ideas “simbólicas”. No obstante su relevancia, la propuesta de Baumgarten no siempre es considerada para comprender la teoría del arte, que aparece como una vía menos relevante frente a la revolución kantiana de (...) la estética asociada a la noción de juicio de gusto. (shrink)